Resolved to fix up the place, Sorel began pulling up the linoleum on his kitchen floor, tearing away layer after layer until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood and starring the actress Mary Astor. Sorel forgot about his kitchen and lost himself in the story that had pushed Hitler and Franco off the front pages.At the time of the trial, Mary Astor was still only a supporting player in movies, but enough of a star to make headlines when it came out that George S. Kaufman, then the most successful playwright on Broadway and a married man to boot, had been her lover. The scandal revolved around Mary’s diary, which her ex-husband, Dr. Franklyn Thorpe, had found when they were still together. Its incriminating contents had forced Mary to give up custody of their daughter in order to obtain a divorce. By 1936 she had decided to challenge the arrangement, even though Thorpe planned to use the diary to prove she was an unfit mother. Mary, he claimed, had not only kept a tally of all her extramarital affairs but graded them—and he’d already alerted the press. Enraptured by this sensational case and the actress at the heart of it, Sorel began a life-long obsession that now reaches its apex.Featuring over sixty original illustrations, Mary Astor's Purple Diary narrates and illustrates the travails of the Oscar-winning actress alongside Sorel’s own personal story of discovering an unlikely muse. Throughout, we get his wry take on all the juicy details of this particular slice of Hollywood Babylon, including Mary's life as a child star—her career in silent films began at age fourteen—presided over by her tyrannical father, Otto, who "managed" her full-time and treated his daughter like an ATM machine. Sorel also animates her teenage love affair with probably the biggest star of the silent era, the much older John Barrymore, who seduced her on the set of a movie and convinced her parents to allow her to be alone with him for private "acting lessons."Sorel imbues Mary Astor's life with the kind of wit and eye for character that his art is famous for, but here he also emerges as a writer, creating a compassionate character study of Astor, a woman who ultimately achieved a life of independence after spending so much of it bullied by others.Featuring ribald and rapturous art throughout, Mary Astor's Purple Diary is a passion project that becomes the masterpiece of one of America’s greatest illustrators.

    Now, in an even more forward-thinking and necessary book, he shows how to take that critical next step on a creative journey—getting known. Show Your Work! is about why generosity trumps genius. It’s about getting findable, about using the network instead of wasting time “networking.” It’s not self-promotion, it’s self-discovery—let others into your process, then let them steal from you. Filled with illustrations, quotes, stories, and examples, Show Your Work! offers ten transformative rules for being open, generous, brave, productive. In chapters such as You Don’t Have to Be a Genius; Share Something Small Every Day; and Stick Around, Kleon creates a user’s manual for embracing the communal nature of creativity— what he calls the “ecology of talent.” From broader life lessons about work (you can’t find your voice if you don’t use it) to the etiquette of sharing—and the dangers of oversharing—to the practicalities of Internet life (build a good domain name; give credit when credit is due), it’s an inspiring manifesto for succeeding as any kind of artist or entrepreneur in the digital age.

    It is me, plain and unvarnished, with the glitter and garland set aside. Here, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and mother, a sister, and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by His hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say.

    The model and actress describes life with her famed parents, Roberto Rossellini and Ingrid Bergman, her acting and modeling careers, the men in her life, and other personal relationships.

    It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined.I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.

    So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world—everywhere Disney does business and its products are cherished.Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only “the most powerful man in Hollywood” but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards?DisneyWar is an enthralling tale of one of America’s most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. It tells a story that—in its sudden twists, vivid, larger-than-life characters, and thrilling climax—might itself have been the subject of a Disney classic—except that it’s all true.

    The next thirteen years of her life were spent in Jackie's service, during which Kathy not only played a crucial role in raising young Caroline and John Jr., but also had a front-row seat to some of the twentieth century’s most significant events. Because Kathy was always at Jackie’s side, Rose Kennedy deemed her “Jackie’s girl.” And although Kathy called Jackie “Madam,” she considered her employer more like a big sister who, in many ways, mentored her on how to be a lady. Kathy was there during Jackie and Aristotle Onassis’s courtship and marriage and Robert Kennedy’s assassination, dutifully supporting Jackie and the children during these tumultuous times in history. A rare and engrossing look at the private life of one of the most famous women of the twentieth century, Jackie’s Girl is also a moving personal story of a young woman finding her identity and footing in a new country, along with the help of the most elegant woman in America.

    For him, comedy was not a routine; it was a way of life. He could not enter a room unnoticed or let a conversation go without making someone laugh. Fans knew Chris as Saturday Night Live’s sweaty, swaggering, motivational speaker; as the irresistible Chippendales stripper; and as Tommy Callahan, the underdog hero of Tommy Boy. His family knew him as sensitive and passionate, deeply religious, and devoted to bringing laughter into others’ lives. But Chris did not know moderation, either in his boundless generosity toward friends or in the reckless abandon of his drug and alcohol abuse. For ten years, Chris cycled in and out of rehabilitation centers, constantly fighting his insecurities and his fears. Despite three hard-fought years of sobriety, addiction would ultimately take his life at the tragically young age of thirty-three. Fame on SNL and three straight number-one box office hits gave way to a string of embarrassing public appearances, followed by a fatal overdose in December 1997. Here is Chris Farley as remembered by his family, friends, and colleagues—the true story of a man who lived to make us laugh and died as a result. The Chris Farley Show is an evocative and harrowing portrait of a family trapped by addiction, a father forced to bury a son, and a gifted and kindhearted man ultimately torn apart by the demons inside him.

    His performances, particularly in the first 20 years of his career, are unparalleled. The Godfather, Taxi Driver, Mean Streets, The Deer Hunter, Raging Bull-all dazzled moviegoers-a talent the likes of which we have rarely or never seen. Yet so little is known about De Niro-he is an intensely private man, whose rare public appearances are often marked by inarticulateness and all-around awkwardness. It can be almost painful to watch at times, in such contrast to his on-screen personae. In this elegant and compelling biography, Shawn Levy writes of these many De Niros-of the characters, and of the man, seeking to understand an evolution of an actor who once used roles to hide the nature of his real life, and who now turns down those parts, instead to play characters who possess little challenge to his overwhelming talent. From De Niro's roots as the child of artists (often called Bobby Milk for his pasty complexion) to his marriages and life as a father, restauranteur, and philanthropist, and of course to his current movie career, Levy has written a biography that reads like a novel of a character whose inner turmoil takes him to heights of artistry. Among the many who have been key players in his career are the likes of Martin Scorcese, Francis Ford Coppola, Meryl Streep, John Cazale, and countless others who appear in the book.

    What I did not anticipate was how my journey would also resonate with men.America knows Jane Fonda as actress and activist, feminist and wife, workout guru and role model. In this extraordinary memoir, Fonda shows that she is much more. From her youth among Hollywood’s elite to her film career and her activism today, Fonda reveals intimate details and personal truths she hopes can provide a lens through which others can see their lives and how they can live them a little differently. Surprising, candid, and wonderfully written, My Life So Far is filled with insights into the personal struggles of a woman living a remarkable life.

    Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, is as evocative as walking into one of Wong’s lush films.

    From his studio in London, he starts by travelling to three "white hills" - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft and purity. In a sweeping yet intimate style that recalls The Hare with Amber Eyes, de Waal gives us a singular understanding of "the spectrum of porcelain" and the mapping of desire.

    Burt Reynolds has been a Hollywood leading man for six decades, known for his legendary performances, sex-symbol status, and storied Hollywood romances. In his long career of stardom, during which he was number one at the box office for five years in a row, Reynolds has seen it all. But Enough About Me will tell his story through the people he’s encountered on his amazing journey. In his words, he plans to “call out the assholes,” try to make amends for “being the asshole myself on too many occasions,” and pay homage to the many heroes he has come to love and respect. Beginning with Reynolds’s adolescence as a notable football player and the devastating car accident that ended his sports career, But Enough About Me takes readers from the Broadway stages where Reynolds got his start to his subsequent rise to fame. From Oscar nominations, to the spread in Cosmopolitan magazine that remains a notorious pop-cultural touchstone to this day, to the financial decisions that took him from rich to poor and back again, Reynolds shares the wisdom that has come from his many highs and lows. He is also ready, now more than ever, to dish. Reynolds famously romanced Dinah Shore, Sally Field, and Loni Anderson, to name only the top few; batted eyes at Bette Davis, Greta Garbo, Goldie Hawn, Farrah Fawcett, Marilyn Monroe, Candice Bergen, and so many more; went a few rounds (or more) with the likes of Donald Trump and Helen Gurley Brown; and rubbed elbows with Jon Voight, Clark Gable, Clint Eastwood, Frank Sinatra, Orson Welles, Mel Brooks, Woody Allen, and Johnny Carson, among many others. Through it all, Reynolds reflects on his personal pitfalls and recoveries and refocuses his attention on his legacy as a father and an acting teacher, leaving readers with a classic from one of Hollywood’s most enduring and treasured stars.

    Now, for the first time, she speaks out–in her signature straight–talk style–about her own history and career. Olympia Dukakis, internationally known movie and theater star, and cousin of presidential candidate Michael Dukakis, was born into a Greek family in Lowell, Massachusetts. As a first generation Greek–American, Olympia "lived in the hyphen" and struggled to reconcile her American desires with her family's old–world traditions. ASK ME AGAIN TOMORROW tells the story of Olympia's struggle to find her place as an American, as a woman and as a star. It specifically explores the relationship between Olympia, whose main ambition was to live her life exactly as she wanted, and her mother, who spent a lifetime constrained by a tradition that delegated her to second class. Like Sidney Poitier's THIS LIFE and THE MEASURE OF A MAN, this is a book that is more than a celebrity memoir. ASK ME AGAIN TOMORROW will speak to many audiences: readers who also experienced America as an adopted country; readers interested in the art of acting; readers interested in autobiography, and particularly to female readers who have struggled with fitting their own aspirations in with the needs of family. It is a book that will endure.

    François Truffaut called him “an infallible filmmaker . . . Renoir has succeeded in creating the most alive films in the history of cinema, films which still breathe forty years after they were made.” In this book, Jean Renoir(1894-1979)presents his world, from his father’s Montemarte studio to his own travels in Paris, Hollywood, and India. Here are tantalizing secrets about his greatest films—The Rules of the Game, The Grand Illusion, The River, A Day in the Country, La Bête Humaine, Toni. But most of all, Renoir shows us himself: a man if dazzling simplicity, immense creativity, and profound humanity.