NOTES ABOUT To Kill a MockingbirdNOT the book To Kill a Mockingbird by Harper Lee

    

    Most of his friends are dead or disappeared. Corrupt CIA Director Marcus Cain is poised to ascend to the highest levels of power, and the shadowy group known as the Circle is causing chaos across the globe.

    She knows that she really likes working in cafes and that, most likely, she does not love her boyfriend Patrick. But Lou doesn't know what's going to lose his job and that in the near future she will need all the strength to overcome the problems piled on her. Will Traynor knows what hit him, the motorcyclist took away his desire to live. And he knows exactly what needs to be done to put an end to all this. But he doesn't know that Lou will soon burst into his world in a riot of colors. And they both don't know that will forever change the lives of each other.

    Boxed set collecting Poetry For The Beat Generation (1959), Blues and Haikus (1959), and Readings By Jack Kerouac On The Beat Generation (1960), remastered with bonus tracks.

    He is destined to make history like John Glenn and Neil Armstrong. Pierce’s idyllic world screeches to a halt when, three weeks before the historic flight, his wife is killed in a tragic car accident.Determined to carry on with the groundbreaking flight in spite of his grief, Pierce is changed forever when, during the flight, his body is transformed into light. The shock of it all puts Pierce into a deep coma and when he wakes time is not relevant to his mind. Suddenly able to step into visions of the past, Pierce struggles to make sense of what he sees as he learns that his wife’s death was not an accident, but murder and her murderers are after him. As Pierce and the beautiful attorney, Vanessa Trace, sort through the bizarre attacks on Pierce and his vivid visions of the past, they cannot substantiate any evidence to his claims. In a frantic race to stay alive, Pierce and Vanessa find themselves matching wits with a conspiracy with seemingly endless resources and a police department convinced Pierce is a murderer, while at the same time they question whether or not Pierce himself is crazy.Standing out from traditional suspense novels, Speed of Light is fast-paced, intelligent and intricately layered with mind expanding concepts.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    There's Walter, newly abandoned by his wife; there's Edith, a fiftyish virgin; there's Bunny, taking care of her mother and her mother's boyfriend; and there's Belle, whose married lover dies in the hallway wearing her dead husband Herb's pajama top. Blindly, they encounter one another in ways the reader recognizes are profound even as the characters themselves are unaware. The genius and the art in this collection derives from the possibility that these ships might actually find each other by daylight. If only these four could get together--they'd be so good for each other. "Written with an expert touch, and a wise and tender sensibility. The effect is subtle, strong, and comic."--Charles Baxter, author of BELIEVERS and BURNING DOWN THE HOUSE; "It's hard to think she is capable of writing anything that isn't immediately engaging and a joy to read. Probably someone should publish her shopping lists."--Elizabeth Berg, author of TALK BEFORE SLEEP. A BOOK-OF-THE-MONTH CLUB SELECTION

    'I missed the turning over Battersea Bridge. I didn't know it would make a difference... that the manner of living seconds and minutes mattered' Joan is a single mother - beautiful, talented and desired. John is her adored son, her 'Merboy'. Growing up in the West Country, his life is lived outdoors, playing in the creek by their cottage in Devon, swimming, hunting for shells, collecting bits of old boats. On his thirteenth birthday, Joan treats him to a trip to London to buy his first pair of Levi's jeans. Unused to city driving, she takes a wrong turn. The repercussions of that moment's hesitation are devastating... Their story recounts the life-altering effects of that one moment. It is a story about a mother's heartbreaking love for her son and the different ways people survive damage. With sensitivity and compassion, Jules Hardy's lyrical prose explores the strengths and flaws of this unique relationship between a mother and her son, and vividly describes the altered worlds in which they must live. It is a wonderfully assure

    Everywhere men are seduced by the fantastic exotic flower. But for wealthy merchant Cornelis Sandvoort, it is his young and beautiful wife, Sophia, who stirs his soul. She is the prize he desires, the woman he hopes will bring him the joy that not even his considerable fortune can buy.Cornelis yearns for an heir, but so far he and Sophia have failed to produce one. In a bid for immortality, he commissions a portrait of them both by the talented young painter Jan van Loos. But as Van Loos begins to capture Sophia's likeness on canvas, a slow passion begins to burn between the beautiful young wife and the talented artist. As the portrait unfolds, so a slow dance is begun among the household's inhabitants. Ambitions, desires, and dreams breed a grand deception--and as the lies multiply, events move toward a thrilling and tragic climax.In this richly imagined international bestseller, Deborah Moggach has created the rarest of novels--a lush, lyrical work of fiction that is also compulsively readable. Seldom has a novel so vividly evoked a time, a place, and a passion.

    Readers of Denis Johnson, David Foster Wallace, Mary Gaitskill, Susanna Moore, and other contemporary fiction writers will welcome this haunting novel about a 27-year-old woman who flees her failed marriage only to find herself involved in a perplexing spiral of murder, counterfeit, and false identity.

     The weather was unseasonably sultry, and the air in Dr Milton (Tubby) Forrester's lecture-arena lay as inert and stale as the cadavers in the grim old anatomical laboratory adjoining. But if the atmosphere of the dingy little theatre was not refreshingly tonic it was emotionally tense. Whatever it lacked in sweetness it made up in stress; for Anatomy, under the brilliant but irascible Forrester, was reputed to be the stiffest course in the entire four-year curriculum.

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    As Tommy's stay in hospital turns from weeks into months, Polly's mother, Ada, becomes increasingly anxious as to how she will make ends meet. In an attempt to help out, Polly takes a job as a flowerseller, and when she sells a buttonhole to Charles Denholme, a member of the Liverpool gentry, she sets in motion a chain of events that changes her life forever...