. . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Every week five friends get together to play a game-- a game they call the Apocalypse Game. It's a fun time with chips and beer and plotting the end of the world. Except this time, one of them is missing and the stakes are higher than ever before.Word count: ~3,900

    He wasn't concerned about getting the wrong man. He knew what the man looked like. There was no way he could make a mistake about his target's identity -- he had the man's skull under his shoulder.

    Containing completely new material not available anywhere else, this is a must-read for all fans of the show.The second in a collection of eight short stories to run alongside the second series of ITV's BAFTA award-winning show, Broadchurch. This story will be released at midnight following the broadcast of episode two.<The stories, written by bestselling author Erin Kelly in close collaboration with Broadchurch creator Chris Chibnall, will consist of 100% original plotlines that are tied closely to that evening's episode. The stories will offer an unrivalled opportunity to spend more time with the characters, allowing you to delve deeper into their lives, histories and secrets in order to find out what really makes them tick.This first-time creative collaboration between author and series creator will enhance your enjoyment of the TV series in a completely ground-breaking style. You won't be able to wait for the next episode and story!

     Embark on a deeper dive into the mermaid lore of Born of Water, An Elemental Origins novel. New mermaid, Targa MacAuley, has just sat down to read the diary of an ancestor, join her as she uncovers secrets from the past resulting in a tragic shipwreck. More than one-hundred-fifty years later, the wreck gives up her secrets.Born of Water is the first book in The Elemental Origins, a series of captivating YA urban fantasy novels. If you like new twists on mermaid lore, simmering romance, and close-knit mother-daughter bonds, then you’ll love A.L. Knorr’s nautical adventure. Embark on a deeper dive into the story's lore with The Wreck of Sybellen, a companion novelette. Read Born of Water and The Wreck of Sybellen to submerge yourself in an enchanting coming-of-age tale today.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.Jennifer McMahon’s Hannah-Beast is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    Sheridan Le Fanu's marvellous ghost stories are "Madam Crowl's Ghost"; "Squire Toby's Will"; "Dickon the Devil"; "The Child That Went with the Fairies"; "The White Cat of Drumgunniol"; "An Account of Some Strange Disturbances in Aungier Street"; Ghost Stories of Chapelizod, including "The Village Bully," "The Sexton's Adventure," "The Specter Lovers"; "Wicked Captain Walshawe, of Wauling"; "Sir Dominick's Bargain"; "Ultor de Lacy"; "The Vision of Tom Chuff"; and Stories of Lough Guir, including "The Magician Earl," "Moll Rial's Adventure," "The Banshee," "The Governess's Dream," and "The Earl's Hall."

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    "With the help of Lythgoe's spot on descriptions - not to mention the beautiful cover art - I could practically feel the mirror under my fingers. I own an old mechanical typewriter that I used to write many a poem on when I was younger. It belonged to my father and the clack and clatter of it when he used to write was a well-loved sound to me. Lythgoe's story brings to mind many memories of my youth and childhood and how the simple things were very special. In the Mirror is well crafted, full of deep emotion, wonder, loss, hope and most of all, magic."--Kristie Kiessling, Reviewer