Master storyteller Les Edgerton guides us on a haunting journey inside the criminal mind to show that no matter how depraved a person appears to be, there might still exist a spark of humanity.

    His inertia is broken when he becomes the chief suspect in the murders of his soon-to-be ex-wife and her new lover. Set in the town of Modesto, deep in California’s Central Valley, Tussinland is about sex, drugs, addiction, smart phones, Facebook and the internet, digital cable, anti-government militias, reality TV, fundamentalist homophobic Christians, families, 12-step groups, pornography, marriage, death, disease, and love.

    The Last Deep Breath is the latest evidence, a tough yet tender noir that cuts to the heart of what sibling bonds are all about. It ricochets around like a bullet in a cinderblock room - you can never be sure where it's going to go, but you know it's probably going to hurt before it's done." --Brian Hodge, author - WILD HORSES, MAD DOGS."The Last Deep Breath is an absolute gem of a crime novel, with prose so dead-on and moving, you'll be laughing and gasping, often in the same sentence. Tom Piccirilli is already one of the big guns in crime fiction, and proves here that he may be the heir to Elmore Leonard." --Jason Starr, author - PANIC ATTACK, THE CHILL.

    Smith presents his homage to one of his favorite detectives, Nero Wolfe, but written for the "internet porn" generation.Octavia VanderPlatts is wealthy, powerful, and "comfortable with her weight"--or to hear her say it, a "rich fat b****." Her IQ is at the genius level, and she uses it to manipulate and frighten anyone who tries to get in her way. She controls an empire built on discrimination lawsuits won against some of the nation's top companies. On top of that, Octavia doesn't care one wink what people think of her. So when she offers her old friend poetry professor Mick Thooft some help in his impending divorce, he smells an ulterior motive. Maybe because Frances didn't invite Octavia to the wedding for fear of her clearing the buffet. Not only does Octavia want to help, but she's got evidence--plenty of scandalous photos. That's not Mick's style, so he turns her down flat...until he discovers that Fran's trying to take their home based on a near-perfect forgery of his signature. After that he and Octavia charge forward, but soon find they're in deeper than they realized--robot pens, swinger clubs, and a blackmail scheme that holds an entire college faculty hostage. Just when Mick and Octavia are on the cusp of victory, it all goes terribly wrong. Mick is framed for murder and someone targets Octavia's immense wealth and secret backyard greenhouse full of exotic marijuana. With no one on their side except Octavia's butler Jennings, her new personal chef Harriet, and their "Amazon Warrior" lawyer Pamela, Octavia and Mick must find a way to turn the tables before they end up broke, humiliated, and in prison.

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    He's just living out his life in his Appalachian hometown, working odd jobs with his partner, Rory, hemming in his demons the best he can. And his best seems just good enough until his estranged daughter overdoses, and he takes in his 12-year-old granddaughter, Wendy. Just as the two are beginning to forge a relationship, Derrick Kreiger, a dirty Cincinnati cop, starts to take an unhealthy interest in the girl. Pike and Rory head to Cincinnati to learn what they can about Derrick and the death of Pike’s daughter, and the three men circle, evenly matched predators in a human wilderness of junkie squats, roadhouse bars, and homeless Vietnam vet encampments.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

    Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers” (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre.

    Robert Forester, a depressed but fundamentally decent man, liked to watch Jenny through her kitchen window, a harmless palliative, as he saw it, to his lonely life and failed marriage. As he is drawn into her life, however, the recriminations of his simple pleasure shatter the deceptive calm of this small Pennsylvania town. With striking clarity and horrible inevitability, Forester is caught up in a series of deaths in which he is the innocent bystander, presumed guilty. Highsmith has once again, as Graham Greene wrote "created a world of her own, a world claustrophobic and irrational which we enter each time with a sense of personal danger". And that sense of danger grows from the first page to the sinister and chilling conclusion.

    The two detectives soon find themselves up against institutionalised racism and the worst killers in the USA.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.