Includes stories by William Gaines & Al Feldstein, with art by Jack Kamen, Jack Davis, Joe Orlando, Graham Ingles, and Wally Wood. Featuring a foreword by Steven Spielberg this book looks back at some of the edgiest and best written stories in comic history.

    Volume 1 volume reprints the first six complete issues (24 stories) of the comic book Two-Fisted Tales, originally published in 1950 and 1951.

    Contains tales that are illustrated in black, white, and blood red by some of the top talents in comics, including Jill Thompson (Scary Godmother), Michael Avon Oeming (Powers), Darick Robertson (Transmetropolitan), Kelley Jones (Sandman), Andi Watson (Geisha), Dan Brereton (The Nocturnals), Phil Noto (Birds of Prey), and others.

    After an escaped group of criminals breaks into the house that June and Liam are watching, Liam is taken by them. June grabs a strange Viking axe and flees from the intruders. When one of the attackers finds her, she swings the axe and takes off his head, which rolls away and begins to babble in terror. For June to uncover the truth, she'll need to hear the facts straight from the mouths of her attackers, with...or without their bodies attached. Collects issues #1-7.

    These tales of corruption, paranoia, vengeance, and the Devil feature the bold, experimental storytelling that cemented Wagner`s reputation as one of the comics medium`s leading innovators. Story, art, and new cover painting by Matt Wagner, colors by Eisner award-nominee Bernie Mireault.

    A name synonymous with crime and violence. Hunter Rose. A name familiar with wealth and privilege. Two identities, one Devil. Acclaimed Grendel creator Matt Wagner crafts a series of tales that spotlights those the Devil has influenced and intimidated, a grim grimoir of punishment and revenge illustrated in stark black, white, and blood-red that brings together a virtual who's who of talented artists, including John Paul Leon, Tim Sale (Batman: The Long Halloween), Duncan Fegredo (Kevin Smith's Jay & Silent Bob), D'Israeli, Ho Che Anderson, C. Scott Morse, Bernie Mireault, Paul Chadwick (Concrete), Tim Bradstreet, David Mack, Guy Davis (Sandman Mystery Theatre), the Pander Brothers, Stan Shaw (Sunglasses After Dark), Jay Geldhof, Teddy Kristiansen, Jason Pearson, Mike Allred, Woodrow Phoenix, Troy Nixey, and Chris Sprouse. Also includes long out-of-print Devil's Vagary, illustrated by Dean Motter.

    Here is the first ever popular collection of zombie comics and short graphic stories. Full of spooky and well-crafted tales from beyond the grave, this collection will appeal to readers of graphic novels, comic books, and followers of the undead. With stories from Vincent Locke, Steve Niles, Hideshi Hino, Joe Lansdale, and many others, this collection will be sure to frighten and entertain even the most undead of readers.

    A man haunts the roads; a man with sharp teeth and a hunger for flesh. When 12 year-old Jack Garron runs away from home, he'll see how quickly the American Dream becomes a nightmare. Collecting all 7 issues of the critically acclaimed series, and featuring never-before-seen bonus material, this hardcover deluxe version is sure to be a classic.

    Not only does this volume reprint the first two years of the strip in which King’s friendly and nostalgic imagination took shape but each book in the series features an eighty-page color introduction by Jeet Heer of Canada’s National Post. Each introduction will also feature never-before-seen archival photos and ephemera from the personal collection of King’s granddaughter. Walt & Skeezix is not just a collection of a classic comic strip—it is the story of a great American cartoonist. Few cartoon strips have this kind of longevity and quality; Gasoline Alley has been with us since 1919 and is a gentle mirror held up to ordinary American life in the early twentieth century. It started as a mild satire on the post-WWI “craze” for cars, but it wasn’t long before it developed into a quirky family story attracting an audience of more than thirty million readers in four hundred–plus newspapers. Gasoline Alley, an affectionate portrait of modern living, is remembered for being the first strip to set itself in contemporary American history. The characters of Gasoline Alley grow up, go to war, and have grandchildren. The strip always reflects the kind, sweet pace of life.

    Now, its mystery ensnares and entwines the lives of two very different men. One: a young recluse, obsessed with finding hidden clues within the city's trash. The other: a washed-up Catholic priest, finding his place in a small town that hides dark secrets. Neither of them are prepared for what's inside the Black Barn.From Jeff Lemire and Andrea Sorrentino, the bestselling creative team behind Old Man Logan and Green Arrow, comes a character-driven meditation on obsession, mental illness, and faith.Collects Gideon Falls #1-6.

    As his skills hve thrived, so too have his challenges.This collection contains material originally published in magazine form as Marvel Premiere #9-10 and #12-14 and Doctor Strange (Vol. 2) #1-2 and #4-5.

    Then, Wolverine faces down Nanny and Orphan-Maker, and lets former New X-Men member Trance in on all his secrets.

    Written and edited by Archie Goodwin, with artwork by such industry notables as Gene Colan, Frank Frazetta, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Wally Wood, it featured war stories in both contemporary and period settings, unified by a humanistic theme of the personal costs of war, rather than by traditional men's adventure motifs. As one letter-writer in the third issue put it, “Do you seriously expect to make money with a war magazine that publishes nothing but anti-war stories?”While most stories took place during World War II, they ranged in settings from the 18th century to the present-day. Some dealt with historical figures, such as Revolutionary War general Benedict Arnold and his pre-traitorous victory at the battle of Saratoga, while “Foragers” focused on a fictional soldier in General William T. Sherman’s devastating March to the Sea during the American Civil War. “Holding Action,” set on the last day of the Korean War, ended with a gung-ho young soldier, unwilling to quit, being escorted over his protests into a medical vehicle.What proved to be the most controversial were stories set during the then-contemporary Vietnam War, particularly the classic short “Landscape,” which follows the thoughts of a Vietnamese peasant rice-farmer devoid of ideology, who nonetheless pays the ultimate price simply for living where he does. While writer Goodwin evenhandedly portrays the North Vietnamese Army’s brutal summary executions of village officials, and a well-meaning U.S. Army fatally bludgeoning its way through the village in a counterattack, the story caused key distributors to stop selling the title.Fantagraphics is proud to present a deluxe, hardcover edition, magnificently printed and bound, of these stories, superbly reproduced from the original printer's film negatives.Nominated for a 2010 Will Eisner Comic Industry Award: (Best Archival Collection/Project: Comic Books).

    Remember the good old days when Spidey's life wasn't very complicated? When evil scientists like the Jackal sought to destroy him? When Gwen Stacy showed up on his doorstep, suddenly alive? See the original clone saga unravel as Spider-Man tries to keep up!

    But Kyle Baker's comic book version of King David renders that classic confrontation in 17 wordless pages, comprising one of the freshest, most suspenseful and thrilling descriptions of its subject that you are likely to find. King David is a biblically accurate, freewheeling, color-saturated biography of the boy who rose to become king of Israel. David begins the book as a scruffyDennis-the-Menace-like kid and ends the book as a vain, hunky womanizer; King Saul is a glam-rock tyrant; his son Jonathan is a skinny punk rebel. (When he asks to borrow Saul's chariot and the king asks, "Where are you going, Jonathan?" he shoots back, "Out.") Many parents will deem the book's bloody battle scenes inappropriate for young readers. King David's candor, however, is a virtue. This is real religious literature: it describes David's relationship with God in a style that's fully alive for readers today. --Paul Power