Many books have been written about him, detailing his achievements as an artist as well his foibles as a human being. None of them, however, has gotten so close to the real man as does Chris Welles Feder's beautifully realized portrait of her father. In My Father's Shadow is a classic story of a life lived in the public eye, told with affection and the wide-eyed wonder of a daughter who never stopped believing that someday she would truly know and understand her elusive and larger-than-life father. The result is a moving and insightful look at life in the shadow of a legendary figure and an immensely entertaining story of growing up in the unreal reality of Hollywood, enhanced by Welles Feder's collection of many never-before-seen family photographs.

    144 pp. Ages 14 and up. Pub: 3/98.

    A guide to more than one hundred of the most popular and controversial cult classic films ever made includes coverage of All About Eve, Tarzan and His Mate, and The Texas Chainsaw Massacre.

    This gorgeously illustrated book celebrates her popularity as an enduring icon, providing a unique insight into her career, personality, and trademark style that still fascinates and captivates today. A detailed biography is accompanied by more than 160 photographs taken by some of the world's top photographers, many reproduced for the first time. Famous quotes on and from Audrey Hepburn complement the numerous family pictures and the information from private collections, press agencies, and newspapers. From her enchanting appearances on the big screen to her charity work for UNICEF and fascinating family life, this book is a highly individual portrait of a much-loved movie and fashion legend.

    H. AudenJames Agee was passionately involved with the movies throughout his life. A master of both fiction and nonfiction, he wrote about film in clean, smart prose as the reviewer for Time magazine and as a columnist for The Nation. Agee was particularly perceptive about the work of his friend John Huston and recognized the artistic merit of certain B films such as The Curse of the Cat People and other movies produced by Val Lewton.

    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

    Bennett's dream home from his childhoodyears. The house was creepy and ominous and Bobby Bennett found he didn't like it much.When Bobby explores the attic and discovers an old radio that was 'cool' enough to put in his bedroom, things begin to happen.Strange and evil things!First, the whispers in the night, then the ghostly image...it wantsBobby to do unspeakable deeds. And most importantly, it wants him to 'replace'! Bobby is terrified to find out what that means!But is Bobby only dreaming or is this nightmare real? He wasn't sure until tragedy struck his new friend. Evil can hide in the strangestand most innocent of places. Can Bobby resist the demands of the ghost who is driven by the 'Demon from Hell' before it is too late for his family...and himself?

    Ronnie and Reggie Kray are school ground bullies brought up by a domineering mother and two devoted aunts. National Service and spells in prison expose the brutality that helps establish the twin brothers as the kings of 1960s gangland London.Philip Ridley's original, uncut screenplay, almost as notorious as its subject matter is a stylised meditation on maternal love, childhood, violence and homoeroticism and takes its place as one of the masterpieces of contemporary cinema.

    Born a lowly peasant girl, Mae has to come to terms with being the only person left in the world with the ability to use magic. Can Mae face her destiny, and rid the kingdom of Aegunlund from its oppressors? Book One - White Hart Mae never asked to be craft-born. She never wanted that burden. The realm needs magic again, and the the King of Aegunlund has been waiting for the first craft-born girl to marry his son, Prince Casimir. In Mae's town of Halts-Walden, the ambitious miller claims his daughter Ellen is craft-born. Mae knows this is a load of hogwash, but she's glad Ellen will have the unfortunate pleasure of becoming queen instead of her. All she has to do is sit back and wait until Casimir and Ellen are married, then she will finally be free of the threat of her fate. But on that day an event so shocking and terrible occurs that Mae finds herself entering the neighbouring cursed forest on a quest she never thought she'd have to follow. Join Mae as she rides her white stag through the Waerg Woods with a pampered prince at her heels. She's out for revenge and nothing, no one, will get in her way. Book Two - Red Palace I am here when you run from me, You cannot touch me, but I make you cold. I am there in the faint of heart, But rarely with the daring, and bold. One by one the members of court fall, cursed into a deep sleep. Silence spreads through the castle, and only Mae Waylander stands. To break the curse, Mae must face a formidable opponent. She is the only one with a chance to restore order to the Red Palace, but she is unprepared for the trials that await her. She is brave at heart, but is her bravery enough? In this thrilling follow up to White Hart, Mae faces her toughest challenge yet. With temptation, fear, and evil in her path, can she complete her task? And what will she lose in doing so? Book Three - Black Crown I will survive. I will become stronger. I will reach my destiny. Weakened, but not broken, Mae must face her destiny in this thrilling conclusion to the White Hart trilogy. Heroic Mae Waylander travels across the desert in search of a way to defeat the tyrannical king and stop him finding immortality. With dangerous beasts and a war in her way, can Mae achieve her goal and set the kingdom of Aegunlund free?

    The first story is called The Perfect Life. This tale is about Rene Carter and two of her closest friends. Rene is a well respected Baltimore City police officer who is very good at her job. She is married and her husband is a well known attorney who loves her dearly and worships the ground she walks on. Rene is living the perfect life, but she has a dark side. The only people who know her secret are Tonya Lewis and Rhonda Harris who are also police officers. Rhonda resents everything about her and would love to see her fall flat on her face. The second story is called Imitation. Stacie Sims is an up and coming emergency room physician. She has a loving fiancé named Billy Addams. Billy is the son of a wealthy business man. He is the perfect man for Stacie, but he is hiding a dark secret from her. So sit back and enjoy the worlds of Rene and Stacie who both quickly learn that life can get tangled like a spider’s web.

    The author recalls the '50s, when the invasion of movie houses by monsters became a national youth craze. 140 photos.

    This book has remained the standard text on American avant-garde film since the publication of its first edition in1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

    When a massive call-out down by the Mexican Border reveals a terrorist cell and turns into a standoff, Angel’s youngest brother, the lost soul of her family, texts her that he is inside that barricaded house, and her orders are to shoot anything that moves.

    The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    He has been a reviewer since 1965 (long for Time magazine), has written almost forty books on the subject, and has produced and directed thirty documentaries. He has counted as personal friends many of the leading filmmakers of the twentieth century. Call it “obsession,” “lunacy,” or a “grand passion” (Schickel grants all three), but there’s simply no one who knows film better. Now Schickel gives us the ultimate summing up: a history of film as he’s seen—and lived—it, a tour of his favorites, a master class in what makes a film soar or flop. Schickel’s no-holds-barred, often raucously irreverent opinions can range from panning classics, to spotlighting forgotten treasures, to defending the art of “popular” genres such as horror, westerns, screwball comedy, and noir. Beyond his picks and pans, Schickel offers a wealth of behind-the-scenes anecdotes (a love note from Marlene Dietrich, Frank Capra’s unlikely path to success, Annie Hall’s original title), career studies of our greatest performers and auteurs, and candidly intimate glimpses of his own life in pictures (an evening with Greta Garbo, John Ford’s advice on directing, a “dust-up” in defense of Monty Python). Above all, Schickel gives us a collection of the true gems, the immortal moments that have stuck with him over a lifetime of movie watching—the transcendent scenes, characters, lines, shots, scores, even lighting cues that offer, each in their way, pure “movie magic.” Buster Keaton, His Girl Friday, Ingrid Bergman, Taxi Driver, Star Wars, Stanley Kubrick, Pulp Fiction—Schickel reveals all the films and the forces behind them that have kept him coming back for more. An essential addition to any cinephile’s library, Keepers is the curation of a brilliant connoisseur and critic, but more than that, it’s a love letter to film from one of its most dedicated devotees.