When Man decides to explore a distant star, he leaves the Earth in a terrible mess. He can only return to Earth if he learns to care for it. A book for any child who takes an interest in the world around them.

    He really was shrinking.Hilarious complications result as he becomes more minuscule by the moment. Treehorn is a bit downhearted when his teacher says, "we don't shrink in this class," and sends him to the principal. Poor Treehorn spends an unhappy day and night until he discovers a magical game that restores him to his natural size. This is a great relief to Treehorn before he notices that he is turning faintly green. . . .An ALA Notable Book

    Collected here and illustrated to wonderful haunting effect by Edward Gorey, these short, funny pieces offer moral instruction for all types of mischief makers—from a certain young Jim, "who ran away from his nurse and was eaten by a lion," to the tale of Matilda, "who told lies and was burned to death”—and add up to a delightful read for any fan of Roald Dahl or Shel Silverstein.

    But the story is about more than brooms, mops, and vacuums. Mama and Papa turn the deserted office building into a magnificent kingdom filled with paper. Then they weave a fantasy of dragons and kings to further engage their reluctant companion--and even encourage him to one day be the king of a paper kingdom.The Paper Kingdom expresses the joy and spirit of a loving family who turn a routine and ordinary experience into something much grander. Magical art by Pascal Campion shows both the real world and the fantasy through the eyes of the young narrator.

    That, and eat eggs. But when his hard-boiled goose eggs turn out to be real, live goslings, he starts to lose his appetite. And even worse, the goslings are convinced he's their mother. Bruce tries to get the geese to go south, but he can't seem to rid himself of his new companions. What's a bear to do?

    And, His Excellency has a boy! Pepito, as he is named, is not just any boy: according to Madeline, he is a "bad hat"--for starters, he's equipped with an irksome slingshot, he "ghosts," and he boasts. And when Miss Clavel gives him a box of tools to function as an "outlet for his energy," he makes a guillotine for the cook's chickens. ("He ate them ROASTED, GRILLED, AND FRITO! Oh what a horror was PEPITO.") Children will love Ludwig Bemelmans's jaunty rhymes and simple, evocative drawings, and the ferocity with which the feisty Madeline suspects, condemns, and rebuffs the boisterous new boy neighbor. In the end, however, everything comes out right, and we, along with Miss Clavel, can relax. (Ages 4 to 8) --Karin Snelson

    Rosie the hen is enjoying a leisurely walk around the farm, but the stroll isn't nearly as pleasant for the fox who is trying -- unsuccessfully -- to navigate the obstacle course Rosie is unknowingly leading him through.

    What will it take to get the older sister to look up? The promise of a water-balloon launcher in case of attack? A trapdoor to stargaze through? A crow’s nest from which to see how many whales pass by or to watch for pirates? Or the best part of all, which can’t be revealed, because it’s a secret?

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    The perfect integration of words and pictures creates a coherent and delightful whole.When this charming book was first published in 1978, there was a widespread idea that it was too expensive and risky to publish a children's book in Canada. And so Margaret Atwood not only wrote and illustrated the book, she handlettered the type! The book was created in the old-fashioned way, using only two colors that mixed together to produce a surprisingly large range of tones and textures. The delightful result reminds us that technology hasn't necessarily made things better. This facsimile edition renders intact the unique pleasures of the original.

    A perfect first book for toddlers with sturdy cardstock pages and a padded cover with rounded corners for safe handling by little ones.

    It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    This is a picture book for young children which is one of a series of books about the church mice.

    This collection of twenty-one classic tales about this resourceful and thoughtful little girl reflect with accuracy the dilemmas and challenges of a child's world. Young children today will love to hear how Milly-Molly-Mandy decides to spend her first penny, looks after a hedgehog, and spends her first night away from home. These timeless stories are perfect for reading aloud, for older children to read by themselves, or as a story before bedtime, and will bring back many happy memories for many parents and grandparents. The book's endpaper feature a two-page map of Milly-Molly-Mandy's village complete with drawings of cottages, fields, streets, and shops making it easy for children to follow Milly-Molly-Mandy from place to place.

    Could it be a case of mistaken identity? This fast-paced comedy of errors, illustrated with Jez Alborough's quirky artwork, is guaranteed to have children—and bears alike—reaching for their teddies!