That's how many days I've been trapped.18. That's how many days I have left to find a way out.DAI, trying to escape a haunting past, traffics drugs for the most ruthless kingpin in the Walled City. But in order to find the key to his freedom, he needs help from someone with the power to be invisible....JIN hides under the radar, afraid the wild street gangs will discover her biggest secret: Jin passes as a boy to stay safe. Still, every chance she gets, she searches for her lost sister....MEI YEE has been trapped in a brothel for the past two years, dreaming of getting out while watching the girls who try fail one by one. She's about to give up, when one day she sees an unexpected face at her window.....In this innovative and adrenaline-fueled novel, they all come together in a desperate attempt to escape a lawless labyrinth before the clock runs out.

    But I do.Eva and Addie started out the same way as everyone else—two souls woven together in one body, taking turns controlling their movements as they learned how to walk, how to sing, how to dance. But as they grew, so did the worried whispers. Why aren’t they settling? Why isn’t one of them fading? The doctors ran tests, the neighbors shied away, and their parents begged for more time. Finally Addie was pronounced healthy and Eva was declared gone. Except, she wasn’t . . .For the past three years, Eva has clung to the remnants of her life. Only Addie knows she’s still there, trapped inside their body. Then one day, they discover there may be a way for Eva to move again. The risks are unimaginable-hybrids are considered a threat to society, so if they are caught, Addie and Eva will be locked away with the others. And yet . . . for a chance to smile, to twirl, to speak, Eva will do anything.

    So when her Southern belle mother secretly enters her in the 2016 Dallas debutante season, she’s furious—and has no idea what she’s in for. When Megan’s attitude gets her on probation with the mother hen of the debs, she’s got a month to prove she can ballroom dance, display impeccable manners, and curtsey like a proper Texas lady or she’ll get the boot and disgrace her family. The perk of being a debutante, of course, is going to parties, and it’s at one of these lavish affairs where Megan gets swept off her feet by the debonair and down-to-earth Hank Waterhouse. If only she didn’t have to contend with a backstabbing blonde and her handsome but surly billionaire boyfriend, Megan thinks, being a deb might not be so bad after all. But that’s before she humiliates herself in front of a room full of ten-year-olds, becomes embroiled in a media-frenzy scandal, and gets punched in the face by another girl.The season has officially begun…but the drama is just getting started.

    Which would all be well and good if she weren't caught in a deadly contract with the Coterie, a magical mafia. She's one of their main hitmen . . . and she doesn't like it one bit. Not least because her boss, Venus, killed Ava's mother. When Venus asks Ava to kill a family friend, Ava rebels. She knows very well that you can't say no to the Coterie and expect to get away with it, though, so she and her friends hit the road, trying desperately to think of a way out of the mess they find themselves in. Preferably keeping the murder to a minimum, in Lish McBride's Firebug.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    It’s bound by a charm, held together by a centuries-old curse, that protects its members from ever growing older or getting hurt. Emmaline King is drawn to the circus like a moth to a flame…and unwittingly recruited into its folds by a mysterious teen boy whose kiss is as cold as ice.Forced to travel through Texas as the new Girl in the Box, Emmaline is completely trapped. Breaking the curse seems like her only chance at freedom, but with no curse, there’s no charm, either—dooming everyone who calls the Carnival Fantastic home. Including the boy she’s afraid she’s falling for. Everything—including his life—could end with just one kiss.

    What I’m talking about here is the ka-pow, shake-you-to-your-core-and-turn-your-bones-to-plastic kind of crappy.Sixteen-year-old Laurel’s world changes instantly when her parents and brother are killed in a terrible car accident. Behind the wheel is the father of her bad-boy neighbor, David Kaufman, whose mother is also killed. In the aftermath of the tragedy, Laurel navigates a new reality in which she and her best friend grow apart, boys may or may not be approaching her out of pity, overpowering memories lurk everywhere, and Mr. Kaufman is comatose but still very much alive. Through it all there is David, who swoops in and out of Laurel’s life and to whom she finds herself attracted against her better judgment. She will forever be connected to him by their mutual loss—a connection that will change them both in unexpected ways.Jennifer Castle’s debut novel is a heart-wrenching, surprisingly witty testament to how drastically life can change in the span of a single moment.

    In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.Kirsten Hubbard lends her artistry to this ultimate backpacker novel, weaving her drawings into the text. Her career as a travel writer and her experiences as a real-life vagabond backpacking Central America are deeply seeded in this inspiring story.

    The diary that ends up with Wick Tate. But Tessa’s just been found . . . dead.Wick has the right computer-hacking skills for the job but little interest in this perverse game of hide-and-seek. Until her sister Lily is the next target.Then Griff, trailer-park boy next door and fellow hacker, shows up, intent on helping Wick. Is a happy ending possible with the threat of Wick’s deadbeat dad returning, the detective hunting him sniffing around Wick instead, and a killer taunting her at every step?Foster child. Daughter of a felon. Loner hacker girl. Wick has a bad attitude and sarcasm to spare.But she’s going to find this killer no matter what.Because it just got personal.

    Get the guy.Computer-whiz Audrey McCarthy feels most at home in a tech lab, surrounded by her fellow geeks. Once popular and fearless, she hasn't been the same since her dad died. And her ex-best friend, gorgeous queen bee Blake Dawkins, has turned into her worst nightmare. Audrey is counting the minutes until high school is over and she can get the hell out of Dodge and go to college-that is, if she can find a scholarship.So when Public Corporation, a giant tech company, announces a contest for the best app developed by a high schooler-with $200,000 in prize money-Audrey is spurred to action. She comes up with an idea so simple, yet so brilliant, she can't believe it hasn't been done: the Boyfriend App. With a simple touch of the screen, romance blooms among the unlikeliest couples in high school, and people start to take notice. But it's not quite enough.To beat out the competition, Audrey will have to dig deeper. And she does-right into a scandal that would rock Public to its core. Suddenly the Boyfriend App lands Audrey where she never expected to be: in the middle of the limelight, passionately kissed by the hottest guys in school, causing complete and utter mayhem. But can it bring her true love?

    When Corey moves away, she makes Kyra promise to stay strong during the long, dark winter, and wait for her return.Just days before Corey is to return home to visit, Kyra dies. Corey is devastated―and confused. The entire Lost community speaks in hushed tones about the town's lost daughter, saying her death was meant to be. And they push Corey away like she's a stranger.Corey knows something is wrong. With every hour, her suspicion grows. Lost is keeping secrets―chilling secrets. But piecing together the truth about what happened to her best friend may prove as difficult as lighting the sky in an Alaskan winter...

    I am the staff trainer. I will call you grasshopper and you will call me sensei and I will give you the good oil. Right? And just so you know, I'm open to all kinds of bribery.'From the moment 15-year-old Amelia begins work on the checkout at Woolworths she is sunk, gone, lost...head-over-heels in love with Chris. Chris is the funny, charming, man-about-Woolies, but he's 21, and the 6-year difference in their ages may as well be 100. Chris and Amelia talk about everything from Second Wave Feminism to Great Expectations and Alien, but will he ever look at her in the way she wants him to? And if he does, will it be everything she hopes?

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    This is what happens after happily ever after.Everyone thinks seventeen-year-old Noah Shaw has the world on a string.They’re wrong.Mara Dyer is the only one he trusts with his secrets and his future.He shouldn’t.And both are scared that uncovering the truth about themselves will force them apart.They’re right.

    She and her best friend have spent countless hours watching them and their jockeys practice on the track. It’s not just the thrill of the race. It’s the engineering of the horses and the way they’re programmed to seem so lifelike. The Titans are everything that fascinates Astrid, and nothing she’ll ever touch.She hates them a little, too. Her dad lost everything betting on the Titans. And the races are a reminder of the gap between the rich jockeys who can afford the expensive machines to ride, and the working class friends and neighbors of Astrid’s who wager on them.But when Astrid’s offered a chance to enter an early model Titan in this year’s derby, well, she decides to risk it all. Because for a girl from the wrong side of the tracks, it’s more than a chance at fame or money. Betting on herself is the only way she can see to hang on to everyone in the world she cares about.