This tongue-in-cheek guide is full of advice designed to help you manage Aunty meddling and encourages you to pursue your passions—from someone who has been through it all. Qamar confesses to throwing sweatshirts over crop-tops to get out of the house without being questioned, hiding her boyfriend in a closet, and enduring overbearing parents endless pressuring her to become a doctor, lawyer, or engineer. Holding onto your cultural identity is tough. Always interfering Aunties make it even harder. But ultimately, Aunties keep our lives interesting. As an Aunty-survivor and a woman who has lived the cross-cultural experience, Qamar defied the advice of her aunties almost every step of the way, and she is here to remind you: Trust No Aunty.

    Years after Rosa’s shadowy death, Leela has learned to deal with her in-between status, and she marries Balu Bhat, a man from a family of purebred Hindu Brahmins, thus acquiring status and a tenuous stability. However, when Balu insists on emigrating to Canada, Leela must trade her newfound comfort for yet another beginning. Once in Vancouver with her husband and two children, Leela’s initial reluctance to leave home gradually evolves.While Bibi-ji gains access to a life of luxury in Canada, her sister Kanwar, left behind to weather the brutal violence of the Partition of India and Pakistan in 1947, is not so fortunate. She disappears, leaving Bibi-ji bereft and guilt-ridden.Meanwhile, a little girl, who just might be Kanwar’s six-year-old daughter Nimmo, makes her way to Delhi, where she is adopted, marries and goes on to build a life with her loving husband, Satpal. Although this existence is constantly threatened by poverty, Nimmo cherishes it, filled as it is with love and laughter, and she guards it fiercely.Across the world, Bibi-ji is plagued by unhappiness: she is unable to have a child. She believes that it is her punishment for having stolen her sister’s future, but tries to drown her sorrows by investing all her energies into her increasingly successful restaurant called the Delhi Junction. This restaurant becomes the place where members of the growing Vancouver Indo-Canadian community come to dispute and discuss their pasts, presents and futures.Over the years, Bibi-ji tries to uncover her sister Kanwar’s fate but is unsuccessful until Leela Bhat – carrying a message from Satpal, Nimmo’s husband – helps Bibi-ji reconnect with the woman she comes to believe is her niece – Nimmo. Used to getting whatever she has wanted from life, Bibi-ji subtly pressures Nimmo into giving up Jasbeer, her oldest child, into her care.Eight-year old Jasbeer does not settle well in Vancouver. Resentful of his parents’ decision to send him away, he finds a sense of identity only in the stories , of Sikh ancestry, real and imagined, told to him by Bibi-ji’s husband, Pa-ji. Over the years, his childish resentments harden, and when a radical preacher named Dr. Randhawa arrives in Vancouver, preaching the need for a separate Sikh homeland, Jasbeer is easily seduced by his violent rhetoric.Can You Hear the Nightbird Call? elegantly moves back and forth between the growing desi community in Vancouver and the increasingly conflicted worlds of Punjab and Delhi, where rifts between Sikhs and Hindus are growing. In June 1984, just as political tensions within India begin to spiral out of control, Bibi-ji and Pa-ji decide to make their annual pilgrimage to the Golden Temple in Amritsar, the holiest of Sikh shrines. While they are there, the temple is stormed by Indian government troops attempting to contain Sikh extremists hiding inside the temple compound. The results are devastating.Then, in October of the same year, Indira Gandhi is murdered by her two Sikh bodyguards, an act of vengeance for the assault on the temple. The assassination sets off a wave of violence against innocent Sikhs.The tide of anger and violence spills across borders and floods into distant Canada, and into the lives of neighbours Bibi-ji and Leela. Can You Hear the Nightbird Call? weaves together the personal and the political – and beautifully brings the reader into the reality of terrorism and religious intolerance. Bibi-ji turned to gaze out at the street. They could become far more prosperous, she was sure of that. Opportunities lay around them like pearls on these streets. But they were visible only to people with sharp eyes.“What are you looking at, Bibi-ji?” Lalloo asked, coming around to the front with a box full of pickle jars. He lowered it carefully on the floor and stared out the window.“What am I looking for, Lalloo, for,” Bibi-ji corrected. “I am looking for pearls.”“I don’t see anything there, Bibi-ji,” Lalloo remarked after a few moments.She laughed. “Neither do I, but I will. I know I will.” The war had left the whole world poorer: why had Pa-ji not thought of opening a used-clothing store instead of this Indian grocery shop? She wondered whether the shop would do better in Abbotsford or in Duncan, where there were more Sikhs than here in Vancouver. But no, she had a feeling that it was a city with a future, one in which she would be wise to invest her money and her hard work.–from Can You Hear the Nightbird Call?From the Hardcover edition.

    Although they were published separately, these two books, along with Skin Divers, a collection of Michaels's newest work, were written as companion volumes.Poems brings all three books together for the first time, creating for American readers a wonderful introduction to Anne Michaels's poetry. Meditative and insightful, powerful and heart-moving, these are poems that, as Michael Ondaatje has written, "go way beyond games or fashion or politics . . . They represent the human being entire."

    As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

    Unacknowledged by his father, an American GI, the child is welcomed into the Inuit community with astonishment and delight. Elsa, however, must come to terms with the conflicting values implied by her son’s dual heritage.Gabrielle Roy’s last novel, Windflower is both a moving account of one woman’s tragic dilemma and a sensitive portrait of a society in transition.

    Mary, just nineteen years old at the time, had been living on her own for three years and had already lost a baby days after birth. She was deeply in love with famed poet Percy Bysshe Shelley, a mad man who both enthralled and terrified her, and her relationship with him was rife with scandal and ridicule. But rather than let it crush her, Mary fueled her grief, pain, and passion into a book that the world has still not forgotten 200 years later.Dark, intense, and beautiful, this free-verse novel with over 300 pages of gorgeous black-and-white watercolor illustrations is a unique and unforgettable depiction of one of the greatest authors of all time.

    As an Ahmadi Muslim growing up in Pakistan, she faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From her parents, she internalized the lesson that revealing her identity could put her in grave danger.When her family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, her need for a safe space--in which to grow and nurture her creative, feminist spirit--became dire. The men in her life wanted to police her, the women in her life had only shown her the example of pious obedience, and her body was a problem to be solved.So begins an exploration of faith, art, love, and queer sexuality, a journey that takes her to the far reaches of the globe to uncover a truth that was within her all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

    Sometimes they succeed and sometimes they fail, and sometimes they end up in a slapstick sex scene that climaxes with a broken table. The book embraces characters who are flawed, emotional, and who care too much about things that are ridiculous.

    But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption.With gripping moments of withdrawal, times of spiritual awareness, and historical insights going back to the signing of Treaty 8 by her great-great grandfather, Chief Bigfoot, her journey exposes the legacy of colonialism, while reclaiming her spirit.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    Equal parts heartbreaking and funny, Dear Scarlet perfectly captures the quiet desperation of those suffering from PPD and the profound feelings of inadequacy and loss. As Teresa grapples with her fears and anxieties and grasps at potential remedies, coping mechanisms, and her mother’s Chinese elixirs, we come to understand one woman's battle against the cruel dynamics of postpartum depression. Dear Scarlet is a poignant and deeply personal journey through the complexities of new motherhood, offering hope to those affected by PPD, as well as reassurance that they are not alone.

    She's just as likely to be agonizing over which sparkly earrings will "pimp out" her hijab as to be flirting with the Walmart meat manager in a futile attempt to secure halal chicken the day before Eid. Little Mosque on the Prairie brought Zarqa's own laugh-out-loud take on her everyday culture clash to viewers around the world. And now, in Laughing All the Way to the Mosque, she tells the sometimes absurd, sometimes challenging, always funny stories of being Zarqa in a western society. From explaining to the plumber why the toilet must be within sitting arm's reach of the water tap (hint: it involves a watering can and a Muslim obsession with cleanliness "down there") to urging the electrician to place an eye-height electrical socket for her father-in-law's epilepsy-inducing light-up picture of the Kaaba, Zarqa paints a hilarious portrait of growing up in a household where, according to her father, the Quran says it's okay to eat at McDonald's-but only if you order the McFish.

    Jaya, the cultured daughter of an Indian diplomat and Keith, an ambitious banker from middle-class Philadelphia, meet in a London pub in 1988 and make a life together in suburban California. Their strong marriage is built on shared beliefs and love for their two children: headstrong teenager Karina and young son Prem, the light of their home.But love and prosperity cannot protect them from sudden, unspeakable tragedy, and the family’s foundation cracks as each member struggles to seek a way forward. Jaya finds solace in spirituality. Keith wagers on his high-powered career. Karina focuses relentlessly on her future and independence. And Prem watches helplessly as his once close-knit family drifts apart.When Karina heads off to college for a fresh start, her search for identity and belonging leads her down a dark path, forcing her and her family to reckon with the past, the secrets they’ve held and the weight of their choices.The Shape of Family is an intimate portrayal of four individuals as they grapple with what it means to be a family and how to move from a painful past into a hopeful future. It is a profoundly moving exploration of the ways we all seek belonging—in our families, our communities and ultimately, within ourselves.

    Living in the port city of Halifax, Goyette’s days are bounded by the substantial fact of the North Atlantic, both by its physical presence and by its metaphoric connotations. And like many of life’s overwhelming facts, our awareness of the ocean’s importance and impact waxes and wanes as the ocean sometimes lurks in the background, sometimes imposes itself upon us, yet always, steadily, is. This collection is not your standard “Oh, Ocean!” versifying. Goyette plunges in and swims well outside the buoys to craft a sort of alternate, apocryphal account of our relationship with the ocean. In these linked poems, Goyette’s offbeat cast of archetypes (fog merchants, lifeguards, poets, carpenters, mothers, daughters) pronounce absurd explanations to both common and uncommon occurrences in a tone that is part cautionary tale, part creation myth and part urban legend: how fog was responsible for marriages, and for in-laws; why running, suburbs and chairs were invented; what happens when you smoke the exhaust from a pride of children pretending to be lions. All the while, the anthropomorphized ocean nibbles hungrily at the shoreline of our understanding,refusing to explain its moods and winning every staring contest. “I wrote these poems,” comments Goyette, “because I know very little about the ocean and yet rely on it like a mirror, a compass.” In Ocean, Goyette demonstrates how a spirited, playful and richly mythopoetic engagement with the world can actually strengthen our grasp on its bigger truths.

    Based on historical events about a group of girls who were slave laborers at the munitions factory in Auschwitz.