TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.

    Helguera's spunky primer promises to offer a much-needed critical compass for those adrift in the expanded social field." -Claire Bishop, Professor of Contemporary Art and Exhibition History, CUNY, and author of Artificial Hells: Participatory Art and the Politics of Spectatorship"This is an extremely timely and thoughtful reference book. Drawn from empirical and extensive experience and research, it provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices. Rather than propose a system he exposes the temporalities necessary to make these situations possible and resonant. This is a tool that will allow us to consider the difficulties of making socially engaged art and move closer to finding a language through which we can represent and discuss its impact."-Sally Tallant, Artistic Director, Liverpool Biennial"Helguera has produced a highly readable book that absolutely needs to be in the back pocket of anyone interested in teaching or learning about socially engaged art"-Tom Finkelpearl, Director of the Queens Museum, New York, and author of Dialogues in Public Art

    In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant to current discussion of feminist theory and practice. Among the topics she treats are the implications of the thought of Freud and Lacan for understanding womanhood and articulating feminine discourse; classic views on the significance of the difference between male and female sex organs; and the experience of erotic pleasure in men and women. She also takes up explicitly the question of economic exploitation of women; in an astute reading of Marx she shows that the subjection of woman has been institutionalized by her reduction to an object of economic exchange. Throughout Irigaray seeks to dispute and displace male-centered structures of language and thought through a challenging writing practice that takes a first step toward a woman's discourse, a discourse that would put an end to Western culture's enduring phallocentrism. Makin more direct and accessible the subversive challenge of Speculum of the Other Woman, this volume--skillfully translated by Catherine Porter with Carolyn Burke--will be essential reading for anyone seriously concerned with contemporary feminist issues.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    . . But among the many writers who have come of age in our fin de siècle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky." --James Longenbach, The NationThe poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned newborn. At the Foundling Hospital of eighteenth-century London, in a benign and oddly bureaucratic process, each new infant was identified by a duly recorded token. A minimal, charged particle of meaning, the token might be a coin or brooch or thimble--or sometimes a poem, such as the one quoted in full in Pinsky's poem "The Foundling Tokens." A foundling may inherit less of a past than an orphan, but with a wider set of meanings. The foundling soul needs to be adopted, and it needs to be adaptive.In one poem, French and German appear as originally Creole tongues, invented by the rough needs of conquered peoples and their Roman masters. In another, creators from scorned or excluded groups--among them Irving Berlin, Quintus Horatius Flaccus, and W.E.B. Du Bois--speak, as does the Greek tragic chorus, in the first-person singular.In these poems, a sometimes desperate, perpetual reimagining of identity, on the scale of one life or of human history, is deeply related to music: The quest is lyrical, whether the subject is as specific as "the emanation of a dead star still alive" or as personal as the "pinhole iris of your mortal eye."

    Enjoy modern poetry, scanned pieces of typed words on scraps, and full color original artwork.Open your mind and let your heart go on an adventure.

    But when a mysterious man shows up on the Vega estate--almost near death--the secret of his identity not only strikes close to home, but proves to be a dangerously seductive challenge. As David Cole struggles to remember what has happened to him over the past few days, he cannot deny his gratitude for Serena, and the all-consuming passion it has ignited. But can David and Serena learn to trust each other and embrace a love that promises to last forever?Harvest MoonActress Regina Cole achieved overnight success in Hollywood, but stunned the world when she gave up her career to marry a much older man. After his death, Regina encounters his estranged son, Dr. Aaron Spencer, a Brazil-based microbiologist, and is unable to deny the instant attraction. Driven to seduce his father's widow, Aaron finds that the revenge he sought pales in comparison to his desire for Regina, and the passion he feels is far more than he imagined.

    Once again this bilingual volume, translated in this edition for the first time in English, reveals the importance of the great Romanian-German poet, who lived for most of his life in France. Translator Pierre Joris has achieved a great feat in bringing these three volumes into the English language.

    Conspire with a hitwoman to murder my husband’s lovers.2. Frame my husband for their murders.3. Tell no one and to hell with the church.This is just the beginning of a vengeful to-do list for beautiful pastor’s wife and successful salon owner Lavender Wallace. After all, it’s not every night she finds her husband of almost twenty years, Pastor Quincy Wallace, with a prominent deacon kneeling before him in the pulpit—if only it were in prayer. With God taking entirely too long, Lavender satisfies her growing contempt by teaching her husband a malicious lesson that his faith never could. But trying not to fall for the detective investigating the case of her husband’s disappearing lovers proves difficult for a lonely and scorned wife. Shielding a doting teenaged son from his father’s secrets is even harder. As old lies are exposed and a deadly plot backfires threatening to destroy those she loves most, Lavender is forced to make a life-altering decision—the bible or the bullet?

    The police are shocked to discover that she’s a missing schoolgirl they’ve trying to find for the past three weeks. Traumatised by her ordeal, she’s unable to tell them what happened to her. A woman’s body is found crucified in a barn on the Yorkshire Moors. Evidence found at the crime scene links her to the schoolgirl. Hot on the heels of a commendation for her work on a serial killer case, Detective Inspector Danica Summers is invited to join an elite task force specialising in the investigation of high-profile crimes. Concerned that she’s only been invited because she’s good PR, Dani is desperate to prove that she’s worthy of her place on the team. When the case involving the missing schoolgirl and the murdered woman is taken on by the newly-formed Murder Force, Dani is touched by the vulnerability of the victims and is determined to capture the monster who ruined their lives.Her search for justice will take her to the heart of darkness.The Murder Force series by bestselling author Adam J. Wright will delight fans of LJ Ross, JD Kirk, Joy Ellis, Mark Dawson, and readers of fast-paced mystery thrillers and police procedurals.

    THIS 20 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Representative British Dramas Victorian and Modern V2, by William Butler Yeats.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Ever since the early 1970s Goldin has lived with and among drag queens, documenting both their glamour and their struggles. The Other Side is her very personal declaration of love and gratitude to these drag queens, who showed her a way out of the captivity of pre-packaged, socially prescribed identity. As she put it: "The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria.... The people in these pictures are truly revolutionary; they are the real winners in the battle of the sexes because they have stepped out of the ring". In contrast to much of the early 90s drag queen mania, The Other Side has brilliantly passed the test of time: Goldin's photographs are as beautiful, moving, and vibrant as ever, heralding the utopian promises of a world where gender has stopped being a prison -- a vision that remains as vital and acute as it was when the book was first published.

    His wife Rita has disappeared. His credit cards are invalid. A stranger is living in his house and he keeps running into people who are convinced he was killed in action months ago. Worst of all, his wealthy father has suffered a stroke.Psychologist Charlotte Phillips claims to be his comatose father’s legal guardian. Rich is determined to learn what has happened, gain control of his father’s money, and unmask Charlotte as the gold-digging schemer he’s certain she is. He is shocked to find his father’s crusty old attorney has been taken in by her along with everyone else.Can Rich straighten out the mess his life has become?

    To determine these patterns, they needed to hear many different examples of authentic speech by various speakers of different ages and in different regions. They eventually discovered that one of the easiest ways to convince older local residents to give them lengthy examples of their natural speech was to ask the residents to tell their favorite stories to the brothers. As the Grimms Brothers recorded the style of speech of the speaker for their research (which eventually led to the formulation of Grimm's Law), they also recorded the various stories that they were told, and eventually published them in 1817.