The Carnivorous Lamb, originally written in French, won the Prix Hermes, and this, its 1984 English translation, was widely acclaimed.

     It is the summer of 1968: The world is poised on the cusp of radical change. Politicians question the status quo, blacks react to decades of oppression, and students protest the injustices of war. Change is in the air, too, for 37-year-old single mother Claire Malek. She has just walked out on her rather cushy job in Washington, DC, as "special assistant" to Senator Bob Mallory. DC had become an impossible place for Claire, heavy with regrets and burdened with secrets she knew she could never divulge. Anxious for both escape and change, Claire packs her 15-year-old daughter, April, into her Camaro and heads to a small town on Cape Cod, where Claire takes a job as cub reporter on a twice-weekly newspaper called the "Covenant." She knows it's a big risk, but Claire is desperate for a new start and a new life, and the town and all it has to offer seem to be a good beginning.For Lane Hillman, son of the publisher of the "Covenant," change is just beyond the horizon. Twenty-two years old and fresh out of Harvard, he's come home to celebrate the last summer of his youth and one final season as a reporter on his father's newspaper. In an effort to avoid the draft, and possible service in Vietnam, Lane has enlisted in VISTA -- the America-based Peace Corps -- and in the fall will begin a four-year stint working in the inner city of Detroit.Claire's first day on the job is the same day Robert Kennedy is shot. Racial tensions around the country continue to erupt into violence and confrontation. But in a few days another more personal tragedy strikes the town as a young girl is found murdered -- the first such death there in more than twenty years -- and on the same day a teenage boy is found drowned under suspicious circumstances.As Claire and Lane work together to try to make sense of the seemingly unrelated deaths, a closeness grows between them, and with it, the stirrings of sexual attraction. At first Claire resists, knowing that the fifteen years separating them is an unbridgeable gap, but before either of them realizes what's happening, she and Lane are swept up in a romantic passion that threatens to overwhelm them both.As the summer progresses, so does their affair, and soon the whole town knows about it, including Lane's parents, who are not at all pleased with this turn of events, and April, Claire's daughter, who feels both awe and resentment at the changes the affair brings in her mother.Before the summer ends, however, Claire and Lane will have to contend with more than the opinions of family and townsfolk. A shadowy figure responsible for the death of the young woman begins to fixate on someone new -- and the lovers find themselves in a race to save their own lives.A work of great tenderness, taut suspense, and historical immediacy, "The Last Summer" is a captivating portrait of love and sacrifice.

    DO WHAT YOU WANTA ZINE ABOUT MENTAL WELLBEING, RAISING MONEY FOR MENTAL HEALTH CHARITIES.Contributors include writers from the Guardian, the New York Times, NYMag, The Telegraph, The Observer, Rookie, Pitchfork and ELLE.Our highlights are: Why Should I Go to Therapy? by Ask Polly’s Heather Havrilesky || An interview about OCD with writer and actress Mara Wilson || Food for Thought: Diana Henry, Tejal Rao, Meera Sodha, Ruby Tandoh and more share their recipes for life || The Many Faces of Eating Disorders: interviews with survivors || Eleanor Morgan writing about Plastic Minds || The Cost of Care: an interview with Sally Burke, from Channel 4’s acclaimed documentary series Kids on the Edge

    Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O’Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition… To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

    Even after many years together, do you still need distance between you in order to miss each other--or can you occupy the same space and still feel disconnected? Dancing on the Volcano is an autobiographical story about the painful but recognizable sides of love. We all know that a long relationship has many stages, but never before has someone portrayed all those different facets of love as beautifully as Floor de Goede in the original graphic memoir.

    It is October in the year 1675. New England trader, Tobias Hopkins, arrives in Jamaica to discover the truth about his missing father. It transpires that, not only has the man been dead for six years, but he has left Toby with a half-brother and the clue to an inheritance which promises to change the course of their lives. However, Toby's inquiries have attracted the attention of others who will stop at nothing to achieve their aims. Will the cryptic message written by his father lead him to a promised fortune, or will it lead him into the hands of those who aim to destroy him? Haunted by nightmares from his past, Toby continues with his quest. But who can he trust? His faithful associate, John? the astute businesswoman Elizabeth? or Magdalena, mother of his half-brother Eduardo? Some of those around him are not what they seem to be, and it soon becomes clear that Toby and those closest to him are in imminent danger. His quest leads him to the Island of Nevis where he reaps the fruits of his search. All appears well until he travels to Virginia. It is only at this point that Tobias Hopkins is forced to face the consequence of his actions.

    For the next ten years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril.Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy—and at an early age is determined to form her own opinions. Andrée, a tempestuous dreamer, is inclined to melodrama and romance. Despite their different natures they rely on each other to safeguard their secrets while entering adulthood in a world that did not pay much attention to the wills and desires of young women.Deemed too intimate to publish during Simone de Beauvoir’s life, Inseparable offers fresh insight into the groundbreaking feminist’s own coming-of-age; her transformative, tragic friendship with her childhood friend Zaza Lacoin; and how her youthful relationships shaped her philosophy. Sandra Smith’s vibrant translation of the novel will be long cherished by de Beauvoir devotees and first-time readers alike.

    Dickens and His Carol, a beautiful, engrossing novel based on the life of proto-feminist icon Mary Wollstonecraft, narrated to her newborn daughter, Mary Shelley …

    This passionate, often surprising, intimate record, kept under lock and key for some forty years in Mexico, reveals many new dimensions in the complex persona of this remarkable Mexican artist.Covering the years 1944-45, the 170-page journal contains Frida's thoughts, poems, and dreams, and reflects her stormy relationship with her husband, Diego Rivera, Mexico's famous artist. The seventy watercolor illustrations in the journal - some lively sketches, several elegant self-portraits, others complete paintings - offer insights into her creative process, and show her frequently using the journal to work out pictorial ideas for her canvases.The text entries, written in Frida's round, full script in brightly colored inks, add an almost decorative quality, making the journal as captivating to look at as it is to read. Frida's childhood, her political sensibilities, and her obsession with Diego are all illuminated in witty phrases and haunting images.Although much has been written recently about this extraordinary woman, Frida Kahlo's art and life continue to fascinate the world. This personal document, published in a complete full-color facsimile edition, will add greatly to the understanding of her unique and powerful vision and her enormous courage in the face of more than thirty-five operations to correct injuries she had sustained in an accident at the age of eighteen. The facsimile is accompanied by an introduction by the world-renowned Mexican man of letters Carlos Fuentes and a complete translation of the diary's text. An essay on the place of the diary in Frida's work and in art history at large, as well as commentaries on the images, is provided by Sarah M. Lowe.

    It includes a history of vampire literature, a professional dominatrix's examination of Rice's erotica, and a behind-the-scenes look at the making of the film version of Interview with the Vampire. From the adventures of the Vampire Lestat to those of the Mayfair Witches, from the evocative historical epic Cry to Heaven to the uninhibited erotica of Exit to Eden and the Sleeping Beauty trilogy, The Anne Rice Reader presents a captivating range of perspectives on the imagination of a writer who has enthralled her generation.

    Burns was born in Massachusetts, graduated from Andover and Harvard, and went on to teach English at the Loomis School, a boarding school for boys in Windsor, Connecticut. During World War II, he was stationed in Africa and Italy, and worked mainly in military intelligence. His first novel, The Gallery (1947), based on his wartime experiences, is a critically acclaimed novel and one of the first to unflinchingly depict gay life in the military. The Gallery sold half a million copies upon publication, but never again would Burns receive that kind of critical or popular attention. Dreadful follows Burns, from his education at the best schools to his final years of drinking and depression in Italy. With intelligence and insight, David Margolick examines Burns’s moral ambivalence toward the behavior of American soldiers stationed with him in Naples, and the scandal surrounding his second novel, Lucifer with a Book, an unflattering portrayal of his experiences at Loomis.

    There she grows up and meets a girl and falls in love, beginning to believe that she can settle down. But a phone call from a bad man from her past brings to life a haunted childhood in an apartment building in the Soviet Union: an unexplained murder in her block, a supernatural stray dog, and the mystery of her beloved brother Moshe, who lost an eye and later vanished. We get pulled into Olga’s past as she puzzles her way through an underground Midwestern Russian mafia, in pursuit of a string of mathematical stabbings.