Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that risks their livelihood, if not their lives, their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers.

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    It is by turns poetic, uplifting, dark and funny as hell. Anthony is an introverted farmer and Rosemary is the woman who vows to have him at all costs. When Anthony's father threatens to disinherit his son, Rosemary steps into the middle of a land feud and family eccentricities beyond what one might imagine. On the brink of romantic catastrophe, this one-of-a-kind Irish heroine fights against time and mortality in hopes of securing her dream of love."Outside Mullingar is a charmer of a play... In [Shanley's] first work set in Ireland, he lovingly tends the roots and tills the soil of his ancestry, spinning a tale suffused with melancholy humor and a deep yearning for heart, home, land, faith and a sense of belonging.... Shanley has a poet’s ear for the lyrical music and twinkly humor of their dialogue." - Hollywood Reporter"Mullingar is Shanley’s best play since Doubt, and like that hit from a decade ago, it’s lean, dialectical and packed with wise saws and aphoristic gems." - Time Out New York"Shanley once again reveals both a touch of the poet and a fine gift of gab." - NY1"Wholly diverting... Mr. Shanley's finest work since Doubt... a softhearted comedy freckled with dark reflections on the unsatisfactory nature of life and the thorns of love." - New York TimesJohn Patrick Shanley is the author of Doubt: A Parable (Pulitzer Prize and Tony Award for Best Play), Danny and the Deep Blue Sea, Four Dogs and a Bone, Dirty Story, Defiance and Storefront Church, among many others. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing for a Miniseries, Movie or Dramatic Special), and the screenplays for Doubt (Academy Award nomination for Best Adapted Screenplay), Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano, and Moonstruck (Academy Award for Best Original Screenplay).

    It’s the bloodiest year of the Northern Irish ‘Troubles’ and sixteen-year-old Eimear O’Callaghan, a Catholic schoolgirl in Andersonstown, West Belfast, bears witness in her new diary. What follows is a unique and touching perspective into the daily life of an ordinary teenager coming of age in extraordinary times. The immediacy of the diary entries are complemented with the author’s mature reflections written forty years later. The result is poignant, shocking, wryly funny and above all, explicitly honest.This unique publication comes at a time when Northern Ireland is desperately struggling to come to terms with the legacy of its turbulent past. It provides a powerful juxtaposition of the ordinary, everyday concerns of a sixteen-year-old girl – who could be any girl in any British or Irish city at this time, worrying about her hair, exams, clothes, discos – with the unimaginable horror of a society slowly disintegrating before her eyes, a seemingly inevitable descent into a bloody civil war, fuelled by sectarianism, hatred and fear.Written by an experienced broadcaster and journalist, Belfast Days demonstrates how one person’s examination of her own ‘story’, upon rediscovering her 1972 diary on the eve of the publication of the Saville Report, provided her with a new perspective on one of the darkest periods in twentieth century British and Irish history.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    Mostly set in the rural Irish midlands, on a small family farm not far from the river Shannon. This book tracks the final years of Maleney's grandfather's life, and looks at his experience with Alzheimer's disease, as well as the experiences of the people closest to him. Using his grandfather's memory loss as a spur, the essays ask what it means to call a place home how we establish ourselves in a place, and how we record our experiences of a place. The nature of familial and social bonds, the way a relationship is altered by observing and recording it, the influence of tradition and history, the question of belonging - these are the questions which come up again and again. Using episodes from his own life, and drawing on the works of artists like Pat Collins, Seamus Heaney, John Berger and Brian Eno, Maleney examines how certain ways of listening and looking might bring us closer to each other, or keep us apart. Minor Monuments is a thought provoking and quietly devastating meditation on family, and how even the smallest story is no minor event.

    This is the story of Harry McKee – sleazy local chat show host. A once loving husband, he’s become a drunken unfaithful slob and even his kids won’t speak to him. His wife is divorcing him and taking him to the cleaners. On his last night as a married man he winds up drunk and is beaten up. When he keels over the next day at the divorce hearing his wife and solicitor assume he’s pulling a fast one. He eventually wakes from a week-long coma but he’s lost his memory – everything since 1974. Inside his sagging middle-aged body he feels eighteen. Though he doesn’t know it yet, Harry has been given the chance to get back his life, his wife and his self-respect. If only he could remember how it all went wrong and why his family hate him. As the pieces of his past slowly begin to fall into place we watch Harry attempt to persuade Ruth to fall in love with him all over again, and witness his failure to resurrect his career. Clinging on to the past, he at least still fits into his teenage tank-top and flares – but he’s only got two weeks until the next divorce hearing, when he will be homeless, childless and clueless!

    Written in an entertaining, educational and assessible style, this biography is an accurate and well-researched portrayal of the man.

    Joseph O’Connor’s first novel is a sharply focused and realistic story about a thoroughly unlikable Irish guitar-hero who nevertheless manages to capture the reader’s sympathy amidst a bewildering array of London acid house ravers and saloon-bar revolutionaries.

    They were helpless. It sounds like a familiar story, but these people were not African. They were Irish, and they were slaves before African slavery became widespread. This is their story.

    Peppered with dark humour, this book tells Tommy's story from fending for himself as the runt of a big Catholic litter in the 1960s to driving for a deluded billionaire madman and then gun-toting Mexicans in the 1990s.

    It exposes the reality of the dark, claustrophobic world of the Provisionals: the iron grip they hold over their communities; their ruthless and cynical disregard for human life; the single-minded professionalism of some IRA volunteers — and the rank incompetence of others. Raymond Gilmour learned the brutal facts of life in Northern Ireland at an early age. Beatings, murders and knee-cappings were common currency on the dead-end Derry estate where he grew up, and despite the omnipresence of British. soldiers no one was in any doubt about who really held the balance of power. Many young Catholics, with few options and fewer jobs open to them, joined the terrorists as volunteers. So, at the age of sixteen, did Ray Gilmour — but his recruitment had a vital and deadly difference: his brief to infiltrate the IRA, sabotage their activities, and report back to his Special Branch contact. So began nearly a decade of life in no-man's-land, an impossibly dangerous double life where every day brought with it a new and potentially terminal threat. Gilmour relates in gripping style the hazards of playing along with the shootings and bombings while secretly trying to subvert them; the constant fear of exposure, torture and execution by his IRA `comrades' — and the tension of wondering when he might out-live his usefulness and be sacrificed by the shadowy men from MI5. Incredibly, Gilmour not only avoided exposure and sacrifice, he also became one of the RUC's most valued agents, foiling countless terrorist attacks and helping the police seize huge quantities of arms and explosives. As one RUC source admitted: 'He kept Derry clean for us.' Gilmour's career as an agent came to an abrupt and spectacular end when he uncovered one of the IRAs most prized arms caches, forcing him and his family — who until then had known nothing of his double life. — to go on the run before the IRA's notorious Internal Affairs men caught up with them. But even escape has its penalties: Gilmour has not seen his wife and children for over twelve years, and he now lives in permanent exile, flitting from safe house to safe house under a sentence of death unrevoked by peace-tAs amnesties. Dead Ground is Gilmour's story: a narrative of heart-stopping tension and unrelenting human drama which makes a mockery of fictionalised accounts of terrorism in Northern Ireland.

    Its tentacles reach the shores of America when John Costa, a once-prominent attorney who has all but given up on life, is questioned by the police. They’re asking about the person he’d least expect: the enigmatic Irish woman he secretly admires. His heart tells him she’s innocent, but new evidence hints at a sinister past. Will he be able to exonerate the woman of his dreams, or is he destined to become another victim? Learn the truth in this compelling tale of love, intrigue, and murder!

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?