The result is Battle Lines, a monumental graphic history—rendered in Fetter-Vorm’s sweeping full-color panoramas, and grounded in Kelman’s nuanced understanding of the period—offering a series of wholly new perspectives on the conflict that turned this nation against itself.     Each chapter in Battle Lines begins with an object; each object tells its own story. A tattered flag, lowered in defeat at Fort Sumter. A set of chains, locked to the ankles of a slave as he scrambles toward freedom. A bullet, launched from the bore of a terrifying new rifle. A brick, hurled from a crowd of ration-starved rioters. With these objects and others, both iconic and commonplace, Battle Lines traces a broad and ambitious narrative from the early rumblings of secession to the dark years of Reconstruction. Richly detailed and wildly inventive, its stories propel the reader to all manner of unlikely vantages as only the graphic form can: from the malaria-filled gut of a mosquito to the faded ink of a soldier’s pen, and from the barren farms of the home front to the front lines of an infantry charge.     Beautiful, uncompromising, poignant, and utterly original, Battle Lines is a daring vision of the war that nearly tore America apart.

    Other kids are into punk or ska, but Una is learning to play "Mull of Kintyre" by Wings on the guitar, and she thinks it’s a really good song. There's another song, chanted on the terraces by Leeds United fans. It might not have made it on to Top of the Pops, but the boys all sing it on the walk home from school: "One Yorkshire Ripper . . . There’s only one Yorkshire Ripper . . . One Yorkshire Ri-pper . . ."  A serial murderer is at large in West Yorkshire and the police—despite spending more than two million man-hours hunting the killer and interviewing the man himself no less than nine times—are struggling to solve the case. As this national news story unfolds around her, Una finds herself on the receiving end of a series of violent acts for which she feels she is to blame. Unbecoming explores gender violence, blame, shame, and social responsibility. Through image and text Una asks what it means to grow up in a culture where male violence goes unpunished and unquestioned. With the benefit of hindsight Una explores her experience, wonders if anything has really changed and challenges a global culture that demands that the victims of violence pay its cost.

    He’ll show you how he lives in the tunnels underneath the New York City subway system—that is, if you’ll let him. Which is exactly what Youme decided she would do one afternoon when she and Anthony began a conversation in the subway about art. It turns out that both Youme and Anthony Horton are artists. While part of Youme’s art is listening long and hard to the stories of the people she meets, part of Anthony’s is making art out of what most people won’t even look at. Thus began a unique collaboration and conversation between these two artists over the next year, which culminated in Anthony’s biography, the graphic novel Pitch Black. With art and words from both of them, they map out Anthony’s world—a tough one from many perspectives, startling and undoing from others, but from Anthony’s point of view, a life lived as art.Youme Landowne (known as Youme) is a painter and book artist who thrives in the context of public art. She studied cross-cultural communication through art at the New School for Social Research and Friends World College. She has interned in public schools and has been a student at the Friends World College at the Nairobi and Kyoto campuses. Youme has lived in and learned from the United States, Kenya, Japan, Haiti, Laos, and Cuba. She currently lives in Brooklyn, New York.Anthony Horton lived most of his life as a homeless artist, surviving and creating in the secret underground tributaries of the NYC subway system. On February 5, 2012 Anthony died in a fire in an abandoned subway room under the city. "Mr. Horton found solace in the blackness of the tunnels. He made the subway the subject of his canvases, the muse for a graphic novel that he co-wrote, and the place he called home for the better part of his adult life, even when he had other places to stay." —New York Times, Feb. 6, 2012

    Please go away.This book is for the rest of us. These comics document the wasting of entire beautiful weekends on the internet, the unbearable agony of holding hands on the street with a gorgeous guy, dreaming all day of getting home and back into pajamas, and wondering when, exactly, this adulthood thing begins. In other words, the horrors and awkwardnesses of young modern life.

    Mundane events like shaking hands or sharing a drink snowball into absolute catastrophes. Jason has Obsessive Compulsive Disorder, a mental illness that compels him to perform rituals in order to protect himself from dangers that don’t really exist. He checks, washes, over-thinks, rinse, repeat. He does his best to hide his embarrassing compulsions, and sometimes this even works. He grows up, worries about his first kiss, falls in love with making cartoons, moves to New York City — which is magical and gross, etc. All the while, half his energy goes into living his life, while the other half is devoted to the increasingly ridiculous rituals he’s decided to maintain to keep himself from fully short-circuiting, Then, he fully short-circuits. At his absolute lowest, Jason finally decides to do the things he’s always been told to do to get better: exposure therapy and medication. These are the things that have always freaked him out, and they continue to freak him out. Also, they help him recover. Everything is an Emergency is a comic about all the self-destructive stories someone tells himself, over and over, until they start to seem true. In images surreal, witty, and confessional, Jason shows us that OCD can be funny, even when it feels like it’s ruining your life.

    When tragedy struck Iturbide as a young mother, she turned to photography for solace and understanding. From then on Iturbide embarked on a photographic journey that has taken her throughout her native México, from the Sonora Desert to Juchitán to Frida Kahlo’s bathroom, to the United States, India, and beyond. Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Iturbide's journey will excite readers of all ages as well as budding photographers, who will be inspired by her resolve, talent, and curiosity.

    What do they all have in common? Nothing! Except for the fact that they all come from the sketchbooks of Shaun Tan, acclaimed creator of The Lost Thing, the Arrival and Tales from Outer Suburbia.Also selected by the artist are preliminary drawings for book, film and theatre projects, portrait and landscape studies, along with pages from travelling notebooks. All off a special insight into the daydreams of a celebrated author and illustrator.

    From the spark of possibility and jolt of creativity in High Summer, to the need for release from anxiety and pressure during Monsoon, to the desolation and numbness of Winter, Thapp implores us to consider the seasons of our own emotional journeys.Articulating and validating the range of feelings we all experience, this is a book that allows us to feel connected and comforted by the experiences that make us human.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

    The immediacy of Davis’ comics journal makes for an incredible chronicle of human experience on the most efficient and humane form of human transportation.Eleanor Davis is a cartoonist and illustrator. She lives in Athens, GA and was born in Tucson, Arizona. In 2009, Davis won the Eisner's Russ Manning Most Promising Newcomer Award and was named one of Print magazine's New Visual Artists. In 2015, her book How To Be Happy won the Ignatz Award for Outstanding Anthology or Collection.

    When U.S. bombs started raining on the Taliban, Rall jumped on a plane straight to the war zone to get the real story for himself. Featuring his Village Voice articles and a graphic novel.

    Set against a surreal backdrop of intricate ink illustrations, you will find nine metaphysical lessons with dreamlike instructions that require you to open your heart to unexplored inner landscapes. From setting fire to your anxieties to sharing a cup of tea with your inner demons, you will learn how to let go and truly connect with the world around you.Whether you need a little inspiration or a completely new life direction, Your Illustrated Guide to Becoming One with the Universe provides you with the necessary push to find your true path--and a whimsical adventure to enjoy on the way there.

    Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

    These everyday observations about marriage, motherhood, and modern life are so perfectly captured, you'll start to feel like a member of the family yourself! Here's the wisdom that comes with wearing an underwire -- and you don't have to own a bra to enjoy it! These stories are about the little things that give us the big picture. Jennifer Hayden started writing and drawing Underwire as a webcomic at www.ACT-I-VATE.com. Since then, it has gained critical attention as a fresh indie comic about womanhood, parenthood, and being-in-the-middle-of-life-hood. Here are twenty-two of the original stories, plus seventeen new pages of comix and art created exclusively for this collection.

    In a society where one can be censored, pixelated, and punished, Rokudenashiko asks what makes pussy so problematic?Rokudenashiko (“good-for-nothing girl”) is a Japanese artist. She is known for her series of decorated vulva moulds, or "Decoman," a portmanteau of decorated and manko, slang for vagina. Distributing a 3D scan of her genitalia to crowdfunding supporters led to her arrest for alleged violation of Japanese obscenity laws.