Up-and-coming cities that wanted teams of their own were being rebuffed by the owners, and in response Congress was threatening to revoke the sport's antitrust exemption. These problems were magnified by what was happening on the field, as the New York Yankees were winning so often that true competition was vanishing in the American League.In "Bottom of the Ninth," Michael Shapiro brings to life this watershed moment in baseball history. He shows how the legendary executive Branch Rickey saw the game's salvation in two radical ideas: the creation of a third major league--the Continental League--and the pooling of television revenues for the benefit of all. And Shapiro captures the audacity of Casey Stengel, the manager of the Yankees, who believed that he could bend the game to his wishes and remake how baseball was played. Their stories are interwoven with the on-field drama of pennant races and clutch performances, culminating in three classic World Series confrontations.As the tension built on and off the field, Rickey and Stengel would find themselves outsmarted and defeated by the team owners who held true backroom power--defeats that would diminish the game for decades to come. Shapiro's compelling narrative reaches its stunning climax in the seventh game of the 1960 World Series, when one swing of the bat heralds baseball's eclipse as America's number-one sport.

    Pitchers are the lifeblood of the sport, the ones who win championships, but today they face an epidemic unlike any baseball has ever seen. One tiny ligament in the elbow keeps snapping and sending teenagers and major leaguers alike to undergo surgery, an issue the baseball establishment ignored for decades. For three years, Jeff Passan, the lead baseball columnist for Yahoo Sports, has traveled the world to better understand the mechanics of the arm and its place in the sport’s past, present, and future. He got the inside story of how the Chicago Cubs decided to spend $155 million on one pitcher. He sat down for a rare interview with Hall of Famer Sandy Koufax, whose career ended at 30 because of an arm injury. He went to Japan to understand how another baseball-obsessed nation deals with this crisis. And he followed two major league pitchers as they returned from Tommy John surgery, the revolutionary procedure named for the former All-Star who first underwent it more than 40 years ago. Passan discovered a culture that struggles to prevent arm injuries and lacks the support for the changes necessary to do so. He explains that without a drastic shift in how baseball thinks about its talent, another generation of pitchers will fall prey to the same problem that vexes the current one. Equal parts medical thriller and cautionary tale, The Arm is a searing exploration of baseball’s most valuable commodity and the redemption that can be found in one fragile and mysterious limb.

    David Maraniss now brings the great baseball player brilliantly back to life in "Clemente: The Passion and Grace of Baseball's Last Hero," a book destined to become a modern classic. Much like his acclaimed biography of Vince Lombardi, "When Pride Still Mattered," Maraniss uses his narrative sweep and meticulous detail to capture the myth and a real man. Anyone who saw Clemente, as he played with a beautiful fury, will never forget him. He was a work of art in a game too often defined by statistics. During his career with the Pittsburgh Pirates, he won four batting titles and led his team to championships in 1960 and 1971, getting a hit in all fourteen World Series games in which he played. His career ended with three-thousand hits, the magical three-thousandth coming in his final at-bat, and he and the immortal Lou Gehrig are the only players to have the five-year waiting period waived so they could be enshrined in the Hall of Fame immediately after their deaths.

    Teeming with revelations and glorious memories, Birth of a Dynasty celebrates the unforgettable 1996 Yankees season: the season that began one of the most respected team dynasties in sports history. Veteran New York Post columnist Joel Sherman, who has spent more time with the Bronx Bombers in the past 15 years than any other writer, draws on hundreds of interviews and years of on-the-spot reporting to re-create one of the Yankees' greatest years.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    Not just a special day in a historic rivalry but a unique one in the long tradition of baseball writing. For on this day award-winning sportswriter Steve Kettmann worked with a team of top reporters to chronicle everything that happened, from the point of view of everyone involved. With One Day at Fenway, Kettmann goes beyond the ballpark to bring you interviews and anecdotes involving all the major players—from Red Sox owner John Henry and CEO Larry Lucchino, privately second-guessing Grady Little's managing moves during the game; to Yankee skipper Joe Torre, worrying on the bench about Mariano Rivera, who can't find home plate; to Sox slugger Manny Ramirez, who missed the game with a throat infection. And there's more: the famous and infamous players in the field and in the boardrooms, rabid fans on both sides, the not-so-innocent bystanders—all here in this brilliant re-creation of a day in the life of America's favorite pastime.

    Will returns to baseball with more than seventy finely honed pieces about the sometimes recondite, sometimes frustrating, yet always passionately felt national pastime. Here are Will's eulogy for the late Curt Flood ("Dred Scott in Spikes"), Will on Ted Williams ("When Ted Williams retired in 1960, a sportswriter said that Boston knew how Britain felt when it lost India. Indeed, Britain felt diminished, but also a bit relieved"), and Will on his own baseball career ("I was a very late draft choice of the Mittendorf Funeral Home Panthers. Our color was black"). Here are subjects ranging from the author's 1977 purchase of a single share of stock in the Chicago Cubs to the memorable 1998 season, which is discussed in an all-new essay. For fans of Men at Work and Will's other baseball writings, this book is as pleasurable as a well-executed bunt.

    And in 1957, the last team anybody would have thought of to challenge New York City’s baseball supremacy would have been Milwaukee. But who better to beat the Yankees than the Midwest guys at the corner bar? The Braves became America’s team, a happy band where color and the Cold War didn’t matter, where the Cold One created the close bond between the fans and the team. Young sluggers Hank Aaron and Eddie Mathews proved that brotherhood meant as much as home runs. Legendary pitcher Warren Spahn teamed with Yankee-killer Lew Burdette for a climactic finish. ‘Bushville’ was ready to strike a blow for the rest of America, and the Milwaukee Braves were about to turn the sports world upside down.

    As the St. Louis Cardinals battle their archrival Chicago Cubs, we watch from the dugout through the eyes of legendary manager Tony La Russa, considered by many to be the shrewdest mind in the game today. In his twenty-seven years of managing, La Russa has been named Manager of the Year a record-making five times and now stands as the third-winningest baseball manager of all time. A great leader, he's built his success on the conviction that ball games are won not only by the numbers but also by the hearts and minds of those who play.Drawing on unprecedented access to a major league manager and his team, Buzz Bissinger brings a revelatory intimacy to baseball and offers some surprising observations. Bissinger also furthers the debate on major league managerial style and strategy in his provocative new afterword.

    By investigating previously unknown sources, the book uncovers the real story of how baseball evolved from a gentleman's amateur sport of well-bred play followed by well-laden banquet tables into a professional sport where big leagues operate under their own laws. Offering countless anecdotes and a wealth of new information, the authors explode many cherished myths, including the one which claims that Abner Doubleday invented baseball in 1839. They describe the influence of baseball on American business, manners, morals, social institutions, and even show business, as well as depicting the types of men who became the first professional ball players, club owners, and managers, including Spalding, McGraw, Comiskey, and Connie Mack.Note: On August 2, 2010, Oxford University Press made public that it would credit Dorothy Seymour Mills as co-author of the three baseball histories previously authored solely by her late husband, Harold Seymour. The Seymours collaborated on Baseball: The Early Years (1960), Baseball: The Golden Age (1971) and Baseball: The People's Game (1991).

    Jenkinson takes readers through Ruth's 1921 season, in which his pattern of battled balls would have accounted for more than 100 home runs in today's ballparks and under today's rules. Yet, 1921 is just tip of the iceberg, for Jenkinson's research reveals that during an era of mammoth field dimensions Ruth hit more 450-plus-feet shots than anybody in history, and the conclusions one can draw are mind boggling.

    Tales from the Dugout brings together never-before-told stories from baseball personalities such as Roger Maris, Ken Griffey Jr., Pete Rose, Phil Rizzuto, and Gaylord Perry in this illustrated, one-of-a-kind compendium.

    Forget Abner Doubleday and Cooperstown. Forget Alexander Joy Cartwright and the New York Knickerbockers. Instead, meet Daniel Lucius Adams, William Rufus Wheaton, and Louis Fenn Wadsworth, each of whom has a stronger claim to baseball paternity than Doubleday or Cartwright. But did baseball even have a father—or did it just evolve from other bat-and-ball games? John Thorn, baseball’s preeminent historian, examines the creation story of the game and finds it all to be a gigantic lie, not only the Doubleday legend, so long recognized with a wink and a nudge. From its earliest days baseball was a vehicle for gambling (much like cricket, a far more popular game in early America), a proxy form of class warfare, infused with racism as was the larger society, invigorated if ultimately corrupted by gamblers, hustlers, and shady entrepreneurs. Thorn traces the rise of the New York version of the game over other variations popular in Massachusetts and Philadelphia. He shows how the sport’s increasing popularity in the early decades of the nineteenth century mirrored the migration of young men from farms and small towns to cities, especially New York. And he charts the rise of secret professionalism and the origin of the notorious “reserve clause,” essential innovations for gamblers and capitalists. No matter how much you know about the history of baseball, you will find something new in every chapter. Thorn also introduces us to a host of early baseball stars who helped to drive the tremendous popularity and growth of the game in the post–Civil War era: Jim Creighton, perhaps the first true professional player; Candy Cummings, the pitcher who claimed to have invented the curveball; Albert Spalding, the ballplayer who would grow rich from the game and shape its creation myth; Hall of Fame brothers George and Harry Wright; Cap Anson, the first man to record three thousand hits and a virulent racist; and many others. Add bluff, bluster, and bravado, and toss in an illicit romance, an unknown son, a lost ball club, an epidemic scare, and you have a baseball detective story like none ever written. Thorn shows how a small religious cult became instrumental in the commission that was established to determine the origins of the game and why the selection of Abner Doubleday as baseball’s father was as strangely logical as it was patently absurd. Entertaining from the first page to the last, Baseball in the Garden of Eden is a tale of good and evil, and the snake proves the most interesting character. It is full of heroes, scoundrels, and dupes; it contains more scandal by far than the 1919 Black Sox World Series fix. More than a history of the game, Baseball in the Garden of Eden tells the story of nineteenth-century America, a land of opportunity and limitation, of glory and greed—all present in the wondrous alloy that is our nation and its pastime.

    Here, he takes you where he's been over his remarkable baseball journey, from his near-fatal beaning to his adventures with Dem Bums in the 1950s to the championship years in the Bronx.

    Underneath the crew cut and behind the all-American boy-next-door good looks lurked a maverick with a signature style. Whether it was his frank talk about player salaries and mistreatment by management, his passionate advocacy of progressive politics, or his efforts to convince the United States to boycott the 1968 Olympics, Bouton confronted the conservative sports world and compelled it to catch up with a rapidly changing American society.                Bouton defied tremendous odds to make the majors, won two games for the Yankees in the 1964 World Series, and staged an improbable comeback with the Braves as a thirty-nine-year-old. But it was his fateful 1969 season with the Seattle Pilots and his resulting insider’s account, Ball Four, that did nothing less than reintroduce America to its national pastime in a lasting, profound way. In Bouton: The Life of a Baseball Original, Mitchell Nathanson gives readers a look at Bouton’s remarkable life. He tells the unlikely story of how Bouton’s Ball Four, perhaps the greatest baseball book of all time, came into being, how it was received, and how it forever changed the way we view not only sports books but professional sports as a whole. Based on wide-ranging interviews Nathanson conducted with Bouton, family, friends, and others, he provides an intimate, inside account of Bouton’s life. Nathanson provides insight as to why Bouton saw the world the way he did, why he was so different than the thousands of players who came before him, and how, in the cliquey, cold, bottom‑line world of professional baseball, Bouton managed to be both an insider and an outsider all at once.