So writes the playwright, novelist and erstwhile QC, John Mortimer. And as a septuagenarian, he is writing from experience. But it's not the effort it takes to put on socks, or the need to use people as props to stop falling over, or the sad fact that one may be compelled to buy a "Decorative Window Film" to prevent against walking into glass doors that Mortimer objects to. "The real trouble with old age", he says, "is it lasts for such a short time". 'The Summer of a Dormouse' is a wickedly funny journal in which Mortimer wryly observes the absurdities of old age. After all, "No one should grow old who isn't ready to appear ridiculous". And Mortimer freely admits he often does. Such as the time he unintentionally pirouetted down some marble steps after getting out of a hotel bathtub and crashed into a set of shelves. "I fell amongst splintering glass and a hailstorm of cotton-wool buds, aware of a torrent of destruction". However, in spite of his partial immobility, failing eyesight and frequent tendency to topple over, Mortimer deals with his increasing decrepitude with formidable fortitude. Even a death threat fails to faze him: "Some one's offering to kill me - why on earth should they bother?" Sharp and dark, 'The Summer of a Dormouse' is an upbeat account of a man not afraid to stare mortality in the face. - Christopher Kelly

    Australia was alive to the historic possibilities. Here was a new approach for a new time.It was to last three extraordinary years.This is Julia Gillard’s chronicle of that turbulent time – a strikingly candid self-portrait of a political leader seeking to realise her ideals. It is her story of what it was like – in the face of government in-fighting and often hostile media – to manage a hung parliament, build a diverse and robust economy, create an equitable and world-class education system, ensure a dignified future for Australians with disabilities, all while attending to our international obligations and building strategic alliances for our future. This is a politician driven by a sense of purpose – from campus days with the Australian Union of Students, to a career in the law, to her often gritty, occasionally glittering rise up the ranks of the Australian Labor Party.Refreshingly honest, peppered with a wry humour and personal insights, Julia Gillard does not shy away from her mistakes, as well as detailing her political successes. Here is an account of what was hidden behind the resilience and dignified courage Gillard showed as prime minister, her view of the vicious hate campaigns directed against her, and a reflection on what it means – and what it takes – to be a woman leader in contemporary politics.Here, in her own words, Julia Gillard reveals what life was really like as Australia’s first female prime minister.

    This memoir takes the reader from his rather curious childhood, as the son of decidedly eccentric parents, to his flirtation with show business as part of the 60s satire boom - he starred in revue with Alan Bennett - and his early years in journalism on the Liverpool Post to his 30 years at the BBC.

    The party that won a landslide victory on May Day 1997 made the special claim that it represented a decisive break with the disappointments of the old left and the old right: its Third Way would transcend both. Having fashioned an extraordinarily wide coalition to secure power, New Labour would hold it as Servants of the People. Was that a grandiloquent way of saying the government would be enslaved to the opinion polls? Or has Tony Blair been pursuing a strategic plan, breathtaking in its audacity, to remake the political landscape of Britain in the third millennium?'Downing Street is said to be 'furious' at this book - and it is easy to understand why. It is the first meticulous chronicle of all that has happened since that bright May Day three years ago which first brought the Blair government to office' Anthony Howard, Sunday Times'Riveting ... the Government's dirty washing has been well and truly hung out in public' Rachel Sylvester, Daily TelegraphAndrew Rawnsley is associate editor and chief political commentator for the Observer. For many years he presented BBC Radio 4's Sunday evening Westminster Hour, and he has also made a number of highly acclaimed television documentaries.

    But with the fall of the Berlin Wall in 1989, she found herself swept up in a flood of startling revelations from her mother's earlier life. As she pored through old photographs and documents, she began to ask questions about secrets and omissions. The answers she found both shocked and inspired her, and would irrevocably transform her view of her mother, herself, and the meaning of family legacy.From Berkeley, California to New York City, to Leipzig, Germany, this compelling memoir takes you across continents and lifetimes."The Woman in the Photograph" will make you wonder about the men and women in your own photographs and how your life has been shaped by events you know little about.

    While there she was reunited with her sister Danka. Each day became a struggle to fulfill the promise Rena made to her mother when the family was forced to split apart--a promise to take care of her sister.One of the few Holocaust memoirs about the lives of women in the camps, Rena's Promise is a compelling story of the fleeting human connections that fostered determination and made survival a possibility. From the bonds between mothers, daughters, and sisters, to the links between prisoners, and even prisoners and guards, Rena's Promise reminds us of the humanity and hope that survives inordinate inhumanity.

    Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    In this deeply personal show, the legendary Peabody Award-winning journalist takes audiences through the most pivotal moments of his life, from surviving a debilitating illness as a child in Depression-era Texas to covering monumental moments in American history such as the Civil Rights movement, the assassination of JFK, and Watergate. An intimate evening of candid commentary, memories, and laughter, Stories of a Lifetime is a celebration of the power of a free press and reminder of why it’s more important now than ever.©2020 Dan Rather (P)2020 AO Media LLC

    Five days after Hitler marches Eric and his parents flee for their lives. His mother hides out in Italy, taking her son deeper and deeper into the mountains to avoid capture. This book tells his story.

    Tens of millions of Americans share a conviction that, as a people, we're better than this. They share a hope that their government, too, might someday be better than what we have. This book is about that hope as well."--Senator Michael Bennet Everything Is in Our Hands (a powerful phrase from the conclusion of James Baldwin's "The Fire Next Time") is a unique contribution to American political writing. Distinguished Democratic Senator Michael Bennet lifts a veil on the U.S. Senate, and chronicles the dramatic full stories behind five decisions crucial to all Americans, each of which exemplifies the partisan politics that are upending our democracy and the American people.The highly politicized nominations and appointments of judges at all levels, including the block of Merrick Garland and Brett Kavanaugh's Supreme Court controversy. The blind shredding of the Iran nuclear deal that undermined our longstanding bipartisan approach to foreign policy. The appalling corruption of money in politics and why it is directly connected to complete inaction on climate change. The recent tax cut that massively increased the national debt as well as financial inequality across the country. The ugly sabotage by a minority in Congress of the bi-partisan plan that would have reformed our immigration policies years ago and resolved the issues we currently face. By revealing how these decisions were truly made--reminding readers what was said, by whom, in what context--and by providing substantive suggestions for ending our hyper-partisan politics, Bennet will inspire Americans of all political persuasions to demand that the winners of political debate be the American people, not one party or the other.

    In gripping detail, they recount the drama, tensions, and everyday activities of the man they knew as a husband and father. Married at fifteen, Najwa describes the transformation of the quiet, serious young man she fell in love with into an authoritarian husband and stern father, an entrepreneur, and – finally – the leader of a complex international terrorist network. Uprooted from a life of extraordinary luxury and privilege in Saudi Arabia, they suddenly found themselves living life on the run, fleeing from country to country under assumed names and fake passports. Omar describes how he and his siblings were brought up in remote ranches and fortified Afghani mountain camps, handling Kalashnikovs and learning desert survival skills. Their eventual escape from Afghanistan would come just days before the terrible events of 9/11 changed the world forever. With unprecedented access and exclusive family photographs, Jean Sasson, author of the bestselling Princess, presents the story that we were never meant to hear.