On the way, he makes friends and enemies. Once there, he finds danger and the love of his life.

    Fifteen years later, he adopts two others off a mercy train and tries to build a life for them. He marries a mail-order bride from Boston and buys a ranch in Taos Valley. But a larger rancher, Fred Sugg, attempts to kill Thatch, then has his wife, Martha, kidnapped. Thatch rescues Martha from two men who intend to molest and violate her. Thatch hangs the two men and eventually kills Sugg after a chase through the Taos Mountains. Thatch builds a life and finds that his family cures the loneliness and yearning for a home that he's felt since he was a child. Another classic western with just a touch of romance from R. O. Lane

    She’s thrilled when she’s asked to help with the Christmas program the Amish school is putting on—even more so when she finds Lucas Wickey has also volunteered to help. Despite being “slow,” Lucas can sing better than anyone in Swan Creek Settlement. As her feelings for him grow, she must decide what’s more important—what everyone else thinks, or what she’s hearing from her heart. Approximately 22,000 words

    It takes him from the Hasinai Caddo villages of eastern Spanish Tejas to the Rocky Mountains and parts in between. Along the way, he encounters colorful and unsavory frontiersmen, hostile and friendly Indians as well as struggles with wild nature. But he also finds loyal friends and unconditional love.

    . . a real page turner' Sheila Newberry 1860s London Orphaned at a young age, Rosa has always looked out for her younger sister, Grace, protecting her from the dangers and bullies of the workhouse.So when Grace is suddenly faced with a world without Rosa, she finds herself alone and forced to make difficult decisions about her future. Can she really walk away from everything she has built to protect the children Rosa has left behind?Returning to the gang-ruled streets of south-east London, Grace is determined to build a better future for herself and for the children of Bell Lane - no matter what the cost . . .

    Without hope, a horse, or even a pistol, Edgar gambles on a chance meeting with someone that will turn things around. Fortunately, luck smiles on him when he is assigned with the simple task of accompanying a cattle baron's livestock to another town. Little does he know that amongst the cattle there is a cargo much more valuable, that will get him into trouble and will put his life in grave peril. What will Edgar be willing to risk in order to accomplish a mission that isn't as innocent as it first seemed? Will he manage to protect the valuable shipment and defeat a murderous gang that disperses fear in its wake?While Edgar is running for his life, he crosses paths with his boss's daughter, who, determined to prove her worth, disguises herself and jumps on the same train with him. When Edgar discovers her true identity, he will do whatever it takes to protect her from the vicious outlaws who have invaded the train. The more time they spend together, the more he realizes that her braveness and wit have made him lose his mind. But as long as criminals are after them and his life is at stake, he has no time for love. Will Edgar help Rose survive the treacherous journey? Will he manage to get out of this train safe and sound, despite the endless challenges he encounters?Fierce crossfires and an unprecedented hide and seek, take Edgar and Rose on an adventure that will remain indelible in their minds. Will they endure the wild ride across the frontier west? Or will overpowering forces ruin their chance at happiness once and for all?A pulse-pounding drama, which will make you turn the pages with bated breath until the very last word. A must-read for fans of Western action and romance."Menace in the Mysterious Train" is a historical adventure novel of approximately 60,000 words. No cliffhangers, only pure unadulterated action.

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Multibillionaire Goddard Moss has a vision: a city rising tall on the South Dakota prairie dedicated to Art. Not art of the staid, traditional, edifying, entertaining variety, but the Modern—modern painting, modern theater, modern sculpture, modern dance, all as obscure, pretentious, and offensive as its creators can make it (and with luck, government-funded). As Culture City rises from the grassy fields, playwrights, performers, and artists prepare for the gala opening week. Gregory Lubin's expansive stage re-creation of the Tower of Babel story is awaited with particular anticipation. But revolution is brewing just yards beyond the city walls and as far away as rural Maine. Despite the money being lavished on it, it becomes doubtful that "the Artland in the Heartland" will survive past its premiere.

    

    Her father has gone to bring home a son missing because of the war. Loyal servants give her support and comfort and are at her side when she learns of her father’s death. She promises to fulfill her father’s dream but someone doesn’t want her to, the one person she should be able to trust. He sets out to defeat her until another man, a Northern stranger, comes to her aid.

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    His friend, Steven Turner is the Brooklyn-born local reporter who will bear witness to the city's successes and failures. Between them come Jack's beautiful fiancee Anne--an artist with secrets of her own - and his undisciplined brother Harris, hired by Jack to remove the suspicious barrels of waste from Lakeland's broken heart.As the town struggles to find a new identity, these four characters must find their way through their own unexpected transformations and along the way attempt to answer the questions that plague us all: what is the price of loyalty, filialty, goodness and love?

    At a time when the world had begun to focus on angry young men, Green created a magnificently angry old one as his hero. Based on his father, the title character is a doctor and a man of principle whose life's work is about to be examined for the first time.Dr. Sam Abelman is tough and irascible, but he is dedicated healer and a good man guided by a belief in basic human decency; the right doctor for the poor and disadvantaged who fill the slums and tenements of Brooklyn. His relationship with his patients is sometimes explosive, especially as the world is changing and becoming more dangerous. Into this mix comes a hard-driving television producer, who learns about Dr. Abelman and wants to feature the doctor on his reality-based network show, Americans USA. To get Abelman to participate is not easy, and it calls for schmoozing that verges on a complete con of the principled old man. As tragedy looms, Abelman, whose difficult life is a living testament to his beliefs, becomes a true hero in the eyes of producer, for all the reasons that made him an impossible subject for the show.The Last Angry Man is dedicated to “Samuel Greenberg, M.D. 1886-1952”, the father of the author who practiced medicine in the heart of Brooklyn's cultural melting pot. Gerald Green knew his father's world, but he had left it as an adult. As he developed as a novelist, he became a writer, director and producer at NBC-TV in its early days. His behind-the-scenes knowledge of the emerging television industry was thorough and complete, and his perspective allowed him to understand the acute irony of applying media celebrity to such a man as his fictional hero, Dr. Sam Abelman.

    The Long Depression has dragged on for 56 years, and the Bureau of Sustainable Research is hard at work making sure that no new technologies disrupt the planned economy. Ten years ago a band of malcontents, dreamers, and libertarian radicals bolted privately-developed anti-gravity drives onto rusty sea-going cargo ships, loaded them to the gills with 20th-century tunnel-boring machines and earthmoving equipment, and set sail - for the Moon. There, they built their retreat. A lunar underground border-town, fit to rival Ayn Rand's 'Galt's Gulch', with American capitalists, Mexican hydroponic farmers, and Vietnamese space-suit mechanics - this is the city of Aristillus. There's a problem, though: the economic decline of Earth under a command-and-control economy is causing trouble for the political powers-that-be in Washington DC and elsewhere. To shore up their positions they need slap down the lunar expats and seize the gold they've been mining. The conflicts start small, but rapidly escalate. There are zero-gravity gun fights in rusted ocean going ships flying through space, containers full of bulldozers hurtling through the vacuum, nuclear explosions, armies of tele-operated combat UAVs, guerrilla fighting in urban environments, and an astoundingly visual climax. The Powers of the Earth is the first book in The Aristillus series - a pair of science fiction novels about anarchocapitalism, economics, open source software, corporate finance, social media, antigravity, lunar colonization, genetically modified dogs, strong AI…and really, really big guns.

    A woman reconsiders her decision to join a fundamentalist compound and enter a polygamous marriage; a Somali refugee takes a job at the local mill to support her family; a college student attempts to right her world through the lens of mathematics; an Iraq War vet struggles to regain his compromised relationships. In spare yet vivid prose, Anderson explores loss and desire, regret and hope. Everywhere we are reminded of all that a single life contains.