But why should Claudia be interested in a servant's sweetheart? Jenny reckons without Claudia's vicious nature; using a wily trick she seduces Frank, who, overcome with shame, departs for a new life in Blackburn. Losing her sweetheart is just the first of many disasters that leave Jenny struggling to cope alone. When Claudia gives birth to Frank's baby girl she cruelly disowns the helpless infant and relies on Jenny to care for little Katie and love her as her own. Always afraid for the beloved child who has come to depend on her, Jenny is constantly called upon to show courage and fortitude to fight for all she holds dear. In her heart she yearns for Frank, believing that one day they must be reunited. When Fate takes a hand, it seems as though Jenny may see her dreams come true.

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    In it, the heroine tells the story of her moral fall and material rise over the course of the century, carrying her from the farms, mills, drawing rooms (and bedrooms) of New York to the California gold rush.

    Then her uncle dies, leaving her the family’s Revolutionary-era home and, she believes, an escape from her chaotic marriage. But one afternoon, while searching for a rake, she discovers a man in her garden shed — and a free fall through the centuries. As her life spins wildly out of control, Kathleen finds her heart and in the process, her own place in time.

    She hears escape.Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman.It's about discovering two women, actually.With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

    Sally lavishes all her hopes and dreams on her baby sister Emily, determined that she’ll leave the mean streets of their Liverpool home and enjoy a better life. When Emily is sent to live with rich relatives, it seems like her wish has come true, but the chance is bittersweet.Sally and her family may face poverty and hardship in Liverpool, but the warmth and love shared will help them overcome whatever the world has to throw at them; Emily, however, wanting for nothing, might find out that happiness is harder to find…Full of authentic details of Liverpool life at the turn of the century, The Land is Bright is a totally absorbing saga perfect for fans of Katie Flynn and Helen Forrester.‘A family saga you just won’t be able to put down’ Prima‘The whole-heartedness of Liverpool shines through in a refreshing tribute to Merseyside’ Liverpool Daily Post‘Murphy is born and bred, and sets her first novel in her beloved city, giving the book that vital authenticity which makes it so realistic’ Hull Daily Mail‘Rich in authentic period details, The Land is Bright is a time machine back to the past. This is how history should be written!’ Terrace Review‘Evocative writing’ Woman’s World‘Richly nostalgic’ Publishing News‘A thundering great read’ Liverpool Echo The Liverpool Sagas The Land is Bright To Give and To Take There is a Season

    Gone forever. It’s what her sister, Kit, an ER doctor in Santa Cruz, has always believed. Yet all it takes is a few heart-wrenching seconds to upend Kit’s world. Live coverage of a club fire in Auckland has captured the image of a woman stumbling through the smoke and debris. Her resemblance to Josie is unbelievable. And unmistakable. With it comes a flood of emotions—grief, loss, and anger—that Kit finally has a chance to put to rest: by finding the sister who’s been living a lie.After arriving in New Zealand, Kit begins her journey with the memories of the past: of days spent on the beach with Josie. Of a lost teenage boy who’d become part of their family. And of a trauma that has haunted Kit and Josie their entire lives.Now, if two sisters are to reunite, it can only be by unearthing long-buried secrets and facing a devastating truth that has kept them apart far too long. To regain their relationship, they may have to lose everything.

    Neva Bradley, a third-generation midwife, is determined to keep the details surrounding her own pregnancy—including the identity of the baby’s father— hidden from her family and co-workers for as long as possible. Her mother, Grace, finds it impossible to let this secret rest. For Floss, Neva’s grandmother and a retired midwife, Neva’s situation thrusts her back 60 years in time to a secret that eerily mirrors her granddaughter’s—a secret which, if revealed, will have life-changing consequences for them all. Will these women reveal their secrets and deal with the inevitable consequences? Or are some secrets best kept hidden?

    Jillian had experienced her best childhood memories here-until her best friend Lauren Mills disappeared, never to be found. At the time, Linc Rising, Lauren's boyfriend and Jillian's confidant, had been a suspect in Lauren's disappearance. Now he's back on Pawleys Island-renovating the old Mills house. And as ghosts of the past are resurrected, and Jillian's daughter begins having eerie conversations with an imaginary friend named Lauren, Jillian and Linc will uncover the truth about Lauren's disappearance and about the feelings they have buried for sixteen years.

    473 Five Star reviews on Amazon. Historical novel with a psychological mystery in the unearthing of family secrets. In May of 1935, Blinny Platt's homestead shack burns to the ground forever leaving her family asunder, scattering them like the embers flew on the Montana wind. She was only eight-years-old, sent away and in charge of her little sister. She could handle that because Platts take care of Platts.However, it is the hidden secrets of her parents smoldering beneath the charred remains that haunts Blinny until 1982. She once again leaves the home place to build a house for herself. As the foundation is poured and the walls go up, each of the hurtful memories are uncovered. Finally the mystery, left in the ashes of the burned home, is revealed. How could her mother do what she did?Recent Five-Star Reviews:By the end of the very first paragraph, I knew Marie F. Martin had written a book I would have a hard time putting down. In between high drama, there is a love letter to Montana, and she uses her love of the English language throughout. More "Oh wow" moments in this book than any other I have ever read in my more than half a century of life.  Yvonne Bechtold, Five-star reviewerThis is a tale so well told, you can smell the sage, feel the heat, and pain this family shares. I wish more authors crafted their characters so well.  Renita Hulsey Five-Star Reader Review.The author was a master at weaving the past with the present.  Quaintreader Five-Star Reader ReviewMartin knows family dynamics and human frailties.  From these she has crafted a heartbreaking story, of love, loss, and endurance.   Barb Ward Five-Star Reader Review

    is the first in a trilogy of fictional novels tracing the actual rise of a young European noblewoman who would one day stand next to Napoleon. From the heartbreak of lost loves to the horror of revolution to the hope of new days, it's an intimate epic any romance lover will love.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    It’s a perfect fit, and as he leaves the restaurant Daniel begins to feel somehow … different.

     In The Gap Year, told with perfect pitch from both points of view, we meet Cam Lightsey, lactation consultant extraordinaire, a divorcée still secretly carrying a torch for the ex who dumped her, a suburban misfit who’s given up her rebel dreams so her only child can get a good education. We also learn the secrets of Aubrey Lightsey, tired of being the dutiful, grade-grubbing band geek, ready to explode from wanting her “real” life to begin, trying to figure out love with boys weaned on Internet porn.When Aubrey meets Tyler Moldenhauer, football idol–sex god with a dangerous past, the fuse is lit. Late-bloomer Aubrey metastasizes into Cam’s worst silent, sullen teen nightmare, a girl with zero interest in college. Worse, on the sly Aubrey’s in touch with her father, who left when she was two to join a celebrity-ridden nutball cult.As the novel unfolds—with humor, edge-of-your-seat suspense, and penetrating insights about love in the twenty-first century—the dreams of daughter, mother, and father chart an inevitable, but perhaps not fatal, collision . . .

    Objectively, Sophie is a success: she's got a coveted job at a top consulting firm, a Manhattan apartment, and a passport full of stamps. It isn't quite what she dreamed of when she was a teenager dog-earing pages in exotic travel guides, but it's secure. Then her best friend bails just hours after they arrive in Hong Kong for a girls' trip, and Sophie falls for Carson, a free spirited, globetrotting American artist. He begs her to join him on his haphazard journey, but she chooses responsibility and her five-year plan. Back in New York, that plan feels less and less appealing. As Sophie recalls the dreams she's suppressed, the brief international jaunts she sneaks in between business trips no longer feel like enough. Carson isn't ready to let her go either, but as they try to figure out their relationship, Sophie realizes she may have to pursue her passions with or without him.