At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    Until a knock at the door shattered sanctuary.Rynn is the little girl who lives in the house at the end of the lane with her father-or so she says. No one had seen the poet, Leslie Jacobs, for a long time, and though the pungent aroma of Gauloise filled the parlor with intimations of his presence, no one was certain he was there:Not Mrs. Hallet, the real estate agent who'd rented the old house to the eminent English poet and his daughter and whose formidable manner, product of her impeccable Long Island lineage, brooked no betrayals, especially not from a thirteen-year-old...Not her son Frank, whose Halloween visit, intruding on Rynn's birthday rituals, had been more trick than treat and whose own insidious motives would soon lock them both in a perilous contest of will...Not the local policeman who came to call and, lured by what he had seen, returned...Not the shy young amateur magician who arrived on an errand-and stayed to become confidant and co-conspirator...Who was the little girl who lived in such strange seclusion at the end of the leaf-swept land? Lonely and innocent seeking shelter from a hostile world? Or consummate liar? Each for his own reason, the Hallets were determined to find out. And it was then that the terrible secrets of the house at the end of the lane emerged. Moving with swift and shocking turnabout to a profoundly disturbing denouement, here is a fine and freezing novel of suspense that probes the subtle bonds of innocence to evil.

    As the cellar filled with corpses, the family coffers filled with cash.Pretty young Philo Drax didn't have a family anymore. Katie had finished off her grandfather and her mother, and promised to put Philo out of her misery very soon now.It was a hard, cruel world for an innocent girl alone, but Philo was glad to be alive, and eager to continue so. She had prospeccts of a romantic marriage to sustain her through her trials. While Katie, poor creature, had only her cunning... and her hammer.DON'T EVER TURN YOUR BACK ON KATIE!

    They’ve never had children; they spend their days tending to their home and enjoying their time together. One day, when the oil man, Richard, is refilling their furnace, Alice invites him to dinner, never suspecting that a casual act of charity will lead to a horrifying, morbid discovery in the crawlspace underneath their beloved house.The Graves take Richard into their lives, becoming attached to his presence as though to the son they never had. Their town, though, is not nearly so welcoming. When the locals lash out against the Graves and their strange houseguest, the contented household is irrevocably drawn into a darkness they could not have imagined.

    As Olivia grew into a young woman, her mother’s erratic behavior turned to madness, with fits of rage and despair over her childhood home, the grand plantation Devereaux House, which Olivia never knew. During her mother’s dark rages, Olivia dreamed of going to her family home and reclaiming her legacy.After her mother’s death, Olivia yearns to find her roots and meet the grandmother she never knew. Keeping her identity a secret, she travels to Devereaux House, where she is hired as a member of the household staff. At last, the doors to Devereaux House are opened. But Olivia can sense that something is not right, and soon she is drawn into a world of dark secrets, and a poisoned legacy of lust and desecration.

    Another woman is approached by a stranger who tells her that her dead child lives. A fifth grade girl "sees" her dead twin beckoning to her. Parents across the nation are being "contacted" by their dead children and the message is the same: "We're alive and we need help!" Original.

    Superstar Izzy Stark has the power to make your dreams - and nightmares - come true. He's the master of disaster, the guru of gore, the doctor of doom, the duke of death and destruction - and you can't escape this command performance.

    But after their marriage, dark secrets from Frank’s past emerge to threaten their happiness, secrets that will lead to murder—and a shocking and horrific conclusion...

    Now the final nightmare must explode. Now the killing frenzy must begin...

    The house belongs to her. She should be happy. But Valerie isn’t quite normal… She’s taking in roommates to make ends meet, but, one by one, they keep ending up dead. Her young niece is crying out for a special kind of discipline that only she can provide. And there’s the voices she hears...voices that want her to do terrible things. Valerie is only trying to survive. If she stops doing what the voices tell her, something grotesquely evil will devour her soul... WHAT’S WRONG WITH VALERIE?

    J. Gahagan] · ss Courier Spr ’38 77 · The Ape and the Mystery [“The Mysterious Mona Lisa Smile”] · ss The Saturday Evening Post Jun 26 ’48 89 · The King Who Collected Clocks [“Royal Impostor”] · nv The Saturday Evening Post May 3 ’47 117 · Bone for Debunkers [“The Karmesin Affair”; Karmesin] · ss The Saturday Evening Post Dec 15 ’62 133 · A Lucky Day for the Boar · ss Playboy Oct ’62 143 · Voices in the Dust of Annan · ss The Saturday Evening Post Sep 13 ’47 161 · Whatever Happened to Corporal Cuckoo? · nv The Brighton Monster, London: Heinemann, 1953; Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954

    Reprint. TV tie-in.

    Higg's' riveting vision of the nightmare underside of the American dream, brilliantly echoes the grand Gothic horror tradition of Edgar Allan Poe and Roald Dahl.

    A Marine Corps psychiatrist with a crisis of faith encourages his patients to enact their fantasies as part of their therapy. However, he proves himself to be more deeply disturbed than at first appears and finally sacrifices himself to save one of his patients.