Hermann, the manager of a paper mill, has decided that sexual gratification begins at home. Which means Gerti - his wife and property. Gerti is not asked how she feels about the use Hermann puts her to. She is a receptacle into which Hermann pours his juices, nastily, briefly, brutally. The long-suffering and battered Gerti thinks she has found her saviour and love in Michael, a student who rescues her after a day of vigorous use by her husband. But Michael is on his way up the Austrian political ladder, and he is, after all, a man.

    Then a hail of bullets destroyed the lives of two fellow cops, and Carl—who didn’t draw his weapon—blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl’s got only a stack of Copenhagen’s coldest cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at him: a liberal politician vanished five years earlier and is presumed dead.But she isn’t dead … yet.Darkly humorous, propulsive, and atmospheric, The Keeper of Lost Causes introduces American readers to the mega-bestselling series fast becoming an international sensation.

    An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

    The book's defiant individualism asserting human values as opposed to society's judgment was also a sign of modernity.-

    Intricately, meticulously, cunningly, the seduction proceeds. No detail is too small to escape Johannes. "She sits on the sofa by the tea table and I sit on a chair at her side. This position has an intimate quality and at the same time a detaching dignity."Less erotic than an intellectual depiction of seduction, Diary of a Seducer shows the casuist Kierkegaard in what he characterized as the aesthetic mode.

    . . are painfully universal. Yet you know exactly where in the universe you are. This is the hallmark of great short stories, from Chekhov's portraits of discontented Russians to Joyce's struggling Dubliners."—Radhika Jones, TimeNaja Marie Aidt's long-awaited first novel is a breathtaking page-turner and complex portrait of a man whose life slowly devolves into one of violence and jealousy.Rock, Paper, Scissors opens shortly after the death of Thomas and Jenny's criminal father. While trying to fix a toaster that he left behind, Thomas discovers a secret, setting into motion a series of events leading to the dissolution of his life, and plunging him into a dark, shadowy underworld of violence and betrayal.A gripping story written with a poet's sensibility and attention to language, Rock, Paper, Scissors showcases all of Aidt's gifts and will greatly expand the readership for one of Denmark's most decorated and beloved writers.Naja Marie Aidt was born in Greenland and raised in Copenhagen. She is the author of seven collections of poetry and five short story collections, including Baboon (Two Lines Press), which received the Nordic Council's Literature Prize and the Danish Critics Prize for Literature. Rock, Paper, Scissors is her first novel.K. E. Semmel is a writer and translator whose work has appeared in Ontario Review, the Washington Post, and elsewhere. His translations include books by Karin Fossum, Erik Valeur, Jussi Adler-Olsen, and Simon Fruelund.

    Examining the dolls, forensics makes a shocking discovery—a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago.A tragic coincidence—or something more twisted?To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.Because it’s clear that the madman is on a mission that is far from over.And no one is safe.

    The story follows Kwei-lan as she begins to accept different points of view from the western world, and re-discovers her sense of self through this coming-of-age narrative.

    While the authorities panic and tourists and investors flee, three men, two women and a dog are drawn together by portents that burden them with a bemusing sense of responsibility. Travelling at first packed into a car, then into a wagon, they take to the road to explore the limits of their now finite land, adrift in a world made new by this radical shift in perspective.

    Fifty-five million years ago, during the early Eocene period, a sudden burst of lightning frightened a herd of small prehistoric horses. In the ensuing panic, one of the horses, a five-year-old mare no bigger than a fox terrier, fell into a lake and drowned. On June 23rd, 1975, in Austin, Texas, a drop of oil combusted in a car engine. This tiny explosion happened just as the Ford Pinto, driven by a one-armed hitchhiker named Jimmy, pulled into the parking lot of the Timber Creek Apartments, home to the young woman in the passenger seat, a twenty-two-year-old biology student named Clarissa Sanders. Machine is the story of the hidden connections between these two seemingly unrelated events. Omnivorous in its pursuit of knowledge?every single one of its eighty-eight pages a daring mixture of fact and fiction, science and art?this short novel relentlessly pursues one of life's great mysteries: where does Fate end and coincidence begin?

    Set mostly in northern Italy, close to Aquileia, The Days of His Grace tells the story of the fate of a Langobard family as their homeland falls under the domination of Charlemagne.description from Wikipedia

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    An artist, Karitas has a powerful calling and is determined to never let go of her true being, one unsuited for the conventional. But she is powerless against the fateful turns of real life and all its expectations of women. Pulled back time and again by design and by chance to the Icelandic countryside—as dutiful daughter, loving mother, and fisherman’s wife—she struggles to thrive, to be what she was meant to be.Spanning decades and set against a breathtaking historical canvas, Karitas Untitled, an award-winning classic of Icelandic literature, is a complex and immersive portrait of an artist’s conflict with love, family, nature, and a country unaccustomed to an untraditional woman—but most of all, with herself and the creative instincts she has no choice but to follow.

    It was his breakthrough novel, in which he stripped away the difficulties of his earlier work and found a clear, mysteriously moving voice for his haunting stories of love, nostalgia, and grief. It has also been called “the most gripping Modiano book of all” (Der Spiegel).   Odile and Louis are leading a happy, bucolic life with their two children in the French countryside near the Swiss mountains. It is Odile’s thirty-fifth birthday, and Louis’s thirty-fifth birthday is a few weeks away. Then the story shifts back to their early years: Louis, just freed from his military service and at loose ends, taken up by a shady character who brings him to Paris to do some work for a friend who manages a garage; Odile, an aspiring singer, at the mercy of the kindness and unkindness of strangers. They move through a Paris saturated with the crimes and secrets of the past but breathing hopes for the future; they find each other and struggle together to create what, looking back, will have been their youth.

    The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.