Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

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    What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare. A National Book Foundation 5 Under 35 HonoreeWhiting Award WinnerPEN/Hemingway Award FinalistLambda Literary Award FinalistLonglisted for the PEN/Robert W. Bingham Prize for Debut Fiction & The Story

    Hundreds of thousands have lost the ability to sleep. Enter the Slumber Corps, an organization that urges healthy dreamers to donate sleep to an insomniac. Under the wealthy and enigmatic Storch brothers the Corps' reach has grown, with outposts in every major US city. Trish Edgewater, whose sister Dori was one of the first victims of the lethal insomnia, has spent the past seven years recruiting for the Corps. But Trish’s faith in the organization and in her own motives begins to falter when she is confronted by “Baby A,” the first universal sleep donor, and the mysterious "Donor Y."Sleep Donation explores a world facing the end of sleep as we know it, where “Night Worlds” offer black market remedies to the desperate and sleep deprived, and where even the act of making a gift is not as simple as it appears.

    There is no writer more capable of picking out those seeds and exposing all their secret tastes and poisons than Oates herself―as brilliantly demonstrated in these six stories.The book opens with a woman, naked except for her high-heeled shoes, seated in front of the window in an apartment she cannot, on her own, afford. In this exquisitely tense narrative reimagining of Edward Hopper’s Eleven A.M., 1926, the reader enters the minds of both the woman and her married lover, each consumed by alternating thoughts of disgust and arousal, as he rushes, amorously, murderously, to her door. In “The Long-Legged Girl,” an aging, jealous wife crafts an unusual game of Russian roulette involving a pair of Wedgewood teacups, a strong Bengal brew, and a lethal concoction of medicine. Who will drink from the wrong cup, the wife or the dance student she believes to be her husband’s latest conquest? In “The Sign of the Beast,” when a former Sunday school teacher’s corpse turns up, the blighted adolescent she had by turns petted and ridiculed confesses to her murder―but is he really responsible? Another young outsider, Horace Phineas Love, Jr., is haunted by apparitions at the very edge of the spectrum of visibility after the death of his tortured father in “Night-Gaunts,” a fantastic ode to H.P. Lovecraft.Reveling in the uncanny and richly in conversation with other creative minds, Night-Gaunts and Other Tales of Suspense stands at the crossroads of sex, violence, and longing―and asks us to interrogate the intersection of these impulses within ourselves.The woman in the window --The long-legged girl --Sign of the beast --The experimental subject --Walking wounded --Night-gaunts

    In "Horseman," a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention," a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward--or not. In "Voice," a semiretired academic is conned by his increasingly estranged brother into coming along on a group tour of the Venice Biennale, fleeing a mortifying incident with a traumatized student back in Massachusetts but encountering further complications in the maze of Venice. And in "Milton and Marcus," a lapsed novelist struggles with his wife's illness and tries to rekindle his screenwriting career, only to be stymied by the pratfalls of that trade when he's called to an aging, iconic star's mountaintop retreat in Wyoming.

    In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers.

    On the island of Willow Springs, off the Georgia coast, the powers of healer Mama Day are tested by her great niece, Cocoa, a stubbornly emancipated woman endangered by the island's darker forces.

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    Money is personified in this haunting story, which chronicles its troubled history following the arrival of the Hilson and Bryant families.Tass Hilson and Emmett Till were young and in love when Emmett was brutally murdered in 1955. Anxious to escape the town, Tass marries Maximillian May and relocates to Detroit.Forty years later, after the death of her husband, Tass returns to Money and fantasy takes flesh when Emmett Till's spirit is finally released from the dank, dark waters of the Tallahatchie River. The two lovers are reunited, bringing the story to an enchanting and profound conclusion.Gathering of Waters mines the truth about Money, Mississippi, as well as the town's families, and threads their history over decades. The bare-bones realism--both disturbing and riveting--combined with a magical realm in which ghosts have the final say, is reminiscent of Toni Morrison's Beloved.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    But Brenda Kay, who was born with Down's syndrome, is also a challenge. In this inspirational and deeply moving audiobook, Jewel realizes that Brenda Kay is her special gift from God.

    Wheelchair-bound Inez Graney and her two older sons, Leon and Butch, take a bizarre road trip through the Mississippi Delta to visit the youngest Graney brother, Raymond, who's been locked away on death row for eleven years. It could well be their last visit. Mack Stafford, a hard-drinking and low-grossing run-of-the-mill divorce lawyer, gets a miracle phone call with a completely unexpected offer to settle some old, forgotten cases for more money than he has ever seen. Mack is suddenly bored with the law, fed up with his wife and his life, and makes drastic plans to finally escape. Quiet, dull Sidney, a data collector for an insurance company, perfects his blackjack skills in hopes of bringing down the casino empire of Clanton's most ambitious hustler, Bobby Carl Leach, who, among other crimes, has stolen Sidney's wife. Three good ol' boys from rural Ford County begin a journey to the big city of Memphis to give blood to a grievously injured friend. However, they are unable to drive past a beer store as the trip takes longer and longer. The journey comes to an abrupt end when they make a fateful stop at a Memphis strip club. The Quiet Haven Retirement Home is the final stop for the elderly of Clanton. It's a sad, languid place with little controversy, until Gilbert arrives. Posing as a low-paid bedpan boy, he is in reality a brilliant stalker with an uncanny ability to sniff out the assets of those "seniors" he professes to love. One of the hazards of litigating against people in a small town is that one day, long after the trial, you will probably come face-to-face with someone you've beaten in a lawsuit. Lawyer Stanley Wade bumps into an old adversary, a man with a long memory, and the encounter becomes a violent ordeal. Clanton is rocked with the rumor that the gay son of a prominent family has finally come home, to die. Of AIDS. Fear permeates the town as gossip runs unabated. But in Lowtown, the colored section of Clanton, the young man finds a soul mate in his final days. Featuring a cast of characters you'll never forget, these stories bring Ford County to vivid and colorful life. Often hilarious, frequently moving, and always entertaining, this collection makes it abundantly clear why John Grisham is our most popular storyteller.

    There's still a whole world of Dahl to discover in a newly collected book of his deliciously dark tales for adults . . . We fall not in love but in lust . . . Lust, in all its myriad forms, consumes us. What won't we do to achieve our heart's desire? In these ten tales of twisted love master storyteller Roald Dahl explores how our darkest impulses reveal who we really are.Here you'll read a story concerning wife swapping with a sting in its tail, hear of the aphrodisiac that drives men into a frenzy, discover the last act in a tale of jilted first love and discover the naked truth of art, among others.Roald Dahl reveals even more about the darker side of human nature in seven other centenary editions: Cruelty, Madness, Deception, Innocence, Trickery, War and Fear.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.