Alfred Jones, life is a quiet mixture of civil service at the National Centre for Fisheries Excellence and marriage to Mary—an ambitious, no-nonsense financier. But a strange turn of fate from an unexpected direction forces Jones to upend his existence and spend all of his time in pursuit of another man’s ludicrous dream. Can there be salmon in the Yemen? Science says no. But if resources are limitless and the visionary is inspired, maybe salmon fishing in the Yemen isn’t impossible. Then again, maybe nothing is.

    In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'

    Why now—and where has she been?As girls, the two sisters could not have been more different—only perfect Polly could meet the exacting standards of their nanny, Bridie, while Sara lived in her shadow. But Sara had been heartbroken the day she learned that Polly had run away, leaving her behind.For Bridie, the news that Polly has returned threatens to revive a family secret she’d long kept hidden. Bridie cares deeply for both girls, and had done her best to raise them as if they were her own, but her own past always remained off-limits, to them as well as to herself. Now, all that may change.As Polly’s return sets in motion events that will stretch the three women’s fragile bond to its breaking point, all three must confront the weight of this hidden history. Playing out across three generations, Another Day Gone reveals the enduring consequences of violence—and the restorative powers of love and loyalty.

    Clementine is a ten-year–old Rwandan girl, who witnesses the murder of her family as genocide devastates her beautiful country. She flees and these two disparate lives that seem destined to run parallel eventually collide offering both a kind of salvation they never imagined possible.

    England is at war. Desperate to help in whatever way they can, Ivy and Louisa enlist as gardeners at Kew, the Royal Botanic Gardens, taking on the jobs of the men who have gone to fight. Under their care, the gardens begin to flourish and become a safe haven for those seeking solace–but not everyone wants women working at Kew.The pair begin to face challenges on the home front. When a tragedy overseas affects the people closest to them, can the women of Kew pull together to support themselves and their country through the darkest of times?

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    . .Mahmood Mattan is a fixture in Cardiff's Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, petty criminal. He is a smooth-talker with rakish charm and an eye for a good game. He is many things, but he is not a murderer. So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn't too worried. Since his Welsh wife Laura kicked him out for racking up debts he has wandered the streets more often, and there are witnesses who allegedly saw him enter the shop that night. But Mahmood has escaped worse scrapes, and he is innocent in this country where justice is served. Love lends him immunity too: the fierce love of Laura, who forgives his gambling in a heartbeat, and his children. It is only in the run-up to the trial, as the prospect of returning home dwindles, that it will dawn on Mahmood that he is in a fight for his life - against conspiracy, prejudice and cruelty - and that the truth may not be enough to save him. ***PRAISE FOR NADIFA MOHAMED***'A moving and captivating tale of survival and hope . . . confirms Mohamed's stature as one of Britain's best young novelists' Stylist, on The Orchard of Lost Souls 'Mixing startling lyricism and sheer brutality . . . [Black Mamba Boy] is a significant, affecting book' Guardian 'With the unadorned language of a wise, clear-eyed observer, Nadifa Mohamed has spun an unforgettable tale' Taiye Selasi, on The Orchard of Lost Souls

    A long and brutal war. A heroic sacrifice…London, 1915. As German bombs rain down on the East End of London and hungry children queue for rations in the blistering cold, fifteen-year-old Florrie is forced to grow up fast. With her father fighting in the muddy trenches, Florrie turns to her older sister Edith for comfort. But the war has changed Edith. She has grown quiet, with dark shadows under her eyes, and has started leaving the house at night in secret. When Florrie follows her sister through the dark and winding streets of London, she is shocked by what she discovers. But she knows she must keep her sister’s secret for the sake of their family, even if she herself must pay the ultimate price…Years later Kate, running from her broken relationship, is sorting through her dead aunt Florrie’s house, which she shared with her sister Edith. As she sits on the threadbare carpets, looking at photos of Florrie during the war, she notices the change in her aunt – from carefree young girl with a hopeful smile to a hollow-cheeked young woman, with dark sad eyes.Determined to put her family’s ghosts to rest, Kate must unearth the secret past of her two aunts. Why is there a hidden locked room in the little house they shared? What is the story behind the abandoned wedding dress wrapped in tissue and tied up with a ribbon? And when Kate discovers the tragic secrets that have bound her family together, will she ever be able to move on?

    Maggie Tanner's first recollection of life within the Victorian slums of London is at the age of six years, witnessing the death of her grandmother shortly followed by the tragic birth of her mother's stillborn twins.Born to an impoverished family who face the daily threat of disease, starvation and the cruel work-houses, she is forced at the age of twelve to seek work and is taken into service within an upper class family. But in an effort to escape the tribulations of her class Maggie only begins to discover an even worse fate than death itself - the shocking moral ostracization by society towards bastardy and the heartbreaking underworld business of baby-farming.'The Last Gift' exposes the gripping realities of the harsh and brutal facts of life for the poor, during the greatest class divide that British history has ever known.

    She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.

    His birthplace is famed as the city of lovers, but so far love has always eluded him. Instead his life revolves around the investment bank where he works. And then one day he realizes he is being followed around, by a pale, scrawny man. The man's name is Paul Murray.Paul claims to want to write a novel about Claude and Claude's heart sings. Finally, a chance to escape the drudgery of his everyday office life, to be involved in writing, in art! But Paul himself seems more interested in where the bank keeps its money than in Claude-and soon Claude realizes that Paul is not all he appears to be ...

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    After an inexplicably hostile encounter with a hotel landlord, Futh sets out along the Rhine. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done. "The Lighthouse," Alison Moore's first novel, tells the tense, gripping story of a man trying to find himself, but becoming lost.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Welcome to Sheffield. Border-land,our town of miracles...' - 'Scab'From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort's stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realisation. Distinctive and assured, these poems show us how, at the site of conflict, a moment of reconciliation can be born.