She is staring down the barrel at a future of people asking if she wants to come to their yoga class, and book clubs, where everyone is wearing statement scarves and they are all ‘tiddly’ after a glass of Pinot Grigio. But Mummy does not want to go quietly into that good night of women with sensible haircuts who ‘live for their children’, boasting about Boy Child and Girl Child’s achievements. Instead, she clutches a large glass of wine, muttering FML over and over, and then remembers the gem of an idea she’s had…

    Life was absurd, and nobody truly understood anybody else. Even his friends tend to agree that Barney is a 'wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a penchant for violence and probably a murderer'. But when his sworn enemy threatens to publish this calumny, Barney is driven to write his own memoirs, rewinding the spool of his life, editing, selecting and plagiarising, as his memory plays tricks on him - and on the reader. Ebullient and perverse, he has seen off 3 wives - the enigmatic Clara, whom he drove to suicide in Paris in 1952; the garrulous Second Mrs Panofsky; and finally Miriam who stayed married to him for decades before running off with a sober academic. Houdini-like, Barney slides from crisis to success, from lowlife to highlife in Montreal, Paris and London, his outrageous expolits culminating in the scandal he carries around like a humpback - the murder charge that he goes on denying to the end.

    No one, not even her adoring husband Will, knows about her secret agent escapades -- chasing no-good masterminds through perilous jungles, escaping evil assassins, and playing dangerous games of cat and mouse with her old nemesis, Ian Blackford, a notorious and dashing illegal arms dealer. In her new life as Lucy Hamilton, she squeezes inside forts crafted from couch cushions by her three-year-old son Theo, makes organic applesauce, and frequents the zoo. But sometimes her well-honed spy reflexes refuse to lay low. She can't help breaking into her own house to check on the babysitter or stop herself from tossing the yoga instructor who gets on her nerves. And when Ian Blackford, who is supposed to be dead, once again starts causing trouble for the USAWMD, the agency becomes desperate to get Sally back on the job. How can Sally or Lucy or whatever her name is save the planet while at the same time keeping her own family's world from spinning out of control? Every bit as much fun as a spy-mom thriller ought to be, Original Sin is a fast-paced adventure story for mothers and spies, and anyone who has ever dreamed about being either.

    He's the cripple with the crutches, the nerdy computer genius every female past puberty feels compelled to mother. So when he leaves his lucrative career to teach programming to high schoolers, romance definitely isn't on his radar. Perhaps that's why Greta Cassamajor catches him off guard. The sarcastic gym coach with zero sense of humor is no beauty - not even on the inside. But an inexplicably kind act toward Samuel makes him realize she is interesting.Samuel is certain she won't accept his invitation to dinner - so when she does, he's out of his depth. All he knows is that he'll do whatever it takes to keep her as long as he can. Pretending he's got his class under control? Easy. Being vulnerable enough to admit why he ditched his programming career for teaching? Um, no. That would require honesty. And if there's one thing Samuel can't live without, it's the lies he tells himself. In this poignant, witty debut, Ramsey Hootman upends traditional romance tropes to weave a charming tale of perseverance, trust, and slightly conditional love.

    On the night of her brother’s murder, Deena Hammond stumbles upon Takumi Tanaka, lost and on the wrong end of a .32. After rescuing him from the certain fate driving through the hood in a Ferrari will bring, a sweet kind of friendship begins. A balm for her grief. Maybe, Deena likes to think, it happened the day her white mother killed her black father. Or maybe, it was always a part of them, like DNA gone bad. Whatever the case, Deena knows that her family would never approve, hell, never acknowledge her fast-growing love for Takumi. And had he never made love to her that way, in that unraveling, soul-searching sort of way she could’ve done the same. But love’s a devil that way. So, their game begins. One where they hide what they are from everyone. From anyone. And Tak understands this—for now. After all, Deena’s career hinges on the favor of her mentor and boss, his hard-ass of a father. And the Hammond family is already stretched thin with grief. Yet, each step Deena takes toward family and career brings her closer to an acceptance she’s never had. And away from him.

    Now she's carrying his baby. Already married with three daughters, he's overjoyed because the doctors confirmed he will finally have the son he has always wanted. To ensure that his son has every advantage, he has shipped Scarlett off to give birth on American soil. U.S. citizenship will open doors for their little prince.As Scarlett awaits the baby's arrival, she chokes down bitter medicinal stews and spars with her imperious housemates. The only one who fits in even less is Daisy, a spirited teenager and fellow unwed mother who is being kept apart from her American boyfriend.Then a new sonogram of Scarlett's baby reveals the unexpected. Panicked, she escapes by hijacking a van--only to discover that she has a stowaway: Daisy, who intends to track down the father of her child. They flee to San Francisco's bustling Chinatown, where Scarlett will join countless immigrants desperately trying to seize their piece of the American dream. What Scarlett doesn't know is that her baby's father is not far behind her.A River of Stars is an entertaining, wildly unpredictable adventure, told with empathy and wit. It's a vivid examination of home and belonging, and a moving portrayal of a woman determined to build her own future.

    Self-conscious and increasingly uncertain about her long-term plans, she’s studying a major that no longer interests her and is caught up in a bewildering affair with a married professor. In an impulsive attempt to redeem herself, she answers a want ad seeking a caregiver.What she finds is a wealthy, cultivated woman in her midthirties. Once an advertising executive, accomplished chef, and skilled decorator, Kate is now in the advanced stages of ALS (Lou Gehrig’s disease). She and her husband, Evan, handle their situation with mordant humor, careful planning, and a lot of determination. Yet while Bec perceives the couple as charmingly frank and good-humored, strains exist beneath the surface.Bec is soon a vital part of her employer’s household, and their increasing closeness transforms both women’s lives and their relationships. The more she acts on Kate’s behalf, the further Bec strays from her stringent comfort zone. She performs every task, from the most administrative to the most intimate, and she translates Kate’s speech for strangers, friends, and even family. Sometimes enthusiastically, sometimes reluctantly, Bec advances further and further into Kate’s world, surprised by her own increasing dedication and ease. But how closely can Bec intertwine her own life with Kate’s?The two confront their obstacles unsentimentally, with dark humor and unflinching candor, as their relationship is slowly stripped of pretense. Honesty becomes their touchstone: They may find humor in the most devastating moments, but they won’t pretend to believe in silver linings that don’t exist. With crystal clarity, debut author Michelle Wildgen has crafted a deeply affecting novel about the singular relationship between two women, balancing humor and regret, sensuality and necessity, and testing the outer limits of friendship. Advance Praise for You’re Not You “Michelle Wildgen’s novel You Are Not You is so skillfully rendered that it’s hard to believe it is a first novel. The character of Bec, a twentysomething who has a habit of falling into things---jobs, love affairs---is funny, completely unsentimental, and really great for a reader to hang around with. Her worldview and how it changes when she goes to work for Kate, a refined woman in her thirties, is riveting. I simply couldn’t put this book down.”---Whitney Otto, author of How to Make an American Quilt “What an enjoyable and deeply satisfying novel. In You’re Not You, Michelle Wildgen manages to capture, in some extraordinary way, what it’s like to be a fairly ordinary college student, waiting for one’s life to begin. Bec is a wonderfully complex heroine, and the nuances of her relations with the remarkable Kate are both vivid and suspenseful. This is an exhilarating debut.”---Margot Livesey, author of Banishing Verona “With You’re Not You, Michelle Wildgen has produced an artful and slyly seductive debut novel about a caregiver in full thrall to her charge’s steely hold on sensuality, taste, and grace.”---Helen Schulman, author of P.S. “Michelle Wildgen writes with a lush, fierce clarity about the most private and complex of matters: the relationship between identity and intimacy, the body’s pleasures and profound betrayals, the sharp impact of loss, and the gifts of deep attachment. You’re Not You is startling and smart, a wise, beautiful novel.”---Nancy Reisman, author of The First Desire

    It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. DREAMING IN CUBAN presents a unique vision and a haunting lamentation for a past that might have been.

    It's not because she's black—most of the other students in the fourth-grade class at her West Philadelphia elementary school are too. Maybe it's because she celebrates Kwanzaa, or because she's forbidden from reciting the Pledge of Allegiance. Maybe it's because she calls her father—a housepainter-slash-philosopher—"Baba" instead of "Daddy," or because her parents' friends gather to pour out libations "from the Creator, for the Martyrs" and discuss "the community." Kenya does know that it's connected to what her Baba calls "the shame of being alive"—a shame that only grows deeper and more complex over the course of Asali Solomon's long-awaited debut novel. Disgruntled, effortlessly funny and achingly poignant, follows Kenya from West Philadelphia to the suburbs, from public school to private, from childhood through adolescence, as she grows increasingly disgruntled by her inability to find any place or thing or person that feels like home. A coming-of-age tale, a portrait of Philadelphia in the late eighties and early nineties, an examination of the impossible double-binds of race, Disgruntled is a novel about the desire to rise above the limitations of the narratives we're given and the painful struggle to craft fresh ones we can call our own.

    She's not pretty or popular or funny, unlike her mother who had Bea when she was 17. The only glamorous thing about Bea is the French father who left before she was born and lives in Paris. She yearns for la vie Parisienne every moment of her dull existence. So when Ruby Davies, the leader of her school's most elite clique picks Bea as her new best friend and asks her to go on holiday with them, she's wary but delighted. If nothing else it's two weeks away from her over-protective mother . But when the gang arrive in Spain, Bea is crushed to realise that Ruby and her posse have simply been using her. Bea wreaks vengeance on her so-called friends, and plans to decamp to Paris to find her father. But when she falls asleep on the train and wakes up in Bilbao, she meets a group of American students who are backpacking around Europe and bonds with them straight away, especially the gorgeous Toph, who helps heal Bea's hurting heart. And though Bea has a shock in store when they finally get to Paris, the 'City of Lovers ' really works it magic on Bea and Toph, who spend a week wandering the sun-dappled streets of Paris, talking, holding hands and falling in love. When it comes time to go home to confront her Mum about her mysterious father, the new version of Bea is determined that she 'll never go back to her old, boring way of life - she's no longer Nobody's Girl; she belongs to herself and to Toph...But with an ocean between them, will he wait for her?

    She’s moved to another country and got a new job, a new home, a brand new life. . .But when she discovers a box of unread love letters in the bottom of her wardrobe, all ending with the words ‘please forgive me’, she finds herself drawn to the mystery behind them.Can the unravelling of another person’s story help Leonie deal with her own past and her own secrets? All she knows is that she has to try. Because if the couple behind the love letters had a happy ending, then perhaps she just might too.

    HAPPILY EVER BEFORE is best described as the comedic literary love child of the hit film’s Bridesmaids and Baby Mama. It is the story of two sisters, who while watching a Lifetime movie marathon (of course!) make a drunken pact that has more unconventional consequences than anything Lifetime could program.HAPPILY EVER BEFORE, a fractured fairytale, tells the story of Grace, the free spirit older sister, who promises Clair, her wound-too-tight younger sister, that she’d have her baby, should the need ever arise. But she certainly never thought she’d have to “deliver”. Now everyone, from Clair’s WASP-y in-laws to Diane, Grace and Clair’s mom, who has put her own life on hold, to Clair’s husband, Henry, who has a compulsive need to give Grace bizarre and overly personal pregnancy gifts, to George, Grace’s best friend who now needs to find a new drinking buddy, are dealing with situations they never dreamed of. As the sisters are faced with hormonal surges, new romances, and a calcium enriched diet, they are forced to navigate this new family dynamic and test their sisterly love in ways that keep the reader laughing out loud.Early reviews say HAPPILY EVER BEFORE: “…is a fractured fairy tale with a bushel of wit and a side of pizzazz. It’s a laugh-out-loud comedy that will keep readers enthralled from the very first page. -Paige Crutcher---Examiner.com“We absolutely love this new book and we think you will too!"-Megan Sayers, ModernMom.com

    Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    They're on every artistic board and deeply involved in the community. She owns and operates a letterpress studio specializing in the handmade; he runs a digital magazine featuring all things southern gentlemen. The perfect juxtaposition of the old and the new, Eve and Cooper are the beautiful people. The lucky ones. And they have the wealth and name that comes from being part of an old Georgia family. But things may not be as good as they seem. Eve's sister, Willa, is staying with the family until she gets "back on her feet." Their daughter, Gwen, is all adolescent rebellion. And Cooper thinks Eve works too much. Still, the Morrison marriage is strong. After twenty-one years together, Eve and Cooper know each other. They count on each other. They know what to expect. But when Cooper and Willa are involved in a car accident, the questions surrounding the event bring the family close to breaking point. Sifting between the stories—what Cooper says, what Willa remembers, what the evidence indicates—Eve has to find out what really happened. And what she's going to do about it.A riveting story about the power of truth, The Stories we Tell will open your eyes and rearrange your heart.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.