M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    Their friends say he's obsessed with her. Maybe he is. He wants to give her the world. Counting on a lucrative promotion, he bought a multi-million dollar home in Silicon Valley for her. It's all good because Jenna adores him. He's a lucky guy.Jenna loves Devon, loves her job, and loves nice things.Now, the economy's gone south, the promotion is delayed, and Devon and Jenna are desperate to hide their sky-rocketing debt.When a childhood friend confronts them about the money they owe, jealousy and secrets erupt in violence.Buried By Debt - A Suburban Noir love story.

    Jones, George Pelecanos, Paul Laurence Dunbar, Richard Wright, Langston Hughes, James Grady, Julian Mayfield, Marita Golden, Elizabeth Hand, Julian Mazor, Ward Just, Jean Toomer, Roach Brown, Larry Neal, and others.George Pelecanos is an independent film producer, the recipient of numerous international writing awards, a producer and an Emmy-nominated writer of the HBO series The Wire, and the author of fifteen novels set in and around Washington, DC. He is the editor of the best-selling first volume of D.C. Noir.

    He's a serial killer that brutally murders women. Eva Lewis is the reporter that named him...but is she also his next victim? The FBI must race against time to catch this Demon King before he claims his queen.

    In classic Western style, readers will follow Henry’s journey as he tries to right his wrongs. He is tested along the way with a cast of characters out for blood. Of his many exciting encounters, his chance meeting with Killer Miller has the most impact on his future. When circumstances force Henry to make a decision that will alter his entire identity, will he take a chance on this killer?

    But then he slips--he meets a young "model" and begins an affair. One night he arrives at his girlfriend's apartment and finds more than he bargained for. Two masked men have caught his misdemeanors on camera and now they want a cool hundred grand. But they've picked the wrong man, because Harry Mitchell doesn't get mad--he gets even.

    All of the women were beautiful, and were either famous at the time of their deaths, or became famous for being the victims of the charismatic, disturbed, men who ended their lives.Being dead doesn’t end a woman’s feelings, or her anger. There is Natalie, the international and revered movie star who died the death she had most feared all of her life. There is the beautiful, life-loving Nicole, who might just have gone back to the stunning athlete she loved, if only he hadn’t killed her first. Then there is Sunny, heiress to one of America's greatest fortunes, sent into an irreversible coma for paying too much for all the wrong things. And finally, there is Colette, the high school sweetheart who married the golden boy and endured a marriage of increasing lies and disappointment, culminating in her death and that of her little girls shortly after Valentine’s Day.These four amazing women’s lives were cut short, but each has a story to tell … and now they have.

    The three novels included in this volume are Musical Chairs, Frequent Flyer, and Elvis, Jesus & Coca-Cola.

    New Orleans has always had a heart of noir.Brand-new stories by: Thomas Adcock, Ace Atkins, Patty Friedmann, David Fulmer, Barbara Hambly, Greg Herren, Laura Lippman, Tim McLoughlin, James Nolan, Ted O'Brien, Eric Overmyer, Jeri Cain Rossi, Maureen Tan, Jervey Tervalon, Olympia Vernon, Christine Wiltz, Kalamu Ya Salaam, and Julie Smith, who also edited the collection.

    Marlowe is the quintessential American detective: cynical yet idealistic; romantic yet full of despair; a gentleman capable of rough violence. The stories are written by some of the detective-mystery genre's leading lights, including Max Allan Collins, Sara Paretsky, Roger L. Simon, Stuart M. Kaminsky, Robert Crais, Edward Hoch, Ed Gorman, Eric Van Lustbader, Loren Estleman, Simon Brett, and Joyce Harrington. The final story in the volume is Raymond Chandler's last Marlowe adventure: The Pencil. The stories run chronologically through the career of Marlowe, from 1935 through 1960. These are classic Marlowe tales of betrayal, mistrust, and double-dealing on the seamy side of Los Angeles. You can share your thoughts about Raymond Chandler's Philip Marlowe in the new ibooks virtual readers' group at www.ibooksinc.com

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    Join the O'Reilly family once again as they meet around the Jack O'Lantern on Halloween night and share ghost stories that will make you shiver and have you looking over your shoulder to see if there is "a little something extra" wandering through your home tonight.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    Carter, John Crowley, Amy Bloom, Alice Mattison, Chris Knopf, Jonathan Stone, Sarah Pemberton Strong, Karen E. Olson, Jessica Speart, Chandra Prasad, David Rich, and Hirsh Sawhney.New Haven may be best known for Yale University, but its criminal dimensions run as deep as anywhere else on the Eastern Seaboard. Whether the setting is a college campus, the waterfront, East Rock, The Hill, or Wooster Square, the stories in this volume bring the full city to life—and death.From editor Amy Bloom:New Haven in not a tourist kind of town. Yes, if you want to see the Cushing brain collection of 400 brains-in-jars (with another 150 planned for display), including artifacts like the piece of steak signed (if that’s the word)—using an electrosurgical knife—by Ivan Pavlov, and plenty of infant skulls. Also, more transcendently, you can visit beautiful Beinecke Library, a six-story tower of translucent marble, instead of mere glass, protecting the rare books, including my favorite, the Voynich manuscript, written centuries ago in what seems to be a fictional language with drawings of plants that don’t exist. Also, for the picnickers, the tomb of Midnight Mary in the eighty-five-acre Evergreen Cemetery, right off Ella T. Grasso Boulevard. On her gravestone, it reads: The people shall be troubled at midnight and pass away.It’s a noir kind of town.I love New Haven. I asked other writers who have the same odd, deep affection for the city that I do to tell me their stories. Michael Cunningham, Roxana Robinson, Stephen L. Carter, Alice Mattison, John Crowley. And more. We’ve got the darkly funny, the darker, the ineffable, and the deeply brooding. What we’ve got for you, right here . . . is New Haven.