The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.

    This brief edition of the most widely adopted book of its kind offers all of the editorial features of the longer book with about half the stories and writer commentaries in a shorter, less expensive format.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    

    All headnotes are new or updated, and many footnotes have been added, replaced, or revised. Criticism reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson. A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Essays include discussion of the psychological implications in the novel as well as themes and character analysis.

    

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.LAST CHANCE LASSITERPaul LevineIn this prequel to the “Jake Lassiter” series, the linebacker-turned-lawyer faces overwhelming odds. Fired from his job and dumped by his girlfriend, Lassiter rents a grungy law office in a Miami Beach parking garage. What else could go wrong? Well, he could be disbarred for punching out his own client. As for cases, the down-and-out lawyer has only one. Lassiter represents Cadillac Johnson, an aging rhythm and blues musician who claims his greatest song was stolen by a top-of-the-charts hip-hop artist. The evidence is long gone and chances of winning are slim. Except for one thing. “If your cause is just,” Lassiter says, “no case is impossible.”CLIENTParnell HallStanley Hastings couldn't be happier. He had his first paying client, and the assignment was straight out of a forties noir movie, tailing the man's cheating wife and snapping pictures of her at a motel. If only he hadn't fallen asleep on stakeout. When he wakes up the woman is dead, the murder weapon is in his car, and a small town police force straight out of In the Heat of the Night has him cast in the Sidney Poitier role. To clear his name—and get paid—Stanley will have to figure out who his client is, who killed the woman in the upstate motel, and who was the resultant corpse!RADIO ACTIVITYBill FitzhughFM rock deejay Rick Shannon has just been fired from his latest Classic Rock station. He’s thinking it’s time to get out of radio once and for all. But when a famous deejay disappears in Mississippi, Rick gets a job offer to take over the slot. So he packs his bags and moves back to his home state where he comes across a tape of an illegally recorded phone conversation that might explain the fate of the missing deejay. Rick starts looking into the matter, and before you can say “Stairway to Heaven” he’s uncovered a scheme of blackmail, arson, murder, and a major FCC violation. Based on an illegal recording made by the author (and former FM rock deejay), Radio Activity redefines classic rock.CALABAMA Steve BrewerWhen a speeding Corvette flies over his head, leaving him without a scratch, Eric Newlin decides it's an omen and his life is about to change. He's right. Within days, he's broke, homeless, unemployed and getting divorced. He falls so far that he ends up involved in a kidnapping scheme with hillbilly crimelord Rydell Vance. Leavened with dark humor, CALABAMA takes a wry look at California's rural, redneck interior, a bitter, precarious place where it's easy for an outsider's life to spiral out of control.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    These stories are unique in time and circumstance, yet they address a common dilemma: how to reconcile America's mythologized "promise" with its more complex reality. New to the collection are Sherman Alexie, Michelle Cliff, Edwidge Danticat, Junot Diaz, Chitra Divakaruni, Jewelle Gomez, Thomas King, Bruce Morrow, Agnes Rossi, and David Wong Louie. They join Toni Cade Bambara, Richard Bausch, Marita Bonner, Nash Candelaria, Sandra Cisneros, Louise Erdrich, Mei Mei Evans, Oscar Hijuelos, Gish Jen, LeRoi Jones/Amiri Baraka, Kim Yong Ik, Monfoon Leong, Bernard Malamud, Paule Marshall, Nicholasa Mohr, Toshio Mori, Bharati Mukherjee, Mikhail Naimy, Tahira Naqvi, Gregory Orfalea, Grace Paley, Jeanne Schinto, Leslie Marmon Silko, Michael Stephens, Sui Sin Far, Alice Walker, and Hisaye Yamamoto—making this, once again, the most authoritative and useful multicultural collection available.

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Poems to Read is a welcoming avenue into poetry for readers new to poetry, including high school and college students. It is also meant to be a fresh, valuable collection for readers already devoted to the art. This anthology concentrates on the actual pleasures of reading poems: hearing the poem in your voice, bringing it to other people, musing about it, taking excitement or comfort from it, wandering with it or—as in the Keats letter quoted in the Introduction—having it as a starting post. Many of these 200 poems are accompanied by comments from readers of various ages, regions, and backgrounds who participated in the Favorite Poem Project. Included are poems by John Donne, Walt Whitman, William Butler Yeats, Langston Hughes, Elizabeth Bishop, Gwendolyn Brooks, Seamus Heaney, Allen Ginsberg, and Louise Glück, to name a few. The editors offer their own comments on some of the poems, which are arranged in thematic chapters.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.