The girl's parents want to attempt a rescue of the body; environmentalists areconvinced the rescue operation will cause permanent damage to the river and set a dangerous precedent. Torn between the two sides is Maggie Glenn, a twenty-eightyear-old newspaper photographer who grew up in the town and has been sent to document the incident. Since leaving home almost ten years ago, Maggie has done her best to avoid her father, but now, as the town's conflict opens old wounds, she finds herself revisiting the past she's fought so hard to leave behind.

    Uprooted from her backwoods home, she and her family are thrust into the confusion and chaos of wartime Detroit. And in a pitiless world of unendurable poverty, Gertie will battle fiercely and relentlessly to protect those things she holds most dear -- her children, her heritage . . . and her triumphant ability to create beauty in the suffocating shadow of ugliness and despair.

    But as Long Man opens, the Tennessee Valley Authority's plans to dam the river and flood the town of Yuneetah for the sake of progress-to bring electricity and jobs to the hardscrabble region-are about to take effect. Just one day remains before the river will rise, and most of the town has been evacuated. Among the holdouts is a young mother, Annie Clyde Dodson, whose ancestors have lived for generations on her mountaintop farm; she'll do anything to ensure that her three-year-old daughter, Gracie, will inherit the family's land. But her husband wants to make a fresh start in Michigan, where he has found work that will secure the family's future. As the deadline looms, a storm as powerful as the emotions between them rages outside their door. Suddenly, they realize that Gracie has gone missing. Has she simply wandered off into the rain? Or has she been taken by Amos, the mysterious drifter who has come back to town, perhaps to save it in a last, desperate act of violence? Suspenseful, visceral, gorgeously told, Long Man is a searing portrait of a tight-knit community brought together by change and crisis, and of one family facing a terrifying ticking clock. It is a dazzling and unforgettable tour de force.

    Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.In the mill town at the foot of the mountains - a hotbed of violence, moonshine, and the burgeoning sport of stock-car racing - Rory is bewitched by the mysterious daughter of a snake-handling preacher. His grandmother, Maybelline “Granny May” Docherty, opposes this match for her own reasons, believing that "some things are best left buried." A folk healer whose powers are rumored to rival those of a wood witch, she concocts potions and cures for the people of the mountains while harboring an explosive secret about Rory’s mother - the truth behind her long confinement in a mental hospital, during which time she has not spoken one word. When Rory's life is threatened, Granny must decide whether to reveal what she knows...or protect her only grandson from the past.With gritty and atmospheric prose, Taylor Brown brings to life a perilous mountain and the family who rules it.

    Easter finds her life in the Pentecostal Holiness church and its music, while Anneth dances and drinks in less-than-holy honky-tonks. Will the differences in their young lives and in their very natures tear them apart or will the bond of the sisters prevail? In lucid prose with an ear for the voice of the sisters’ time and place, Silas House brings readers a rich and moving story of coal country.This novel was named The Appalachian Book of the Year, and was a finalist for the Southern Book Critics Circle Prize.Blair brings this novel into a beautiful new paperback edition, along with two other Silas House novels, Clay’s Quilt and A Parchment of Leaves. The three novels, which share a common setting and some characters, are companion novels. They may be read individually, in any order, but collectively, they form a rich tableau of life in rural mountain Kentucky in the last century.

    These long, sad stories of heartbreak and betrayal, violence and love, have been sung for generations by the descendents of those who settled the Appalachian mountains in the 1700s. As they raised their children, they taught them first to sing, for the songs told the children everything they needed to know about life. So it was with the Stanton family living in Marshall, North Carolina, during the 1800s. Even Larkin Stanton, just a baby when his parents die and he's taken in by his cousin Arty, starts humming before he starts talking. As he grows up, he hungrily learns every song he can, and goes head-to-head with his cousin Hackley for the best voice, and, of course, the best attentions of the women. It's not long before the two boys find themselves pursuing the affections of the same lovely girl, Mary, who eventually chooses Hackley for her husband. But, just as in the most tragic ballads, there is no stowing away of emotions. And when Hackley leaves his wife under his cousin's care in the midst of the Civil War, Larkin finds himself drawn back to the woman who's held his heart for years. What he does about that love defies all his learning of family and loyalty and reminds us that those mournful ballads didn't just come from the imagination, but from the imperfections of the heart.

    in 2000. It details a year in the life of Jim Glass, who lives, with his mother and three uncles, in the small fictional town of Aliceville, North Carolina in 1934 during the Great Depression.

    . . . A muscular narrative that humanizes all sides of that bloody conflict—North and South, Black and white, male and female. . . a robust novel that deserves to be set on the shelf alongside Cold Mountain.”  — Orlando SentinelEmma Garnet Tate Lowell, a plantation owner's daughter, grows up in a privileged lifestyle, but it's not all roses. Her family's prosperity is linked to the institution of slavery, and Clarice, a close and trusted family servant, exposes Emma to the truth and history of their plantation and how it brutally affected the slave population.Her father, Samuel P. Tate, has an aggressive and overpowering persona that intimidates many people—including Emma. But she refuses to conform to his ideals and marries a prominent young doctor. Together they face the horrors of the Civil War, nursing wounded soldiers, as Emma begins the long journey toward her own recovery from the terrible forces that shaped her father's life.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    The chronicle of an ordinary woman’s struggle for dignity and her rights in a textile mill, The Last Ballad is a moving tale of courage in the face of oppression and injustice, with the emotional power of Ron Rash’s Serena, Dennis Lehane’s The Given Day, and the unforgettable films Norma Rae and Silkwood.Twelve times a week, twenty-eight-year-old Ella May Wiggins makes the two-mile trek to and from her job on the night shift at American Mill No. 2 in Bessemer City, North Carolina. The insular community considers the mill’s owners—the newly arrived Goldberg brothers—white but not American and expects them to pay Ella May and other workers less because they toil alongside African Americans like Violet, Ella May’s best friend. While the dirty, hazardous job at the mill earns Ella May a paltry nine dollars for seventy-two hours of work each week, it’s the only opportunity she has. Her no-good husband, John, has run off again, and she must keep her four young children alive with whatever work she can find.When the union leaflets begin circulating, Ella May has a taste of hope, a yearning for the better life the organizers promise. But the mill owners, backed by other nefarious forces, claim the union is nothing but a front for the Bolshevik menace sweeping across Europe. To maintain their control, the owners will use every means in their power, including bloodshed, to prevent workers from banding together. On the night of the county’s biggest rally, Ella May, weighing the costs of her choice, makes up her mind to join the movement—a decision that will have lasting consequences for her children, her friends, her town—indeed all that she loves.Seventy-five years later, Ella May’s daughter Lilly, now an elderly woman, tells her nephew about his grandmother and the events that transformed their family. Illuminating the most painful corners of their history, she reveals, for the first time, the tragedy that befell Ella May after that fateful union meeting in 1929.Intertwining myriad voices, Wiley Cash brings to life the heartbreak and bravery of the now forgotten struggle of the labor movement in early twentieth-century America—and pays tribute to the thousands of heroic women and men who risked their lives to win basic rights for all workers. Lyrical, heartbreaking, and haunting, this eloquent novel confirms Wiley Cash’s place among our nation’s finest writers.

    The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild's wedding. An only child whose mother has just died, Laura is resentful of her boisterous, careless cousins, and desperate for their acceptance. As the hour moves closer and closer to wedding day, Laura arrives at a more subtle understanding of both the Fairchilds and herself. Born in 1909 in Jackson, Mississippi, Eudora Welty is one of the South's finest novelists. She won a Pulitzer in 1972 for The Optimist's Daughter. Delta Wedding is her best known work.

    Set in Appalachia in the years before World War II, Velva Jean Learns to Drive is a poignant story of a spirited young girl growing up in the gold-mining and moonshining South. Before she dies, Velva Jean's mother urges her to "live out there in the great wide world". Velva Jean dreams of becoming a big-time singer in Nashville until she falls in love with Harley Bright, a handsome juvenile delinquent turned revival preacher. As their tumultuous love story unfolds, Velva Jean must choose between keeping her hard-won home and pursuing her dream of singing in the Grand Ole Opry.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.

    Cataloochee is a slice of southern Americana told in the classic tradition of Flannery O’Connor and William Faulkner.Nestled in the mountains of North Carolina sits Cataloochee. In a time when “where you was born was where God wanted you,” the Wrights and the Carters, both farming families, travel to the valley to escape the rapid growth of neighboring towns and to have a few hundred acres all to themselves. But progress eventually winds its way to Cataloochee, too, and year after year the population swells as more people come to the valley to stake their fortune. Never one to pass on opportunity, Ezra Banks, an ambitious young man seeking some land of his own, arrives in Cataloochee in the 1880s. His first order of business is to marry a Carter girl, Hannah, the daughter of the valley’s largest landowner. From there Ezra’s brood grows, as do those of the Carters and the Wrights. With hard work and determination, the burgeouning community transforms wilderness into home, to be passed on through generations.But the idyll is not to last, nor to be inherited: The government takes steps to relocate folks to make room for the Great Smoky Mountain National Park, and tragedy will touch one of the clans in a single, unimaginable act.Wayne Caldwell brings to life the community’s historic struggles and close kinships over a span of six decades. Full of humor, darkness, beauty, and wisdom, Cataloochee is a classic novel of place and family.From the Hardcover edition.

    His sentence now up, Russell believes his debt has been paid. But when he returns home, he discovers that revenge lives and breathes all around him.Meanwhile, a woman named Maben and her young daughter trudge along the side of the interstate. Desperate and exhausted, the pair spend their last dollar on a room for the night, a night that ends with Maben holding a pistol and a dead deputy sprawled in the middle of the road.With the dawn, destinies collide, and Russell is forced to decide whose life he will save—his own or those of the woman and child.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.