Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    Set in Norway and Iceland at the beginning of the eleventh century, Gunnar's Daughter is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is raped by the man she had wanted to love. A woman of courage and intelligence, Vigdis is toughened by adversity. Alone she raises the child conceived in violence, repeatedly defending her autonomy in a world governed by men. Alone she rebuilds her life and restores her family's honor--until an unremitting social code propels her to take the action that again destroys her happiness.First published in 1909, Gunnar's Daughter was in part a response to the rise of nationalism and Norway's search for a national identity in its Viking past. But unlike most of the Viking-inspired art of its period, Gunnar's Daughter is not a historical romance. It is a skillful conversation between two historical moments about questions as troublesome in Undset's own time--and in ours--as they were in the Saga Age: rape and revenge, civil and domestic violence, troubled marriages, and children made victims of their parents' problems.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    In 1912 at a provinical Danish seaside hotel, twelve-year-old Malte, a charity case from the city, revels in the freedom of summer. Largely a solitary boy, Malte spends his days on the beach, transfixed by the sea. When a coffin containing a young sailor drifts ashore, Malte is soon absorbed in the sailor's tragic love story and dramatic death, and their fates become dangerously intertwined.

    His sister, seven years his elder, is left to look after him. As he grows up, she longs to lose this brotherly millstone around her neck, but he cannot bear the thought of losing her protection. So Nick goes to extremes to retain her care and attention, putting himself, his girlfriend, and others in harm's way, striking up with a gang, and administering violence to order. One day he goes so far that as a suicide attempt. On the other side of tragedy, he returns to his flat to find an intruder on his sofa–a biker who proves immune to Nick's menace. The biker convinces Nick, first, that he is Jesus Christ, and, second, that he must now take charge of Nick's life. Nick is moved to return to his home village, where he sets about reconstructing himself, and doing penance for his failures. He even finds love anew. But does he know what to do with it? And has he really learned anything from his sister or from his miraculous new mentor?

    Jews are evacuated, guns are fired, shells explode. In this novel Böll paints war as a series of idiocies, senseless accidents, and bizarre coincidences related only through death.

    His book, Families without Hope, was considered obscene upon its publication in 1880 and was banned. Although victimized by smear campaigns due to his homosexuality, Bangs became one of the foremost Scandinavian novelists. Called by Claude Monet “the first impressionist author in the world,” Bangs traveled widely, and died during a lecture tour in the United States at Ogden, Utah on January 29, 1912.This short story concerns the author’s conception of art when dealing with life.

    The eponymous hero, a country pastor whose appetite for alcohol and indiscretions ends his career, falls in with a dozen vagrant Swedish cavaliers and enters into a power struggle with the richest woman in the province.The book has a Faustian theme revolving around a possible deal with the Devil. It also deals with social issues such as poverty and depression, as well as mixing in elements of myths and humorous love stories.

    

    Michael Sander, a private investigator and security consultant, is hired to find out who the victims are and why Caspersen was involved. Meanwhile, police investigator Lene Jenesen is investigating the death of a decorated war veteran found hanged on his wedding night. Having recently come into money, the man appears to have been driven to suicide, but the question is, why?As the two cases begin to intertwine, Lene and Michael uncover a chilling secret: the existence of a hunting club formed by Denmark’s elite businessmen, where the targets are humans who are carefully selected and made to run for their lives. As their investigations take them into the darkest depths of humanity, uncovering crimes that reach further than they ever imagined, Lene and Michael must team up to overcome an opponent who outstrips them in resources and lethal danger—before they become the ones who are hunted.

    In this book Kay Xander Mellish – an American who has lived in Denmark for more than a decade – offers a fun guide to Danish culture and Danish manners, as well as tips on how to find a job, a date, someone to talk to or something to eat.

    They think it is I who scare them, but it is the dwarf within them, the ape-faced manlike being who sticks up his head from the depths of their souls." Pär Lagerkvist's richly philosophical novel The Dwarf is an exploration of individual and social identity. The novel, set in a time when Italian towns feuded over the outcome of the last feud, centers on a social outcast, the court dwarf PIccoline. From his special vantage point Piccoline comments on the court's prurience and on political intrigue as the town is gripped by a siege. Gradually, Piccoline is drawn deeper and deeper into the conflict, and he inspires fear and hate around him as he grows to represent the fascination of the masses with violence.

    Their routine, isolated existence is interrupted when a lumberjack arrives at their lakeside cottage and falls in love with Hege, leaving Mattis fearful that he will lose his sister. The careful translation from the Norwegian underscores Vesaas's rare sensitivity in recording Mattis's often insightful view of his world. With a limited understanding of the unpredictable power of nature, Mattis nonetheless turns to the elements to discover the answers—with unsettling results.

    In "Days," a woman in her late thirties records her life in a series of lists, giving shape to the tumult of her days--one moment she is eating an apple, the next she is on the floor, howling like a dog. As the details accumulate, we experience with her the full range of emotions: anger, loneliness, regret, pain, and also joy, as the lists become a way to understand, connect to, and rebuild her life.In "Minna Needs Rehearsal Space," a novella told in headlines, an avant-garde musician is dumped via text message. Fleeing the indignity of the breakup and friends who flaunt their achievements in life, career, and family, Minna unfriends people on Facebook, listens to Bach, and reads Ingmar Bergman, then decamps to an island near Sweden, "well suited to mental catharsis." A cheeky nod to the listicles and bulletins we scroll through on a daily basis, So Much for That Winter explores how we shape and understand experience, and the disconnection and dislocation that define our twenty-first-century lives, with Nors's unique wit and humor.

    It begins as a young woman, Delphine, writes a letter to Jean-Luc, a painter whose work has touched her. She is sure he will not read it--but he does, and he answers. Over the next eighteen months, Delphine's letters bare her soul layer by layer, making her ever more vulnerable to his teasing replies and long silences. Helplessly, Delphine finds herself falling in love with a man she knows only through what he reveals in his letters. Her fascination with him begins to overwhelm her, until she begins to long for a lover she has never seen. Finally, it seems, a meeting may no longer be postponed. "A gem of an epistolary novel, a tiny thriller ... Hermann reveals a startling capacity of human beings for self-invention." -- Joan Mellen, The Baltimore Sun