His victims were all young, pretty, their lifeless bodies found wrapped in a home-sewn white dress. But there was one who miraculously escaped death, just before the Strangler disappeared . . .   KILL Lara Church has only hazy memories of her long-ago attack. What she does have is a home in Austin, a job, and a chance at a normal life at last. Then Texas Ranger James Beck arrives on her doorstep with shattering news: The Strangler is back. And this time, he’s in Austin . . .   AND KILL AGAIN . . . He’s always craved her, even as he killed the others. For so long he’s been waiting to unleash the beast within. And this time, he’ll prove he holds her life in his hands—right before he ends it forever . . .   “Dark and disturbing, a well-written tale of obsession and murder.” —Kat Martin, New York Times bestselling author

    For Kirsty and Amber, it's the first time they've seen each other since that dark day when they were just children. But with new lives – and families – to protect, will they really be able to keep their secret hidden?

    Chilling, moving and unputdownable, The Memory Wood is a thriller like no other. ************* Elijah has lived in the Memory Wood for as long as he can remember. It’s the only home he’s ever known. Elissa has only just arrived. And she’ll do everything she can to escape. When Elijah stumbles across thirteen-year-old Elissa, in the woods where her abductor is hiding her, he refuses to alert the police. Because in his twelve years, Elijah has never had a proper friend. And he doesn’t want Elissa to leave.Not only that, Elijah knows how this can end. After all, Elissa isn’t the first girl he’s found inside the Memory Wood.As her abductor’s behaviour grows more erratic, Elissa realises that outwitting strange, lonely Elijah is her only hope of survival. Their cat-and-mouse game of deception and betrayal will determine both their fates, and whether either of them will ever leave the Memory Wood . . .

    But her well-connected husband, Griffin—who is running for governor—is her prime suspect.Just before the attack, Claire was preparing for an exhibit of her shadow boxes, one of which clearly accuses Griffin of a violent crime committed twenty-five years ago. If the public were to find out who her husband is, his political career would be over. Claire’s certain her husband and his powerful supporters would kill her to stop the truth from getting out.When one of Claire’s acquaintances is murdered, the authorities suspect the homicide is linked to the attack on Claire. As the dual investigations unfold, Claire must decide how much she’s willing to lose to take down her husband and the corrupt group of elites who will do anything to protect Griffin’s interests and their own.

    Not since Nora walked out of school one day and never went back. There was a dark, dark houseUntil, out of the blue, an invitation to Clare’s hen do arrives. Is this a chance for Nora to finally put her past behind her?And in the dark, dark house there was a dark, dark roomBut something goes wrong. Very wrong.And in the dark, dark room.... Some things can’t stay secret for ever.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    Is your daughter involved, or is she next?Your daughter is in danger. But can you trust her?When Karen Finch’s seventeen-year-old daughter Sophie arrives home after a night out, drunk and accompanied by police officers, no one is smiling the morning after. But Sophie remembers nothing about how she got into such a state.Twelve hours later, Sophie’s friend Amy has still not returned home. Then the body of a young woman is found.Karen is sure that Sophie knows more than she is letting on. But Karen has her own demons to fight. She struggles to go beyond her own door without a panic attack.As she becomes convinced that Sophie is not only involved but also in danger, Karen must confront her own anxieties to stop whoever killed one young girl moving on to another – Sophie.A taut psychological thriller, perfect for fans of The Girl on the Train and I Let You Go.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    As his family debate withdrawing life support, and his friends talk about how his girlfriend Bea needs to move on, he can only listen.But Alex soon begins to suspect that the accident that put him here wasn’t really an accident. Even worse, the perpetrator is still out there and Alex is not the only one in danger.As he goes over a series of clues from his past, Alex must use his remaining senses to solve the mystery of who tried to kill him, and try to protect those he loves, before they decide to let him go.A stunning edge-of-your-seat debut novel with an unforgettable narrator.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    The key to her missing memories could bring relief—or unlock her worst nightmares.On a cold, rainy morning, finance journalist Ally Linden arrives early to work in her Manhattan office, only to find that she’s forgotten her keycard and needs to have a colleague she’s never met let her in. When her boss finally arrives, he seems surprised to see her—because she hasn’t worked there in five years.Ally knows her name, but little else, and it’s only after several hours in an emergency room and multiple interviews with the hospital psychiatrist that she begins to piece together important facts: she lives on the Upper West Side; she’s now a freelance personal finance journalist; she’s married to a lovely man named Hugh. But she still can’t recall what happened to her during the previous two days. When she learns that she’s experienced a dissociative fugue state, Ally tries to think of triggers and remembers that she’d been seeing a therapist about a traumatic event from her childhood, in which she came across evidence for a murder that was never solved.Desperate to unearth answers, Ally focuses on figuring out where she spent the missing forty-eight hours. As ominous details of the two days pile up, so does the terrifying pressure: she must recover the time she lost before the time she has left runs out.Featuring Kate White’s signature twists and turns, Have You Seen Me? is a harrowing read that will keep readers guessing until its shocking ending.

    Now, he uses that skill in a little-known but crucial job. As a “red teamer,” he poses as a threat, testing the security around our highest officials to find vulnerabilities—before our enemies can. He is a mock killer, capable of slipping past even the best defenses.His latest assignment is to assess the security surrounding the former CIA director at his DC area home. When Nick enters the man’s study, the home’s inner sanctum, he finds the man alone and unconscious. Someone else has been here—someone who attacked the chief and left him for dead, just moments before. Desperately attempting to save the man’s life, he contaminates the crime scene. Now, investigators believe Nick is somehow involved.Nick knows he’s the perfect scapegoat. But who is framing him, and why? To clear his name, he must find the truth—a search that leads to a nefarious conspiracy whose roots stretch back decades. The prize is the most powerful position in the world: the Oval Office.To save himself and the people he loves, Nick must stop the men who rule Washington before they bury him along with their secrets.

    So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate.A devastating secret.But as the events behind Ruby’s arrival emerge – her mother’s death, her connection to Cat – Cat questions whether her decision to help Ruby has put her own daughter at risk.Do we get the children we deserve?Cat’s research tells her there’s no such thing as evil. Her history tells her she’s paranoid. But her instincts tell her different. And as the police fight to control a sudden spate of riots raging across the capital, Cat faces a race against time of her own…

    When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.Soon after her arrival at Corbin’s grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey’s. Alan saw Corbin surreptitiously come and go from Audrey’s place, yet he’s denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman’s old boyfriend, who insists Corbin did the deed the night that he left for London.When she reaches out to her cousin, he proclaims his innocence and calms her nerves--until she comes across disturbing objects hidden in the apartment and accidentally learns that Corbin is not where he says he is. Could Corbin be a killer? What about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn’t sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself, so how could she take the chance on a stranger she’s just met?

    They first met as college roommates and soon became inseparable, even though they are as different as three women can be. Twenty years later, one of them is standing at the edge of a bridge... and someone else is urging her to jump. How did things come to this?As the novel cuts back and forth between their college years and their adult years, you see the exact reasons why these women love and hate each other—but can feelings that strong lead to murder? Or will everyone assume, as is often the case, that it’s always the husband?