Yet although no other individual has attracted so much speculation across the centuries, Alexander himself remains an enigma. Curtius' History offers a great deal of information unobtainable from other sources of the time. A compelling narrative of a turbulent era, the work recounts events on a heroic scale, detailing court intrigue, stirring speeches and brutal battles--among them, those of Macedonia's great war with Persia, which was to culminate in Alexander's final triumph over King Darius and the defeat of an ancient and mighty empire. It also provides by far the most plausible and haunting portrait of Alexander we possess: a brilliantly realized image of a man ruined by constant good fortune in his youth.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Michael Kulikowski s history begins with the reign of Hadrian, who visited the farthest reaches of his domain and created stable frontiers, to the decades after Constantine the Great, who overhauled the government, introduced a new state religion, and founded a second Rome.Factionalism and intrigue sapped the empire from within, even at its apex. Roman politics could resemble a blood sport: rivals resorted to assassination; emperors rose and fell with bewildering speed, their reigns measured in weeks, not years; and imperial succession was never entirely assured. Canny emperors including Marcus Aurelius, Septimius Severus, and Diocletian constantly cultivated the aristocracy s favor to maintain a grip on power. Despite such volatility, the Roman Empire protected its borders, defeating successive attacks from Goths and Germans, Persians and Parthians. Yet external threats persisted and the imperial government sagged under its own administrative weight. Religion, too, was in flux with the rise of Christianity and other forms of monotheism. In the fourth century CE, Constantine and his heirs reformed imperial institutions by separating civilian and military hierarchies, restructuring the government of both provinces and cities, and ensuring the prominence of Christianity.The Triumph of Empire is a fresh, authoritative narrative of Rome at its height and of its evolution from being the central power of the Mediterranean world to becoming one of several great Eurasian civilizations."

    In 2014, Richard Fidler and his son Joe made a journey to Istanbul. Fired by Richard's passion for the rich history of the dazzling Byzantine Empire - centred around the legendary Constantinople - we are swept into some of the most extraordinary tales in history. The clash of civilizations, the fall of empires, the rise of Christianity, revenge, lust, murder. Turbulent stories from the past are brought vividly to life at the same time as a father navigates the unfolding changes in his relationship with his son.GHOST EMPIRE is a revelation: a beautifully written ode to a lost civilization, and a warmly observed father-son adventure far from home.

    In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil's art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer's life and give it powerful allegorical meaning. These four books contain some of Virgil's finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis's lyrical translations are classics in their own right.

    Cato grappled with homegrown terrorists, a public and private debt crisis, a yawning gap between rich and poor, and a fractious ruling class whose lives took on the dimensions of soap opera.This is the story of this uncompromising man’s formation in a time of crisis and his lifelong battle to save the Republic.

    Centurion Quintus Flavius Rufio returns to Gaul near the Rhine to finish his career with the Twenty-fifth Legion. An invasion by the Germans is imminent, and the veteran Rufio takes command of a century with many recruits whom he must train on the eve of the German onslaught. Rufio's return to Gaul has a wider significance as well. Twenty years earlier, he accidentally killed a young Gallic woman in battle. Still haunted by this, he is confronted by her daughter, orphaned as an infant and now an adult, and his search for redemption takes an unexpected turn in his relationship with her. Legion climaxes with the outnumbered Romans attacking the Germans in a savage battle as the barbarians storm into Gaul in a war of annihilation.

    

    Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war of all time is rigorous and meticulous, yet omits the many aids to comprehension modern readers take for granted—such as brief biographies of the story's main characters, maps and other visual enhancements, and background on the military, cultural, and political traditions of ancient Greece.Robert Strassler's new edition amends these omissions, and not only provides a new coherence to the narrative overall but effectively reconstructs the lost cultural context that Thucydides shared with his original audience. Based on the venerable Richard Crawley translation, updated and revised for modern readers, The Landmark Thucydides includes a vast array of superbly designed and presented maps, brief informative appendices by outstanding classical scholars on subjects of special relevance to the text, explanatory marginal notes on each page, an index of unprecedented subtlety and depth, and numerous other useful features. Readers will find that with this edition they can dip into the text at any point and be immediately oriented with regard to the geography, season, date, and stage of the conflict.In any list of the Great Books of Western Civilization, The Peloponnesian War stands near the top. This handsome, elegant, and authoritative new edition will ensure that its greatness is appreciated by future generations.

    However, narratives about the “civilized” Greek and Roman empires resisting the barbarians at the gate are far from accurate. Tony Spawforth, an esteemed scholar, author, and media contributor, follows the thread of civilization through more than six millennia of history. His story reveals that Greek and Roman civilization, to varying degrees, was supremely and surprisingly receptive to external influences, particularly from the East.   From the rise of the Mycenaean world of the sixteenth century B.C., Spawforth traces a path through the ancient Aegean to the zenith of the Hellenic state and the rise of the Roman empire, the coming of Christianity and the consequences of the first caliphate. Deeply informed, provocative, and entirely fresh, this is the first and only accessible work that tells the extraordinary story of the classical world in its entirety.

    The author takes the reader on each of Caesar's campaigns in ancient France, Britain, and Germany, describing his battles on land and sea, including the invasion of England, the bridge across the Rhine, and sieges of numerous Celtic strongholds.

    Auden. What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse?Charlotte Higgins has traced these tales by setting out to discover the remains of Roman Britain for herself, sometimes on foot, sometimes in a splendid, though not particularly reliable, VW camper van. Via accounts of some of Britain's most intriguing, and often unjustly overlooked ancient monuments, Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how the Romans first imagined, and wrote, these strange and exotic islands, perched on the edge of the known world, into existence.

    Pascal said the shape of her nose changed the history of the world. Shakespeare portrayed her as an icon of tragic love. But who was Cleopatra, really?Cleopatra was the last ruler of the Macedonian dynasty of Ptolemies. Highly intelligent, she spoke many languages and was rumored to be the only Ptolemy to read and speak Egyptian. Her famous liaisons with Julius Caesar and Mark Antony had as much to do with politics as the heart. Ruthless in dealing with her enemies, many within her own family, Cleopatra steered her kingdom through difficult times, and very nearly succeeded in creating an eastern empire to rival the growing might of Rome.Her story was well documented by her near contemporaries, and the tragic tale of contrasts and oppositions—the seductive but failing power of ancient Egypt versus the virile strength of modern Rome—is so familiar we almost feel that we know Cleopatra. But our picture is highly distorted. Cleopatra is often portrayed as a woman ruled by emotion rather than reason; a queen hurtling towards inevitable self-destruction. But these tales of seduction, intrigue, and suicide by asp have obfuscated Cleopatra’s true political genius.Stripping away our preconceptions, many of them as old as Egypt’s Roman conquerors, Egyptologist Joyce Tyldesley offers a magnificent biography of a most extraordinary queen.

    Averil Cameron, an authority on later Roman and early Byzantine history and culture, captures the vigor and variety of the fourth century, doing full justice to the enormous explosion of recent scholarship.After a hundred years of political turmoil, civil war, and invasion, the Roman Empire that Diocletian inherited in AD 284 desperately needed the radical restructuring he gave its government and defenses. His successor, Constantine, continued the revolution by adopting--for himself and the Empire--a vibrant new religion: Christianity. The fourth century is an era of wide cultural diversity, represented by figures as different as Julian the Apostate and St. Augustine. Cameron provides a vivid narrative of its events and explores central questions about the economy, social structure, urban life, and cultural multiplicity of the extended empire. Examining the transformation of the Roman world into a Christian culture, she takes note of the competition between Christianity and Neoplatonism. And she paints a lively picture of the new imperial city of Constantinople. By combining literary, artistic, and archaeological evidence. Cameron has produced an exciting record of social change. The Later Roman Empire is a compelling guide for anyone interested in the cultural development of late antiquity.

    AD 55-138) captures the splendour, the squalor, and the sheer energy of everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society

    His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Information about this Folio Society edition (taken from the Editorial Note):Theodor Mommsen’s Römische Geschichte was first published in three volumes between 1854 and 1856, and was subsequently revised several times. The text of the present volume is derived from William Purdie Dickson’s translation, first published in four volumes by Richard Bentley in London in 1868, of the fourth German edition.The text printed in the ensuing pages preserves slightly less than half of the 1868 edition’s three-quarters of a million words. In abridging a work of such magnitude, strict guiding principles tend to be honoured as much in their breach as in their observance. With that caveat in mind, therefore, the intention in this edition has been to provide, within a single volume, a continuous narrative of the history of Rome, from the origins of the city down to the Civil War that resulted in the sole rule of Julius Caesar (c.753—46BC). At the same time, it is hoped that the selection represents the essential character of Mommsen’s historical vision, and can be read with both pleasure and profit by a non-specialist audience.In pursuit of these goals, the relative amount of space devoted to each of the main periods of Roman history has been preserved, and Mommsen’s own book divisions and titles retained. Similarly, the original chapter titles and breaks—and indeed even the paragraphing—has been followed as closely as possible. Wirth some obvious exceptions, marginal precedence has been given to social and constitutional developments, and to political events and conflicts in Rome and Italy, over foreign policy and the detailed narration of overseas wars. Consequently, the significant amount of background information that Mommsen provided concerning the foreign nations with which Rome came into violent contact—Etruscans, Celts, Carthaginians and the peoples of the Hellenistic eastern Mediterranean among them—has been almost entirely excised. And the summaries on literature and the arts that were tacked on to the end of each book have also had to be omitted. Within these broad parameters, however, every effort has been made to ensure that the full spectrum of Mommsen's themes, methodology, and style is portrayed.So that the text retains its readability, all cuts have been made silently, without the distraction of frequent ellipses. Where it has proved impossible to provide a continuous narrative in Mommsen’s own words, then editorial linking passages, printed in smaller type than the rest of the text, have been supplied. These confine themselves to the bare essentials and take a deliberately conservative line in order to sit more comfortably with the main narrative. the new maps and extensive chronology are also intended to compensate for information otherwise excised. A handful of editorial footnotes and other brief interpolations have been added where essential for sense. All such additions to the original text, as well as any other localised rewordings necessitated by the cuts, are contained within square brackets. Most of Mommsen’s analogies to subsequent historical events, which are one of the many delights of his work, require no explanation for an educated readership.Any attempt to update Mommsen’s scholarship would be presumptuous, if not completely foolhardy, and so all points of fact and interpretation have been allowed to stand without comment. thus, for example, Mommsen’s belief that Caesar was probably born in 102BC—rather than 100 BC, as is now generally accepted—has not been amended. Nor has it been deemed necessary to bring into line with current accepted norms either the spelling of proper nouns or Disckon’s faithful equivalents of Mommsen’s deliberately idiosyncratic and anachronistic rendition of Latin terms. Of these, the most noticeable is undoubtedly the word ‘burgess’ instead of ‘citizen’. While proving that few things date faster than modernity, they also provide an important reminder that Mommsen wrote his history with the pressing political and national issues facing both pre-unification Germany and the rest of the mid-nineteenth0century Europe directly in mind.