The Bald Soprano and Other Plays


Eugène Ionesco - 1958
    He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."

The Theater and Its Double


Antonin Artaud - 1938
    

The Vagina Monologues


Eve Ensler - 1996
    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

A Streetcar Named Desire


Tennessee Williams - 1947
    The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

A Raisin in the Sun


Lorraine Hansberry - 1959
    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

Oleanna


David Mamet - 1993
    Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship and abuse.

Antigonick


Anne Carson - 2012
    Antigonick is her first attempt at making translation into a combined visual and textual experience: it will provoke poetry readers, classical scholars, theatre people and comic-book aficionados.

Tales from Shakespeare


Charles Lamb - 1807
    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

God's Gym


Leon de Winter - 2002
    It is the day he celebrates his daughter Miriam's seventeenth birthday, meets his old friend Philip - with whom he has been out of touch for eighteen years and who now works for the Israel Ministry of Defense, and crosses paths with Erroll Washington (aka Godzilla) the owner of God's Gym -- a Venice health club Miriam frequents. Philip has sought out Joop for reasons that are more than personal, and Joop, in turn, has no choice but to let himself be carried along by political developments that he has previously tried to avoid, but that now inescapably control his life.

William Shakespeare's The Phantom of Menace


Ian Doescher - 2015
    The entire saga starts here, with a thrilling tale featuring a disguised queen, a young hero, and two fearless knights facing a hidden, vengeful enemy.'Tis a true Shakespearean drama, filled with sword fights, soliloquies, and doomed romance... all in glorious iambic pentameter and coupled with twenty gorgeous Elizabethan illustrations. Hold onto your mini-chlorians: The play's the thing, wherein you'll catch the rise of Anakin!

Death of a Salesman


Arthur Miller - 1949
    He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine.'Willy Loman has been a salesman for 34 years. At 60, he is cast aside, his usefulness now exhausted. With no future to dream about he must face the crushing disappointments of his past. He takes one final brave action, but is he heroic at last?, or a self-deluding fool?

Arsenic and Old Lace


Joseph Kesselring - 1939
    

The Marriage of Heaven and Hell: In Full Color


William Blake - 1790
    Nowhere is his glorious poetic and pictorial legacy more evident than in The Marriage of Heaven and Hell, which many consider his most inspired and original work.The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy, much of it revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.

The Pillowman


Martin McDonagh - 2003
    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade


Peter Weiss - 1963
    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?