Close attention is paid both to the literary form in which the theology is expressed and to the original context to which the book was addressed. Contrary to many misunderstandings of Revelation, it is shown to be one of the masterpieces of early Christian literature, with much to say to the Church today. This study offers a unique account of the theology and message of Revelation.

    For frankness, directness, intensity and intimacy, they are unrivaled in all of Scripture. Somehow the psalmists seem to have anticipated all our awe, desires and frustrations. No wonder Christians have used the Psalms in worship from the earliest times to the present. Yet the Psalms cause us difficulties when we look at them closely. Their poetry is unfamiliar in form. Many images they use are foreign to us today. And the psalmists sometimes express thoughts that seem unworthy of Scripture. Tremper Longman gives us the kind of help we need to overcome the distance between the psalmists' world and ours. He explains the various kinds of psalms, the way they were used in Hebrew worship and their relationship to the rest of the Old Testament. Then he looks at how Christians can appropriate their message and insights today. Turning to the art of Old Testament poetry, he explains the use of parallelism and imagery. Step-by-step suggestions for interpretating the psalms on our own are followed by exercises for further study and reflection. Also included is a helpful guide to commentaries on the Psalms. Here is a book for all those who long to better understand these mirrors of the soul.

    F. Bruce commented on the first edition, "I am glad to give it my warm commendation. As an introduction to the criticism of the New Testament it has . . . no equal in English." Since Bruce's comments on the original edition thirty years ago, this clear and comprehensive introduction to New Testament textual criticism has remained a popular text for beginning and intermediate students."A celebrated pedagogue who has kept abreast of his field for over four decades, Harold Greenlee is uniquely suited to produce an introduction to the complex world of New Testament textual criticism. His first edition provided lucid explanations of the most important aspects of the field, making it an ideal introduction for beginning students. For this second edition, Greenlee has revised significant features of his presentation, ensuring that this will be a useful and important primer for years to come."Â�Bart D. Ehrman, University of North Carolina, Chapel Hill, Chair, NT Textual Criticism Section of the Society of Biblical Literature"It is good to have Greenlee's primer available again, for nowhere else will one find explanations of and introductions to so wide a range of critical editions of the New TestamentÂ�from Tischendorf to UBS, including the lesser known but still valuable editions of Souter, Merk, Bover, and Legg. The student who works through Greenlee's discussion of the praxis of textual criticism will learn the craft from a reliable guide."Â�Michael W. Holmes, Bethel College, North American Editor, International Greek New Testament Project

    A veteran professor illuminates each Old Testament historical book by examining its content, structure, and theological message.

    s/t: English edition: completely revised on the basis of the Greek text of the Nestle-Aland 26th edition & Greek New Testament 3rd edition: the text is the 2ed edition of the Revised Standard Version

    

    The text is arranged pedagogically, with added attention given to applying Scripture to life. The topics addressed include basic tools of how to read the Bible, the general nature of the interpretive task, and how to interpret and apply texts from specific genres of the Old and New Testaments.

    Every article from the original edition has been revisited. With some articles being removed, others revised, and many new articles added, the result is a completely new dictionary covering systematic, historical, and philosophical theology as well as theological ethics.

    Benware also helps readers understand God's covenant promises to Israel.

    Incredible events, amazing love stories, larger-than-life personalities, and deep theological themes are just some of the treasures found in Joshua, Judges, Ruth, 1 & 2 Samuel, 1 & 2 Kings, 1 & 2 Chronicles, Ezra, Nehemiah, Esther.These books tell the story of the nation of Israel and the God who loves her, punishes her, and always brings this recalcitrant people back to Himself. It is really the story of all of us.David M. Howard Jr. provides an in-depth introduction to the Old Testament historical books, focusing first on the overarching themes of historical narrative in general. He then turns his attention to each book, considering topics like:Authorship and datePlace in the canonHistorical and cultural contextTheology of the bookSpecial issues pertaining to the bookFrom the conquest of Canaan to the fall of Jerusalem, from war to peace and back to war, from kings and queens to farmers and housewives—David Howard covers it all in this invaluable introduction to the Old Testament historical books.

    Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. Four Portraits, One Jesus is a thorough yet accessible introduction to these documents and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books, first addressing their nature, origin, methods for study, and historical, religious, and cultural backgrounds. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus’ ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels.

    Its central figure was a Jew. His followers were all Jews; yet no translation--except this one--really communicates its original, essential Jewishness. Uses neutral terms and Hebrew names. Highlights Jewish features and Jewish references. Corrects mistranslations from an anti-Jewish theological basis. Freshly rendered into English using the Greek texts, this is a must for learning about first-century faith.

    For more than two decades, Stuart has been providing a reliable step-by-step guide on how to write an exegetical paper on the Old Testament. Now a new generation of students has an indispensable tool for serious biblical study.

    It is interesting, engaging, and crucial material. --Norman Geisler This is an accessible, comprehensive, and persuasive resource providing detailed evidence for the resurrection of Jesus. It also demonstrates how to share the material clearly, honestly, and definitively. Included is an interactive CD which tests the reader's knowledge of the material by using an entertaining TV game show format.[The authors] have distinguished themselves as leading experts on the evidence for this all important event. --D. James KennedyWritten by the leading evangelical apologist on the resurrection and an up-and-comerIncludes an interactive CD to cement the information from the bookWritten for lay people but includes extensive footnotes that scholars will find valuableIncludes charts, diagrams, and a detailed outline for quick reference

    Written by a biblical scholar who has devoted thirty years to the study of the second Gospel, this commentary aims primarily to interpret the Gosepl of Mark according to its theological intentions and purposes, especially as they relate to the life and ministry of Jesus and the call to faith and discipleship. Unique features of James Edwards's approach include clear descriptions of key terms used by Mark and revealing discussion of the Gospel's literary features, including Mark's use of the "sandwich" technique and of imagistic motifs and irony. Edwards also proposes a new paradigm for interpreting the difficult "Little Apocalypse" of chapter 13, and he argues for a new understanding of Mark's controversial ending.