Miss Crawford rose from being a telephone operator in Kansas City to glamour, glitter, romance and ultimate stardom.

    Now Stephen Michael Shearer sets the record straight in the first in-depth biography of the film legend.Swanson was Hollywood's first successful glamour queen. Her stardom as an actress in the mid-1920s earned her millions of fans and millions of dollars. Realizing her box office value early in her career, she took control of her life. Soon she was not only producing her own films, she was choosing her scripts, selecting her leading men, casting her projects, creating her own fashions, guiding her publicity, and living an extravagant and sometimes extraordinary celebrity lifestyle.She also collected a long line of lovers (including Joseph P. Kennedy) and married men of her choosing (including a French marquis, thus becoming America's first member of "nobility"). As a devoted and loving mother, she managed a quiet success of raising three children. Perhaps most important, as a keen businesswoman she also was able to extend her career more than sixty years. Her astounding comeback as Norma Desmond in Billy Wilder's Sunset Boulevard catapulted her back into the limelight. But it also created her long-misunderstood persona, one that this meticulous biography shows was only part of this independent and unparalleled woman.

    In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood’s original genius maverick.Take this unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe, My Autobiography is a reading experience not to be missed.

    He became a symbol of America itself. He epitomized the Western film, which for many people epitomized America. He identified with conservative political causes from the early 1930s to his death in 1979, making him a hero to one generation of Americans and a villain to another. But unlike fellow actor Ronald Reagan, Wayne had no interest in politics as a career. Like many stars, he altered his life story, claiming to have become an actor almost by accident when in fact he had studied drama and aspired to act for most of his youth. He married three times, all to Latina women, and conducted a lengthy affair with Marlene Dietrich, as unlikely a romantic partner as one could imagine for the Duke. Wayne projected dignity, integrity, and strength in all his films, even when his characters were flawed, and whatever character he played was always prepared to confront injustice in his own way. More than thirty years after his death, he remains the standard by which male stars are judged and an actor whose morally unambiguous films continue to attract sizeable audiences.Scott Eyman interviewed Wayne, as well as many family members, and he has drawn on previously unpublished reminiscences from friends and associates of the Duke in this biography, as well as documents from his production company that shed light on Wayne’s business affairs. He traces Wayne from his childhood to his stardom in Stagecoach and dozens of films after that. Eyman perceptively analyzes Wayne’s relationship with John Ford, the director with whom he’s most associated and who made some of Wayne’s greatest films, among them She Wore a Yellow Ribbon, The Quiet Man, and The Searchers. His evaluation of Wayne himself is shrewd: a skilled actor who was reluctant to step outside his comfort zone. Wayne was self-aware; he once said, “I’ve played the kind of man I’d like to have been.” It’s that man and the real John Wayne who are brilliantly profiled in Scott Eyman’s insightful biography of a true American legend.

    But I am a monster . . .' Patrick WhitePatrick White, winner of the Nobel Prize and author of more than a dozen novels and plays - including Voss, The Vivisector and The Twyborn Affair - lived an extraordinary life. David Marr's brilliant biography draws not only on a wide range of original research but also on the single most difficult and important source of all: the man himself. In the weeks before his death, White read the final manuscript, which for richness of detail, authority and balance is stunning.Throughout his exciting narrative, Marr explores the roots of White's writing and unearths the raw material of his remarkable art. He makes plain the central fact of White's life as an artist: the homosexuality that formed his view of himself as an outcast and stranger able to penetrate the hearts of both men and women. Gracefully written and exhaustively researched, Patrick White is a biography of classic excellence - sympathetic, objective, penetrating and as blunt, when necessary, as White himself.

    Putting him at the center of a new generation of leading men emerging in the early 1990s— including Johnny Depp, Keanu Reeves, Brad Pitt, Nicolas Cage, and Leonardo DiCaprio—Gavin Edwards traces the Academy Award nominee’s meteoric rise, couches him in an examination of the 1990s, and illuminates his lasting legacy on Hollywood and popular culture itself.

    Selznick. The starmaker-to-be was on the lookout for promising newcomers when he received an unsolicited photograph from a movie star hopeful named Roy Fitzgerald. The photograph of the handsome young man with bad teeth not only had a career defining impact for Willson but, more importantly, it redefined Hollywood's concept of the male heartthrob. Roy Fitzgerald became Rock Hudson and, for the next twenty-five years, Henry Willson became the man behind movie "beefcake." The Man Who Invented Rock Hudson delves into Willson's life in explicit, unsparing detail. Variety reporter Robert Hofler deftly chronicles Willson's maneuvers to sidestep the FBI's investigation into Hudson's sex life; the agent's use of off-duty L.A.P.D. cops and Mob ties to scare off Hudson's blackmailers; Hudson's "arranged" marriage to Willson's secretary, Phyllis Gates; as well as Hudson's affair with a Universal Pictures vice-president to help secure starring roles. Additionally, the book discusses Willson's other star clients, including Robert Wagner, Troy Donahue, Tab Hunter, John Derek, James Darren, Chad Everett, Mike Connors, and many others.

    From childhood reminisces and 'what might have been' to keeping abreast of the ever-changing times. From senior moments, memory and getting to grips with technology to the joys and frustrations travel, work and play. Along with all of this he tells of the intense happiness of family life and enduring friendships, as well as the deep sadness of losing those he has loved.Featuring his own line illustrations, this book is a portrait of Sir Roger at his most open and forthright. The true stories and situations he shares in this warm and intimate book reveal a 'Bond Unbound', the human being inside the legendary character that made him so famous the world over. Life afirming and beautifully captured this is a definitive homage to a remarkable man.

    Mailer, the winner of two Pullitzer Prizes, was the first writer to explore the relationship between Monroe and Bobby Kennedy.

    One of America's most famous celebrities, a movie and television star, offers an honest and revealing portrait of his life and career, reviewing his many loves, his many successes, and his many heartaches.

    From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino' s short and tragic life–the first fully documented biography of the star–Emily W. Leider looks at the Great Lover' s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino's androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women's darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino's experience as an immigrant who became a celebrity. As the silver screen's first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

    In that role he manifestly shaped the conception and writing, as well as the presentation, of many of the period's iconic works, reshaping the values of the stage and bringing a new realism and intensity of performance to the screen. His various achievements include the original Broadway productions of The Skin of Our Teeth, All My Sons, and Death of a Salesman and such Hollywood films as Gentleman's Agreement, Brando's Streetcar, and Splendor in the Grass.A non–traditional biography, this book combines social and political history with a sharp critical evaluation of Kazan's work. Schickel presents Kazan as a figure of his culture and time, much in the same way that David Remnick treated Muhammed Ali and the larger picture of American history in King of the World. History's view of Kazan is now colored by a single political act –– his naming names in testimony before the House Un–American Activities Committee. By putting the actions, work, and words of this towering figure in context, Schickel not only defends his hero and his hero's work; he also helps the reader move beyond Kazan's most infamous moment to appreciate the larger American story in which he played such a pivotal role. The result is an intelligent and lively biography and social history.

    Raised in a military, Mormon household outside San Antonio, Texas, Black always found inspiration in his plucky, determined mother. Having contracted polio as a small girl, she endured leg braces and iron lungs, and was repeatedly told that she could never have children or live a normal life. Defying expectations, she raised Black and his two brothers, built a career, escaped two abusive husbands, and eventually moved the family to a new life in Northern California. While Black struggled to come to terms with his sexuality--something antithetical to his mother's religious views--she remained his source of strength and his guiding light. Later, she would stand by his side when he helped bring the historic gay marriage case to the U.S. Supreme Court.Mama's Boy is a stirring celebration of the connections between mother and son, Red states and Blue, and the spirit of optimism and perseverance that can create positive change in the world.

    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

    A determined perfectionist with an incredible ego, her beauty, her style, her sense of the outrageous, made her a star. In this candid, illuminating, and detailed biography full of photographs, her only daughter Maria Riva, tells the incredible, fascinating, story of the star's life and career, loves and hates, hits and misses, as only a daughter can. From the Trade Paperback edition.