She meets and joins up with Lloyd Bophtelophti, a true "original" who has changed his name to avoid alimony payments and who now lives with a paraplegic named Pootie (who also pretends to be deaf in order to get double disability). Thus begins a series of picaresque escapades involving numerous psychiatrists, a TV game show, and, eventually, an ill-fated reunion with her husband. Filled with bizarre characters and events, the play reflects the fractured lifestyles which have become the norm for so many in our tenuous times.

    Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    However, his life has not always been a bed of roses. When was just a 12-year-old boy, he saved his best friend from a grisly death at the hands of the outlaw gang that killed her parents. As if that wasn’t enough, his friend was sent away to an orphanage in Denver City and John vowed to one day find the murderers and bring them to justice. Years go by and he works out a plan to shed some blood and take down those who stood in the way of his friend’s happiness. What will John be willing to risk in order to get the revenge he’s been waiting for his whole life?Maggie McDermott is deeply traumatized by the events of that nightmarish night. Having lost all of her childhood memories—even those of her best friend, John, she can’t help but wonder whether she’ll find peace one day. That is until John shows up at her door many years after the haunting event that changed her life. He has become a successful bounty hunter and has a bold plan to recover her childhood memories. His plan involves Maggie joining him on a dangerous mission of vengeance, in order to capture the gang that destroyed her life. Will Maggie find the courage to follow this dangerous prescription to get her childhood memories back?Even though John and Maggie haven’t seen each other for many years, their wild thirst for revenge will take them on a sprawling adventure with gunfire, romance, and a longing for justice. Will John be able to protect the girl from the most infamous outlaw gang in the West? Or will they be forced to abandon all hope for a better life once and for all?

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    This is convincing proof that Manual Puig was one of our most talented writers - no matter what the medium. Puig is the author of seven novels, translated into fourteen languages.

    Ships That Pass tells the story of Tara and Shaan, near strangers to each other after fourteen years of being married, and Tara's sister, Radhika, recently engaged, almost on a whim, to someone she barely knows. Even as Radhika tries to understand how a once ideal marriage has come undone, and struggles with her own feelings for an older man, tragedy strikes: Tara dies in mysterious circumstances and Shaan is arrested for murder. In the aftermath, Radhika realizes that while life may seldom turn out as expected, the only hope lies in finding the courage to take one's chances. A meditation on the nature of love and marriage, this subtle novella is vintage Shashi Deshpande. '[A] mesmerizing writer. . .you can never walk away from her stories.' About the AuthorShashi Deshpande, daughter of the renowned Kannada dramatist and Sanskrit scholar Shriranga, was born in Dharwad. She studied economics in Mumbai, then moved to Bangalore, where she gained a degree in law. Her writing career began in 1970, initially with short stories, of which several volumes have been published. She is also the author of eight novels, the best known of which are That Long Silence, which won the Sahitya Akademi award and is considered a landmark in Indian writing in English; The Dark Holds No Terror; Small Remedies; Moving On; and The Country of Deceit.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.