Following the bestselling publication of 'The Kenneth Williams Diaries', the devastating self-portrait of one of our most loved and complex performers is completed with this selection of his letters.

    When he got there, he was home for the rest of his life.From the true nature of fishing to the harsh realities of raising a family in the woods, from the role of fear in the bush to the small nuances of family relationships, A Life in the Bush is painted on a canvas both vast and richly detailed. A story that captures the tough physical demands, the rich life of the senses, and the unselfconscious freedom that comes from living apart from town and city.In this beautifully crafted memoir of his father, Roy MacGregor paints an intimate portrait of an unusual man and spins a spellbinding tale of a boy’s complex relationship with his father. He also evokes, perhaps for the first time in Canadian literature, the bush the way bush people see it, an insider's view of life in the totemic Canadian wilderness.

    Having Ali taught me about unconditional love, she gave me the reason to continue living ...The dreaded day arrived ... 'Helen Barnacle to the front gate.' The sound pierced my ears and my heart. I held Ali in my arms tightly and walked towards the prison gates…'Don't cry', I kept repeating to myself. Don't Let Her See Me Cry. Don't upset her. I can't let her see me cry,' I chanted this mantra over and over and over ...I passed Ali through the prison gates to my brother, Ron ...'Bye-bye, Mum,' Ali said. 'I love you.' And with her little hand waving over Ron's shoulder, they turned and walked away.Don't Let Her See Me Cry is the sort of bestseller that comes along only once in a lifetime. It is the gutsy, moving and inspiring true story of one woman's remarkable journey from a hopeless young heroin addict facing a 15-year prison sentence with a newborn baby to a successful psychologist, drug counseller, prison reform campaigner, and mother and best friend to Ali - the daughter who gave her the courage and determination to survive.Sentenced to the longest drug-related prison term ever meted out to a woman in Victoria, the discovery that she was to become a mother was far from welcome news to Helen Barnacle. The irony was that this tiny helpless being gave her a new lease on life - and a reason to hope. Helen's love and devotion for baby Ali led to her winning an historic battle. In a landmark decision she became the first woman allowed to keep her baby in prison beyond her first birthday. But three years later Helen had to face every mother's worst nightmare and give up her daughter. While she knew the time had come for Ali to leave the prison for her own good, this did not make the decision any easier. Ali had become her reason for living. Handing her daughter over at the gates of the prison almost destroyed her. In utter despair she resumed her love affair with heroin and was on a hopeless path of destruction until she was caught using in prison. Her brother Ron, the only person who had stood by her, gave her an ultimatum-if she really loved Ali she had to stop thinking of herself and find the courage to live.Helen had first to overcome her lifelong addiction with heroin, a crutch she had relied in since her youth to overcome her feelings of worthlessness. Thanks to the support of staff at Fairlea's Education Centre the former musican began to rediscover her love of music and study classical music, as well as writing and performing her own work for the Fairlea Drama Group, which evolved into the highly acclaimed SOMEBODY'S DAUGHTER Theatre group. Helen also began a Bachelor of Arts degree, majoring in psychology. After leaving prison 12 years ago, she completed her post-graduate studies in psychology and after two years supervision was employed as a psychologist specialising in drug and alcohol problems at TaskForce Community Agency in Prahran. Over the next six years she ran workshops for judges and magistrates, counselled both drug workers and addicts, presented papers for national and international seminars, wrote the drug education booklet 'Tentative Steps', and rose to position of Drug Program Director. She also established a pilot project in the Juvenile Justice System using drama and the arts as therapy with young offenders. Don't Let Her See Me Cry is the story of the power of the bond between a mother and daughter, a brother and sister, of finding love in the most unexpected places, and of the strength of the human spirit. The story of Barnacle's life 'inside', how she fought to keep her daughter with her and how she remade herself makes an inspiring, confronting tale.

    How did that day you've forgotten look? What did it feel like? Were you lonely? Did you have the sense you were progressing anywhere? Probably not. Yet string a few thousand of them together and that's a life. --From Boy WondersCathal Kelly grew up in the seventies and eighties, decades when dressing like Michael Jackson seemed like a good idea and The Beachcombers--an adventure show about logging--seemed to make sense. But apart from fashion missteps and baffling TV plotlines, Kelly's youth was a time of wonder, obsession and discovery. Navigating an often fraught fam­ily life, Kelly sought refuge in books, music, movies, games and at least one backyard hole. However, looking back he sees that his passion for George Orwell, Star Wars or The Smiths was never just about the book, movie or band. Rather, it was about the promise each new experience offered him in making sense of the world, and how he might find a home within it.By turns funny, elegiac and insightful, Boy Wonders is an unvarnished celebration of grow­ing up and stumbling toward identity. It's about the good and the bad of those brief years when we find purpose without end, obsession with­out limit and joy in the strangest of places.

    On programmes such as My Word! and My Music his distinctive voice became familiar to millions as he displayed an astonishingly well-stocked mind and a genius for ad libbing and outrageous puns. Later, working at the BBC and then at London Weekend Television, he produced some of the best television comedy of the 1960s and 70s. He has written highly successful books for children, and two bestselling anthologies of humour.Frank Muir recalls, in glorious detail, a happy 1920s childhood in the seaside town of Ramsgate, where he was born in his grandmother's pub in Broadstairs, and in London, where he attended an inexpensive but excellent school of a kind no longer to be found. He remembers his very first joke at the age of six, when he knew that his destiny was to make people laugh. He also knew from an early age that he wanted to write, but it took a childhood illness for him to discover that humour and writing could be combined. The death of his father forced him to leave school at the age of fourteen and work in a factory making carbon paper. Then, at the outbreak of the Second World War, he joined the RAF as an air photographer and his memories of the war years, as might be imagined, are engagingly different from the usual kind. It was during those years, with their rich fund of comic material, that he began his career as scriptwriter and performer. At his demob in 1945 he moved naturally to London and the Windmill Theatre, that remarkable breeding ground of talent where new comedians like Jimmy Edwards and Alfred Marks vied with nude girls for the attention of the audience. In story after story he recalls the lost world of London in the 1940s and early 50s, when the laughter and creative ideas seemed to explode out of post-war shabbiness and austerity. Then came the BBC, the legendary partnership with Denis Norden, and half a century of fulfilling the boyhood ambition of that Kentish lad. 'All I ever wanted to do was to write and amuse people.'

    He remains as popular today, and as sensitive a chronicler of our emotions, as he was half a century ago. And throughout, his work has been gloriously distinctive—especially for the unforgettable images and the intimacy he brings to his songs.In this book of conversations with the acclaimed author and documentary filmmaker Nasreen Munni Kabir, Gulzar speaks about the making of his most enduring songs—from ‘Mora gora ang lai le’ (Bandini; 1963) and ‘Dil dhoondta hai’ (Mausam; 1975) to ‘Jiya jale’ (Dil Se; 1998) and ‘Dil toh bachcha hai ji’ (Ishqiya; 2010). He also discusses the songs of other greats, like Shailendra and Sahir Ludhianvi; his favourite music directors, like SD and RD Burman, Hemant Kumar and AR Rahman; and several playback singers, among them, Lata Mangeshkar, Mohammed Rafi, Asha Bhosle, Vani Jairam, Jagjit Singh and Bhupinder Singh.Full of insight, anecdote and analysis—and containing over 40 songs, in roman script and English translation—this book is a treasure for students and lovers of Hindi cinema, music and poetry.

    When both of their parents died within a short time of each other, the writers Frederick and Steven Barthelme, both professors of English in Mississippi, inherited a goodly sum of money. What followed was a binge during which they gambled away their entire fortune-and more. And then, in a cruel twist of fate, they were charged with cheating at the tables.Told with a mixture of sadness and wry humor, and with a compelling look at the physical aura of gambling-the feel of the cards, the smell of the crowd, the sounds of the tables-Double Down is a reflection on the lure of challenging the odds, the attraction of stepping into the void. A cautionary tale (the brothers were eventually exonerated), it is a book that, once read, will never be forgotten.

    It documents her experience visiting the continent of Antarctica in January 2019 with photos taken by New Zealand photographer Harriet Were. Lorde expressed an interest in exploring the region of Antarctica since she was old enough to read. In January 2019, she visited Scott Base and McMurdo Station, Antarctica, travelling as an Antarctic Ambassador. During her visit, she observed microscopic species in environmental laboratories and spoke with scientists. Lorde described the book as "sort of a perfect precursor" to her upcoming third studio album. It will feature over 100 pages of images taken by New Zealand photographer Harriet Were and writings from Lorde. All proceeds will be used to fund a postgraduate scholarship created by Antarctica New Zealand, a government agency.

    O’Sullivan seemed destined to become one of the next great hockey players in the world. But then it all went horribly wrong.In Breaking Away, Patrick O’Sullivan gives readers a disturbing account of ten years of ever escalating physical abuse and emotional cruelty at the hands of his father. When Patrick proved more skilled than other eight-year-olds, John O’Sullivan decided to dedicate his life to turning his son into the player he had always dreamed of becoming. Shouting at the top of his lungs, John O’Sullivan was the over-involved parent. Many of Patrick’s teammates and their parents and coaches thought it ended there. Few had an idea of the dysfunction and violence at the O’Sullivans' home.Breaking Away is a story about abuse, but it is also a story about triumph, as O'Sullivan revisits the ghosts of his past.

    

    What is it like? It is the best gift you can ever imagine, like rain falling on a dry place.This memoir is a great reunion journey, from Paris, to California, to Denmark! A coming together of a mother and son, the only two people who can answer all the questions the other one has.

    She was born into a large family in rural Romania?and grew up feisty and willing to fight back physically against anti-Semitism from other schoolchildren. She defied her father' s orders to turn down a scholarship that took her to Bucharest, and got herself expelled from that school when she responded to a priest/teacher' s vicious diatribe against the Jews by hurling a bottle of ink at him?After a series of incidents that ranged from dramatic escapes to a year in a forced labor detachment, Sara ended up in Ravensbruck, a women' s concentration camp, Aand? managed to survive?she tells this story with style and power." --Kirkus Reviews

    Discharged in 1966, after finally receiving proper psychiatric care, Sawyer kept her past secret and moved on to graduate from Yale University, raise two children, and become a respected psychotherapist. That is, until 2001, when she reviewed her hospital records and began to remember a broken childhood and the even more broken mental health system of the 1950s and 1960s.

    With literary finesse, compassion, and a powerful gift of storytelling, Marie Williams writes poignantly of her husband Dominic’s struggles with early onset dementia and amyotrophic lateral sclerosis (ALS) at the age of 40, and how their family found hope amidst the wreckage of a mysterious neurological condition.  As the condition develops and progresses, the normally devoted family man and loving partner seems to disappear beneath an expressionless facade, erratic behavior, and a relentless desire to wander that often leaves him lost. The road to diagnosis is long and confusing, and what starts off as perplexing for the family then becomes frightening. The man they love is changing, and no one seems to know why. He no longer turns up to his sons’ high school events. He falls and bumps into things. He becomes verbally disinhibited, emotionally disengaged, and, at times, belligerent. He doesn’t seem to be able to read the social cues of other people. He gets lost in familiar places, as well as on obsessive work trips overseas. He recklessly spends the family money, leaving them in near financial ruin. Despite this, Williams and her children strive to find new ways to keep him safe and to connect with the husband and father they love so dearly.   While the family learns to cope with Dominic’s illness—which they call the Green Goblin—Williams is determined that her children reclaim the dad of their memories. She finds creative ways to make visible the stories of the man beyond the illness, and helps them remember him as the engaged, healthy, and loving man she fell in love with. She humanizes the experience through storytelling and assembling a quilt made up of transferred photographs, painted artwork, family footprints, and personal inscriptions from family and friends. This, along with tea rituals, music, and stories of fatherhood, love and value, support them as fierce advocates for Dominic’s dignity and give the family new ways to be together as they journey through his decline. Spanning between moments of intense joy and incredible sadness, this book is a passionate testament to one family’s unconditional love for one another. It is, “a tale of a strange place—the real world— in which green goblins and hope find a way to live together.”   Above all, it is a love story.

    And yet, question marks have followed him around; question marks about his goalkeeping suitability after arriving on Merseyside; question marks about his integrity after match fixing allegations were laid against him. Here, Grobbelaar takes you to Africa, where nothing is at it seems; he takes you back to an era when Liverpool ruled Europe; he takes you to the benches of the Anfield dressing room, where only the strongest personalities survived. For the first time, he takes you inside the court room, detailing the draining fight to clear his name.