Police sub-inspector Swami has lost his job after suffering a stroke while beating up a Very Guilty Suspect. He can no longer talk properly, command the respect of his community, or give his six daughters the bankrupting dowries they deserve--and his wife is obsessed with securing the Most Expensive Husbands in India. No wonder Swami has lost his pride and wants to kill himself using only a puncture repair kit. Surely a man in these circumstances has good reason to feel cursed when a white man falls out of the sky and lands on him in a busy street, dying in front of his eyes and making him a laughing stock. But as further strange incidents occur, Swami's hometown starts to believe he is walking with God, and life becomes easier...

    When her amazing singing voice wins her a talent show at the tender age of thirteen, she is whisked off to London and instant stardom. But even as Maria is celebrating her greatest success, she is waging a hidden battle against her own body, and becoming in the process a living exhibit in the modern drama of celebrity. Can she be saved by love? Or will she be consumed by an obsessive celebrity culture, family lies, and by her number-one fan? This stunning novel is a rich portrait of an immigrant community and a tragic tale of the hidden costs of celebrity.

    Vic is attracted to the beautiful but demanding Ingrid, and as their relationship grows and changes, he comes to terms the hard way with adult life and what it really means to love. The influence of Barstow's novel has been lasting the literary label "lad-lit" was first applied to this book, and over the years it has been adapted for radio, television, and the big screen.Originally published in 1960, this popular novel about frustrated youth laid the groundwork for contemporary writers such as Tony Parsons and Nick Hornby.

    Squire Headlong caught with avidity at this suggestion; and, as he had always a store of gunpowder in the house, for the accommodation of himself and his shooting visitors, and for the supply of a small battery of cannon, which he kept for his private amusement, he insisted on commencing operations immediately. Accordingly, he bounded back to the house, and very speedily returned, accompanied by the little butler, and half a dozen servants and labourers, with pickaxes and gunpowder, a hanging stove and a poker, together with a basket of cold meat and two or three bottles of Madeira: for the Squire thought, with many others, that a copious supply of provision is a very necessary ingredient in all rural amusements. Mr Milestone superintended the proceedings. The rock was excavated, the powder introduced, the apertures strongly blockaded with fragments of stone: a long train was laid to a spot which Mr Milestone fixed on as sufficiently remote from the possibility of harm: the Squire seized the poker, and, after flourishing it in the air with a degree of dexterity which induced the rest of the party to leave him in solitary possession of an extensive circumference, applied the end of it to the train; and the rapidly communicated ignition ran hissing along the surface of the soil. At this critical moment, Mr Cranium and Mr Panscope appeared at the top of the tower, which, unseeing and unseen, they had ascended on the opposite side to that where the Squire and Mr Milestone were conducting their operations. Their sudden appearance a little dismayed the Squire, who, however, comforted himself with the reflection, that the tower was perfectly safe, or at least was intended to be so, and that his friends were in no probable danger but of a knock on the head from a flying fragment of stone. The succession of these thoughts in the mind of the Squire was commensurate in rapidity to the progress of...

    The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters—depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs—Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

    Simon Carter, secretary of the London Zoo, has accepted responsibility and power to the prejudice of his gifts as a naturalist. But power is more than just the complicated game played by the old men at the zoo in the satirical first half of this novel: it lies very near to violence, and in the second half real life inexorably turns to fantasy – the fantasy of war. This tense and at times brutal story offers the healing relationship between man and the natural world as a solution for the power dilemma.

    This tale is set in the crossword and nature-notes department of an obscure national newspaper during the declining years of Fleet Street.

    Staying with his parents-in-law at their house in Norfolk, he reads Leo Tolstoy’s novella, The Death of Ivan Illych, and this precipitates a mid-life crisis. What has happened to his youthful ideals to do good in the world? What has happened that has made his marriage go stale? It is the period of strikes, political crisis and the `three-day week’: Strickland determines to stand as a Labour MP. His ambition is mocked by his wife and, blaming her for his life’s stagnation, he starts an affair with another woman.

    His love affair with a local girl ends in a shotgun marriage, and, disowned by his family, Harry is tempted by crime. Sally, meanwhile, falls in love with Larry Meath, a self-educated Marxist. But Larry is a sick man and there are other more powerful rivals for her affection.

    He is amusingly tolerant of his fellow Africans, thinking them uncivilized; he is obsessed with the idea of bringing "civilization" to this small jungle station. Johnson loves the white man's ways and cheerily adopts them; he has an enthusiasm that makes his boss Rudbeck overlook his rather vague office talents. This enthusiasm centers especially upon the construction of a road (symbol of civilization) and when Rudbeck has difficulty in getting funds from HQ, Johnson does some manipulation with the books. His peculiar sense of bookkeeping, together with his disdain for regulations, lands him in trouble. He gets the road built but is discharged. In despair and anger at being fired by his "good friend" Rudbeck, he gets drunk, and accidentally kills a white store owner. He is condemned to death. Rudbeck tries to save him, but "justice" cannot be reversed. Johnson is caught between two cultures, belonging no more to the new Africa than to the old. He begs Rudbeck, whom he looks upon as a father, to shoot him rather than let him be hanged by a stranger. Rudbeck, seeing him for the first time as an individual, grants this last request and ends the boy's life.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    TROPIC OF RUISLIP is a sage for life on a modern executive housing estate, seething with the fears, snobbereis, frustrations and lusts of well-heeled young couples trundling uneasily towards middle age.

    The key literary figure in the pubs of post-war Fitzrovia, Maclaren-Ross pulled together his dispersed energies to write two great books: the posthumously published Memoirs of the Forties and this spectacular novel of the Depression, Of Love and Hunger - harsh, vivid, louche, and slangy, it deserves a permanent place alongside 'Coming Up for Air' and 'Hangover Square'.

    Battling the sea and struggling against each other as the dreaded williwaw approaches, strikes, and subsides, the men reveal the storms within their souls, stark, fierce, and compelling. And pervading all is the grim atmosphere, set down with a mastery of description, of the desolate Arctic and the harsh destructive storm.

    With extraordinary insight, Lehmann explores the sublimity and the pain of these fatally interrelated lives in a novel which carefully fictionalises the fracturing of the human personality under the pressure of irreconcilable emotional commitments.