To make Oedipus more accessible for the modern reader, our Prestwick House Literary Touchstone Classics includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. We hope that the reader may, through this edition, more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.

    This Penguin Classics edition includes an introduction and notes by Paul Goring.When Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim, he produces no ordinary travelogue. Jolting along in his coach from Calais, through Paris, and on towards the Italian border, the amiable parson is blithely unconcerned by famous views or monuments, but he engages us with tales of his encounters with all manner of people, from counts and noblewomen to beggars and chambermaids. And as drama piles upon drama, anecdote, flirtation and digression, Yorick's destination takes second place to an exhilarating voyage of emotional and erotic exploration. Interweaving sharp wit with warm humour and irony with genuine feeling, A Sentimental Journey paints a captivating picture of an Englishman's adventures abroad.In his introduction, Paul Goring discusses Sterne's literary career and his semi-autobiographical depiction of Yorick, and sets the novel within the context of eighteenth-century travel writing and the vogue of sentimental fiction. This edition also includes a chronology, updated further reading and notes.Laurence Sterne (1713-1768) graduated from Cambridge in 1737 and took holy orders, becoming a prebend in York Cathedral. His masterpiece, The Life and Opinions of Tristram Shandy, Gentleman made him a celebrity but ill-health necessitated recuperative travel and A Sentimental Journey grew out of a seven-month trip through France and Italy. He died the year it was published, 1768.If you enjoyed A Sentimental Journey, you might like Sterne's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    The title character of THE REVISIONIST conducts covert surveillance on a city whose inhabitants are subject to uncanny transformations as a result of catastrophic weather, political corruption, invasive technologies and environmental degradation. Hired to spin, or "revise," the facts, the revisionist's perceptions in turn become detached and distorted--inevitably unreliable yet all the same, revealing. This civil scientist of a narrator sardonically observes a distressed landscape inhabited by mutant children, a seeing-eye dog, a centenarian with iguanas and constellations beneath her dress, brooding frigate birds, insurance love clones, a terrorist curator, a private investigator, and a little girl who's discovered the world's largest conch. "THE REVISIONIST is at once a beautifully simple fable and a wonderfully lyrical apocalyptic tale"--Brian Evenson.

    Shakespeare's "Shall I Compare Thee to a Summer's Day?", Milton's "On His Blindness," Wordsworth's "The World Is Too Much with Us," many more by Spenser, Sidney, Blake, Byron, Coleridge, Longfellow, Yeats, Frost, Poe, etc. Includes 2 selections from the Common Core State Standards Initiative.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A former resident of St. Louis, where he founded the Observable Poetry reading series, he now lives in Hillsborough, North Carolina.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    One of America's most important twentieth-century poets, Stevens forever changed the landscape of modern poetry with his provocative, experimental style.This first-rate collection by the winner of the 1955 Pulitzer Prize for poetry invites students and other readers to enjoy the richness and variety found in 82 of Stevens's finest creations. Included are such well-known compositions as "Sunday Morning," "Disillusionment of Ten O'Clock," "Anecdote of the Jar," "Peter Quince at the Clavier," "Thirteen Ways of Looking at a Blackbird," and the title piece — the author's favorite — as well as lesser known yet equally stimulating works such as "The Florist Wears Knee-Breeches" and "The Man Whose Pharynx Was Bad."Invaluable to students of American literature, this volume will be an indispensable treasury for lovers of modern poetry.

    When he boasts that his lighter always lights...

    Alternate cover edition can be found here, here, here, hereIn the Oresteia—the only trilogy in Greek drama which survives from antiquity—Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos.Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.

    The Ironclads are 100-foot-long (30 m) machines with remote controlled guns and accommodation for 42 soldiers, including 7 officers.The story is one of those responsible for Wells' reputation as a "prophet of the future", as the eponymous machines seem to anticipate the tanks of World War I. His rather sketchy battle between countrymen and townsmen also carries echoes of the Boer War and his 1898 novel The War of the Worlds, which also features a struggle between technologically uneven protagonists.***The story opens with a war correspondent and a young lieutenant surveying the calm of the battlefield and reflecting upon the war. The two opposing sides are dug into trenches, each waiting for the other to attack, and the men on the war correspondent's side are confident in their coming victory. They believe that they will win because they are all strong outdoor-types - men who know how to use a rifle and fight - while their enemies are towns people ... "a crowd of devitalized townsmen ... They're clerks, they're factory hands, they're students, they're civilized men. They can write, they can talk, they can make and do all sorts of things, but they're poor amateurs at war." The men agree that their "open air life" produces men better suited to war than their opponents' "decent civilization".In the end, however, it is shown that the "decent civilization", with its men of science and engineers, triumphs over the "better soldiers" who, instead of developing land ironclads of their own, had been practicing shooting their rifles from horseback, a tactic which became obsolete the second the land ironclads appeared on the battlefield. The story ends with the entire army captured by a dozen or so of the land ironclads, and the last scene is of the correspondent comparing his countrymen's "sturdy proportions with those of their lightly built captors", and thinking of the story he is going to write about the experience, noting both that the captured officers are thinking of ways they will defeat what they call the enemy's "ironmongery" with their already-existing weaponry, rather than developing their own land ironclads to counter the new threat, and also noting that the "half-dozen comparatively slender young men in blue pajamas who were standing about their victorious land ironclad, drinking coffee and eating biscuits, had also in their eyes and carriage something not altogether degraded below the level of a man."

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Angela's Ashes is based on the bestselling novel by Frank McCourt.