With a tragedy in his past that looms over his future, he faces a long, hard apprenticeship to the foul-tempered scholar Everard, before he can have any chance of becoming a Knight. As he struggles to survive in the harsh discipline of the Temple, Will must try to make sense of many things: his own past, the dangerous mystery that surrounds Everard, and his confused feelings for Elwen, the strong-willed young woman whose path seems always to cross his own.Meanwhile, a new star is rising in the East. A ruthless fighter and brilliant tactician, the former slave Baybars has become one of the greatest generals and rulers of his time. Haunted by his early life, he is driven by an unquenchable desire to free his people from the European invaders of his homeland.With page-turning suspense and thrilling action, the Brethren trilogy brilliantly evokes that extraordinary clash of civilizations known in the West as the Crusades. Robyn Young portrays a rich cast of characters, reflecting on each side greed, ambition and religious fanaticism, as well as courage, love and faith.

    This collection contains the most celebrated works of Willa Cather:My AntoniaO PioneersOne of OursAlexander's BridgeSong of the LarkYouth and the Bright MedusaThe Troll Garden and Selected StoriesIncludes and active table of contents.

    This novel deals with the attempts of the son of (fictional) Chola king Parthiban, Vikraman, to attain independence from the Pallavaruler, Narasimhavarman.

    From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

    This new translation—published in two elegant volumes—is the first to present Musil's complete text, including material that remained unpublished during his lifetime.

    Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton.

    The book brilliantly probes the psychodynamics of alienation, obsession, and self-destruction, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of the abyss. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly influential, landmark novel will also find a wide audience among lovers of books that probe the "unexplored crannies in the human soul" (George Egerton).

    Originally published in the 1930s, and out of print sincer the 50s, this book received rave reviews from the NY Times Book Review, and was a main selection of the Literary Guild. It is the account of the Battle of Gettysburg, as viewed by a pacifist who comes to accept the nasty necessity of combat, and lives an intense and skewed romance along the way.

    . . . the kind of book that can be life-changing.” I Am the Messenger is a cryptic journey filled with laughter, fists, and love, which School Library Journal called “unpretentious, well conceived, and appropriately raw” in a starred review. Markus Zusak is the recipient of the Margaret A. Edwards Award for his significant and lasting contribution to writing for teens, and together, these two stories form an extraordinary collection to showcase the intensity and heart inherent in his storytelling.

    It's an idyllic world grounded in family and friendship, a world full of farm chores and lazy afternoons swimming in the Wolf River with Frankie, his best friend.Things begin to change when Nelson finds himself falling in love with Mary Alice, the blind orphan spending the summer with his aunt. While dealing with the emotional rollercoaster of first love, Nelson learns the secret his best friend has been harboring (he's gay and his alcoholic father beats him for it) and nearly trashes his life-long friendship with Frankie. Just when it seems the two boys have worked it all out, saving their friendship, a mysterious stranger comes to town on an exotic motorcycle and interjects himself into their world, giving Frankie the chance to explore his burgeoning sexuality--with horrific consequences. Capped by the devastation of Hurricane Camille, no one escapes unscathed from those six weeks in the summer of '69.Told with narrative drive that pulls you completely into the story, A Death on the Wolf is an uncompromising coming of age tale full of hard-hitting issues which are tackled head-on with courage; not only by the author, but by the characters he's created. "Real, gritty, heartwarming, with characters and a setting you can see, feel, and taste" (The Kindle Book Review), Nelson's unvarnished fictional memoir will introduce you to a time and place that is no more--and yet shows how courage, love, and friendship are timeless concepts in the face of life's trials and tribulations.

    Through her summer affair with Nick Kazlik, a schoolmate from earlier years, she learns at last to reach out to another person and to make herself vulnerable.A Jest of God won the Governor General’s Award for 1966 and was released as the successful film, Rachel, Rachel. The novel stands as a poignant and singularly enduring work by one of the world’s most distinguished authors.

    The late Gavelis's first translation into English centers on Vytautas Vargalys, a semijustifiably paranoid labor camp survivor who works at a library no one visits while he desperately investigates the Them or They responsible for dehumanizing and killing the humans around him, including his wife, Irena; his genius friend, Gedis; and the young siren, Lolita. Meanwhile, failed intellectual Martynas chronicles Vargalys's struggle and the city's mysterious energy in his mlog, library worker Stefanija Monkeviciute dwells on her wavering faith and personal humiliations, and the city itself speaks in the voice of a dog, claiming that Vilnius can't distinguish dreams from reality. Wrought—and fraught—with symbolism and ennui, the oppressive internal monologues of the characters and the city show the intense importance and equal absurdity of life.

     Who was Padmavati, the Queen of Chittor? What does history tell of her? Where did she come from? What kind of life did she lead? How did she have the courage to jump willingly into fire? Mrinalini goes to Chittorgarh to discover the truth. What does she really discover?

    Or so the story runs-it was in the early days of settlement and the town had never heard of the Sobbin' Women then. But it opened its eyes one day, and there were the Pontipees. They were there but they didn't stay long-just time enough to buy meal and get a new shoe for the lead horse. You couldn't call them unsociable, exactly-they seemed to be sociable enough among themselves. But you could tell, somehow, from the look of them, that they weren't going to settle on ground other people had cleared. They were all high-colored and dark-haired-handsome with a wilderness handsomeness-and when you got them all together, they looked more like a tribe or a nation than an ordinary family. I don't know how they gave folks that feeling, but they did. Yes, even the baby, when the town women tried to handle him. He was a fine, healthy baby, but they said it was like trying to pet a young raccoon. Well, that was all there was to it, at the start. They paid for what they bought in good money and drove on up into Sobbin' Women Valley-only it wasn't called Sobbin' Women Valley then. And pretty soon, there was smoke from a chimney there that hadn't been there before. But you know what town gossip is when it gets started. The Pontipees were willing enough to let other folks alone-in fact, that was what they wanted. But, because it was what they wanted, the town couldn't see why they wanted it. Towns get that way, sometimes.

    Day after day he attends funerals in the townships, dressed with dignity in a threadbare suit, cape, and battered top hat, to comfort the grieving families of the victims of the city's crime, racial hatred, and crippling poverty. At a Christmas day funeral for a young boy Toloki is reunited with Noria, a woman from his village. Together they help each other to heal the past, and as their story interweaves with those of their acquaintances this elegant short novel provides a magical and painful picture of South Africa today.