not necessarily in that order.Keith Hamilton Cobb embarks on a poetic exploration that examines the experience and perspective of black men in America through the metaphor of Shakespeare's character Othello, offering up a host of insights that are by turns introspective and indicting, difficult and deeply moving. American Moor is a play about race in America, but it is also a play about who gets to make art, who gets to play Shakespeare, about whose lives and perspectives matter, about actors and acting, and about the nature of unadulterated love.American Moor has been seen across America, including a successful run off-Broadway in 2019. This edition features an introduction by Professor Kim F. Hall, Barnard College.

    Louis in the mid-thirties––a lovely Sunday for a picnic at Creve Coeur Lake. But Dorothea, one of Tennessee Williams’s most engaging "marginally youthful," forever hopeful Southern belles, is home waiting for a phone call from the principal of the high school where she teaches civics––the man she expects to fulfill her deferred dreams of romance and matrimony. Williams’s unerring dialogue reveals each of the four characters of A Lovely Sunday for Creve Coeur with precision and clarity: Dorothea, who does even her "setting-up exercises" with poignant flutters; Bodey, her German roommate, who wants to pair Dotty with her beer-drinking twin, Buddy, thereby assuring nieces, nephews, and a family for both herself and Dotty; Helena, a fellow teacher, with the "eyes of a predatory bird," who would like to "rescue" Dotty from her vulgar, common surroundings and substitute an elegant but sterile spinster life; and Miss Gluck, a newly orphaned and distraught neighbor, whom Bodey comforts with coffee and crullers while Helena mocks them both. Focusing on one morning and one encounter of four women, Williams once again skillfully explores, with comic irony and great tenderness, the meaning of loneliness, the need for human connection, as well as the inevitable compromises one must make to get through "the long run of life."

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

    A love story between two Vietnam War refugees who meet in an Arkansas relocation camp, the show features a dramatization of the fall of Saigon.Play: 2 acts; 6 scenes; Epilogue

    Like a wise and witty friend, Kerry leads you through the rough spots of life by poking gentle fun in such a vivacious way that you’ll be smiling at your own foibles. You’ll laugh out loud—and be moved to tears—as you discover some of life’s greatest truths hidden within these simple pages. Reclaim your sanity and enrich your soul with this humorous and poignant anthology that celebrates the joy of being alive and shows how greatly each of us is blessed."

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    From Bo's heart to yours, he shares common stories with uncommon stories with uncommon wisdom.

    When her firm becomes embroiled in what could be an international scandal around a key client and Brad begins asking questions about her past, an overwhelmed Mimi begins to sink into emotional chaos. One glance at herself in an old mirror leads her to dig into her past and courageously relive the traumas of her childhood. Thus begins the heart of Uyen Nicole Duong’s Mimi and Her Mirror, a poetic, passionate, and sometimes chilling novel about Vietnam and a girl known as Mimi Suong Giang, whose youth was destroyed as she attempted to escape during the fall of Saigon. Readers share young Mimi's hopes, dreams and courage as she valiantly struggles to find her way into the light.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    Rife with deeply personal, perhaps slightly embarrassing and often hysterical personal stories from the author herself, Put Your Big Girl Panties On and Deal With It is the guidebook for real women ready to take charge of their own lives.Inside, discover:--How to shuck those procrastination panties: Action Antidotes to the Top 10 Procrastination Perpetuator--How to untwist your knickers: Stressbusting for the rest of us--Aunties in your panties: What we can learn from the Big Girl Panty-Wearers who have gone before us--Big girl Valentine panties: Plenty of romance revivers and passion primers--Bodacious Beauty Britches: How to celebrate your unique gorgeousness

    Ann’s clearest memory is performing as Peter Pan in grade school, complete with the distinct elation of feeling she never had to grow up. A lyrical new play about yearning for youth, the pangs of aging, and the enduring bonds of family.

    Into this world comes Boubacar, a fifteen-year-old African boy joining friends from Mauritania already living in the area. They are new African blacks not especially noteworthy in a town filled with Chinese emigrants, African Americans within memory of slavery, and straggling members of the original white families of the area. Presiding over Madagascar is Angus, the second-generation Delta Chinese proprietor of the Celestial Grocery, and his vintage jukebox with its treasure of Slim Harpo, Sam Cooke, and Wanda Jackson songs.The ties that bind the lives in this community together are American roots music and the desire to make a home in the rural South. The purity and beauty of Cynthia Shearer's writing--like the purity of music that exists within this story, an imagined soundtrack of more than thirty songs--marks The Celestial Jukebox as that most rare book, a novel as historically expansive as it is intimate, filled with music, wisdom, and spontaneous joy.

    ("fresh off the boat")Does your mom still make Peking duck instead of turkey on Thanksgiving, own a giant cleaver, or take twenty-four more napkins than she needs at Chipotle?Your mom may be a fob.Through their hit blog "My Mom Is a Fob," Teresa and Serena Wu have seized ownership of this formerly derogatory term, applying it instead to the heartfelt, hilarious, and thoroughly unique ways that Asian mothers adapt to American culture, from the perspective of those who love them most: their children.Through texts, emails, phone calls, and more, My Mom Is a Fob showcases the stories of a community of Asian-American kids who know exactly what it's like to be on the receiving end of that amazing, unconditional, and sometimes misspelled love. It's about those Asian mothers who refuse to get in the car without their sun-protective arm sheaths, the ones who send us passive-aggressive text messages "from the dog" in hopes that we'll call home, and email us unsolicited advice about everything from homosexuality to constipation. In these pages you'll find solace in the fact that thousands of moms out there are as painfully nosy, unintentionally hilarious, and endearingly fobby as yours is.