In the entire town of Massapequa Park, only I can see him for what he really is. A phony.It's the summer of 1969, and things are not only changing in Tamara's little Long Island town, but in the world. Perhaps Tamara could stand to take one small step toward a bit of compassion and understanding? A terrific debut novel with truly vivid characters and a wonderful voice.

    A middle school boy's life is changed when Jessica, a girl disfigured by burns, starts attending his Catholic school while receiving treatment at a local hospital.

    Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day.Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

    Her runaway imagination leads her to bleach a horse, hold a very scary sleepover, and feed the hogs an unusual treat. But can she use her lively mind to help bring a library to Pitchfork?Adventure is pretty scarce in Pitchfork, Oregon. So why shouldn't Emily bleach Dad's old plow horse or try some of her other ideas? "Written with Cleary's customary warmth and humor...The time of the story, about 1920, is delightfully brought to life." -Booklist

    Raised in a cabin by a poet named Sylvan, he grew up listening to sonnets read aloud and the comforting clicking of a keyboard. Although Teddy understands words, Sylvan always told him there are only two kinds of people in the world who can hear Teddy speak: poets and children.Then one day Teddy learns that Sylvan was right. When Teddy finds Nickel and Flora trapped in a snowstorm, he tells them that he will bring them home—and they understand him. The children are afraid of the howling wind, but not of Teddy’s words. They follow him to a cabin in the woods, where the dog used to live with Sylvan . . . only now his owner is gone. As they hole up in the cabin for shelter, Teddy is flooded with memories of Sylvan. What will Teddy do when his new friends go home? Can they help one another find what they have lost?

    In the mirrors that line its grand hallways, which once belonged to a princess. In those that reflect the elegant rooms, now filled with sick children. It is her secret.One morning, when Emmaline climbs over the wall of the hospital’s abandoned gardens, she discovers something incredible: a white horse with broken wings has left the mirror-world and entered her own. Tucked into the garden’s once-gleaming sundial, Emmaline finds a letter from the Horse Lord. He is hiding the wounded white horse, named Foxfire, from a dark and sinister force—a Black Horse who hunts by colorless moonlight. If Emmaline is to keep the Black Horse from finding her new friend, she must collect colorful objects with which to blind him. But where can Emmaline find color when her world is filled with gray?

    Something good. To her. Looking at the bright, fuzzy picture in the magazine, she thought, Something like that. Checking her wish for loopholes, she found one. Hoping it wasn't too late, she thought the word soon.

    Wanda Petronski is ridiculed by her classmates for wearing the same faded blue dress every day. She claims she has one hundred dresses at home, but everyone knows she doesn’t. When Wanda is pulled out of school one day, the class feels terrible, and classmate Maddie decides that she is "never going to stand by and say nothing again." A gentle tale about bullies, bystanders, and having the courage to speak up.

    Some stores she can go into. Some stores she can't. Some folks are right pleasant. Others are a lot less so. To Stella, it sort of evens out, and heck, the Klan hasn't bothered them for years. But one late night, later than she should ever be up, much less wandering around outside, Stella and her little brother see something they're never supposed to see, something that is the first flicker of change to come, unwelcome change by any stretch of the imagination. As Stella's community - her world - is upended, she decides to fight fire with fire. And she learns that ashes don't necessarily signify an end.

    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.

    Pownal, Vermont. At 12, Grace and her best friend Arthur must leave school and go to work as a “doffers” on their mothers’ looms in the mill. Grace’s mother is the best worker, fast and powerful, and Grace desperately wants to help her. But she’s left handed and doffing is a right-handed job. Grace’s every mistake costs her mother, and the family. She only feels capable on Sundays, when she and Arthur receive special lessons from their teacher. Together they write a secret letter to the Child Labor Board about underage children working in Pownal. A few weeks later a man with a camera shows up. It is the famous reformer Lewis Hine, undercover, collecting evidence for the Child Labor Board. Grace’s brief acquaintance with Hine and the photos he takes of her are a gift that changes her sense of herself, her future, and her family’s future.

    She keeps a detailed diary over the span of one Christmas month. Reflecting the sadness but also the optimism that characterized the time, this is an intimate portrait of a Midwestern family's days and nights, ups and downs, triumphs and losses. It's the story of one family's persevering spirit: The Christmas Spirit.

    Between working at her father’s diner, taking care of her younger siblings, and living in the shadow of her more mature sisters, Edith feels lost in a sea of siblings. When a kind teacher encourages Edith to be a teacher herself one day, Edith sees prospects for a future all her own. Full of joy, pain, humor, and sadness, this novel in verse is a wonderful look at the life of Edith Paul, the author's mother, and is an enduring portrait (complete with family photos and an author's note at the end) of one family's pursuit of the American dream.

    Helmsley has grown up in a house full of oddities and treasures collected by his grandparents, the famous explorers. He knows every nook and cranny. He knows them all too well. After all, ever since his grandparents went missing on an iceberg, his mother barely lets him leave the house.Archer longs for adventure. Grand adventures, with parachutes and exotic sunsets and interesting characters. But how can he have an adventure when he can’t leave his house?It helps that he has friends like Adélaïde L. Belmont, who must have had many adventures to end up with a wooden leg. (Perhaps from a run-in with a crocodile. Perhaps not.) And Oliver Glub. Oliver will worry about all the details (so that Archer doesn’t have to).And so Archer, Adélaïde, and Oliver make a plan. A plan to get out of the house, out of their town entirely. It’s a good plan.Well, it’s not bad, anyway.But nothing goes quite as they expect.

    Ruthie Mizrahi and her family recently emigrated from Castro's Cuba to New York City. Just when she's finally beginning to gain confidence in her mastery of English and enjoying her reign as her neighborhood's hopscotch queen, a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie's world shrinks because of her inability to move, her powers of observation and her heart grow larger. She comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.