But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial.So let me tell you...

    The bread was more difficult, but if she could just lose a little more weight, perhaps she would make the soloists’ list. Perhaps if she were lighter, danced better, tried harder, she would be good enough. Perhaps if she just ran for one more mile, lost just one more pound.Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears – imperfection, failure, loneliness – she spirals down anorexia and depression till she weighs a mere eighty-eight pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live. Women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day.Yara Zgheib's poetic and poignant debut novel is a haunting, intimate journey of a young woman's struggle to reclaim her life. Every bite causes anxiety. Every flavor induces guilt. And every step Anna takes toward recovery will require strength, endurance, and the support of the girls at 17 Swann Street.

    So when the handsome and popular Derek asks her out, Marisa thinks her long wait for happiness is over. But several bumps in the road—including her parents’ unexpected separation, a fight with her best friend, and a shocking disappointment in her relationship with Derek—test Marisa’s ability to maintain her new outlook. Only the anonymous DJ, whose underground podcasts have the school’s ear, seems to understand what Marisa is going through. But she has no idea who he is—or does she?In Waiting For You, Marisa learns how to “be in the Now” and realises that the love she’s been waiting for has been right in front of her all along.

    The day before she moved away, she tucked a love letter into his favorite book in his family’s bookshop. She waited. But Henry never came. Now Rachel has returned to the city—and to the bookshop—to work alongside the boy she’d rather not see, if at all possible, for the rest of her life. But Rachel needs the distraction, and the escape. Her brother drowned months ago, and she can’t feel anything anymore. She can't see her future.Henry's future isn't looking too promising, either. His girlfriend dumped him. The bookstore is slipping away. And his family is breaking apart. As Henry and Rachel work side by side—surrounded by books, watching love stories unfold, exchanging letters between the pages—they find hope in each other. Because life may be uncontrollable, even unbearable sometimes. But it’s possible that words, and love, and second chances are enough.

      Callie Morgan has long lived choked by the failure of her own lungs, the result of an elusive pulmonary illness that has plagued her since childhood. A childhood marked early by the drowning death of her mother—a death to which Callie was the sole witness. Her father has moved them inland, away from the memories of the California coast her mother loved so much and toward promises of recovery—and the escape of denial—in arid, landlocked air.   But after years of running away, the promise of a life-changing job for her father brings Callie and him back to the coast, to Florida, where Callie’s symptoms miraculously disappear. For once, life seems delightfully normal. But the ocean’s edge offers more than healing air … it holds a magnetic pull, drawing Callie closer and closer to the chilly, watery embrace that claimed her mother. Returned to the ocean, Callie comes of age and comes into a family destiny that holds generations of secrets and very few happy endings.

    But then one day she hears of a criminal, Stuart Harris, locked up on death row in Texas. Like Zoe, Stuart is no stranger to secrets. Or lies. Or murder.Full of heartache yet humour, Zoe tells her story in the only way she can—in letters to the man in prison in America. Armed with a pen, Zoe takes a deep breath, eats a jam sandwich, and begins her tale of love and betrayal.

    Allie feels betrayed. The two made a pact that they'd always be together, in life, and in death, but Leah broke her promise and Allie needs to know why. Her parents hover. Her friends try to support her. And Nick, sweet Nick, keeps calling and flirting. Their sympathy only intensifies her grief. But the more she clings to Leah, the more secrets surface. Allie's not sure which is more distressing: discovering the truth behind her sister's death or facing her new reality without her.

    But there's no sympathy for Skye and her family because Luka wasn't a victim; he was a shooter. Jesse Mandal knows all too well that the scars of the past don't heal easily. The shooting cost Jesse his brother and his best friend--Skye. Ripped apart by tragedy, Jesse and Skye can't resist reopening the mysteries of their past. But old wounds hide darker secrets. And the closer Skye and Jesse get to the truth of what happened that day, the closer they get to a new killer.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    I was the one he loved, the only one who believed him, even when his own mother had locked him up and thrown away the key.And now, I was going to pass down the white tiled hallway, knock on his doctor’s office door, slam his secret notebook on her desk and make her read it, make her understand what he was hiding, make her see what only I had seen.April won’t let Jonah go without a fight.He’s her boyfriend—her best friend. She’ll do anything to keep him safe. But as Jonah slips into a dark depression, trying to escape the traumatic past that haunts him, April is torn. To protect Jonah, she risks losing everything: family, friends, an opportunity to attend a prestigious music school. How much must she sacrifice? And will her voice be loud enough to drown out the dissenters—and the ones in his head?

    Emily is sure he is innocent, but what happened that night in the woods behind their house where she used to play as a child? Determined to find out, she seeks out Damon Hillary, the enigmatic boyfriend of the murdered girl. He also knows these woods. Maybe they could help each other. But he’s got secrets of his own about games that are played in the dark.A new psychological thriller from the award-winning and bestselling author of STOLEN and FLYAWAY.

    I'VE GOT IT ALL HERE, GROWING LIKE A TUMOR IN MY THROAT.I'm telling you because if I don't, I will choke on it. Everybody knows what happened, but nobody asks. And Elvis the EMT doesn't count because when he asked, he didn't even listen to me answer because he was listening to my sister's heart not beat with his stethoscope. I want to tell. It's mine to tell. Even if you didn't ask, you have to hear it. Fourteen-year-old Donnie's older sister, Karen, has always been the one person in his life on whom he could totally depend. But as Karen slowly slips away in the grip of an eating disorder, Donnie finds himself alone in facing the trauma of his parents' faltering marriage and his new life as an outcast at school. Donnie makes it his responsibility to cure his sister's illness and fix his parents' issues, letting every part of himself disappear in the process. It is more important -- and somehow easier -- to figure out if today is a day when Karen is eating, or to know if Dad and Mom are sleeping in the same bedroom, than to deal with his own problems. In the end, though, Donnie must decide whether to float through life unnoticed, or to claim his rightful place as a member of his family and of the world. This powerful story from a brilliant new talent introduces a memorable boy in Donnie, who, from his funny and painfully honest point of view, describes a harrowing year that leaves both him and his family forever changed.

    Ed didn't walk out on the family, not exactly. It's something more brutal.Ed's locked up -- on death row.Now his execution date has been set, and the clock is ticking. Joe is determined to spend those last weeks with his brother, no matter what other people think ... and no matter whether Ed committed the crime. But did he? And does it matter, in the end? This poignant, timely, heartbreaking novel asks big questions: What value do you place on life? What can you forgive? And just how do you say goodbye?

    She’s not ready to think about the why yet, just the how—muscles burning, heart pumping, feet pounding the earth. But no matter how hard she tries, she can’t outrun the tragedy from the past year, or the person—The Taker—that haunts her.Followed by Grandpa Ed in his RV and backed by her brother and two friends (her self-appointed publicity team), Annabelle becomes a reluctant activist as people connect her journey to the trauma from her past. Her cross-country run gains media attention and she is cheered on as she crosses state borders, and is even thrown a block party and given gifts. The support would be nice, if Annabelle could escape the guilt and the shame from what happened back home. They say it isn’t her fault, but she can’t feel the truth of that.Through welcome and unwelcome distractions, she just keeps running, to the destination that awaits her. There, she’ll finally face what lies behind her—the miles and love and loss…and what is to come.

    With a mother who makes her feel unremarkable and a half-Japanese heritage she doesn’t quite understand, Kiko prefers to keep her head down, certain that once she makes it into her dream art school, Prism, her real life will begin. But then Kiko doesn’t get into Prism, at the same time her abusive uncle moves back in with her family. So when she receives an invitation from her childhood friend to leave her small town and tour art schools on the west coast, Kiko jumps at the opportunity in spite of the anxieties and fears that attempt to hold her back. And now that she is finally free to be her own person outside the constricting walls of her home life, Kiko learns life-changing truths about herself, her past, and how to be brave.From debut author Akemi Dawn Bowman comes a luminous, heartbreaking story of identity, family, and the beauty that emerges when we embrace our true selves.A William C. Morris Award Finalist; A New York Public Library Best Book for Teens of 2017; A Junior Library Guild Selection