But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.

    They'd never actually go through with it. But when Nolan turns up dead in the exact way they'd discussed, the girls suddenly become prime suspects in his murder.Only, they didn't do it.So who did? Unless they find the real killer, and soon, any one of them may be the next to die….

    Kirsten Hammarstrom hasn't been home to her tiny corner of rural Wisconsin in years-not since the mysterious disappearance of a local teenage girl rocked the town and shattered her family. Kirsten was just nine years old when Stacy Lemke went missing, and the last person to see her alive was her boyfriend, Johnny-the high school wrestling star and Kirsten's older brother. No one knows what to believe-not even those closest to Johnny-but the event unhinges the quiet farming community and pins Kirsten's family beneath the crushing weight of suspicion. Now, years later, a new tragedy forces Kirsten and her siblings to return home, where they must confront the devastating event that shifted the trajectory of their lives. Tautly written and beautifully evocative, The Mourning Hours is a gripping portrayal of a family straining against extraordinary pressure, and a powerful tale of loyalty, betrayal and forgiveness.

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    It's the kind of place where everyone knows their neighbours, and children play in the street.Isabelle Heatherington doesn't fit into this picture of family paradise. Husbandless and childless, she soon catches the attention of three Pleasant Court mothers. But Ange, Fran and Essie have their own secrets to hide. Like the reason behind Ange's compulsion to control every aspect of her life. Or why Fran won't let her sweet, gentle husband near her new baby. Or why, three years ago, Essie took her daughter to the park - and returned home without her.As their obsession with their new neighbour grows, the secrets of these three women begin to spread - and they'll soon find out that when you look at something too closely, you see things you never wanted to see.

    A debut novel of domestic suspense in the vein of Liane Moriarty, Shari Lapena and Claire Douglas about two sisters bound together by a murderPenny and Hattie have always only had each other—their father left long ago and their mother died in a sudden tragic accident. Penny has always watched out for Hattie, even when she felt usurped by her younger, more vivacious sibling. When Penny’s marriage turns sour and her once-charming husband becomes controlling and abusive, who does she turn to for help but Hattie? An unguarded cigarette, helped along by a few conveniently lit matches and some sleeping pills, creates a deadly fire that frees Penny from an unimaginable life, but not without a cost. The weight of their secret binds the two sisters together, for better or worse. When a new man enters their lives, the twists deepen and the secrets compound. Meanwhile, incidents of arson begin to break out locally and the detective who investigated the death of Penny’s husband develops renewed interest in the case, threatening to unravel all their secrets.

    The heat was stifling that day, the tinkle of an ice-cream van in the air....Three-and-a-half years later, in the dead of winter, the children are returned to their families...one by one.All except for Ivy - the granddaughter of Homicide Detective Kate Wakeland. The other four children say Ivy is dead.Speculation grows that the mysterious abductor is enacting a cruel revenge plot due to a murderer that Kate put in jail years before.Kate isn't sure what to believe. But one thing is certain - she's about to begin the battle of her life. When the children were first stolen, she was prevented from investigating the case.But now, Kate will be relentless in uncovering the identity of the abductor and discovering what happened to Ivy.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Over dinner parties, fish & chip suppers and summer barbecues, they’ve discussed the important stuff – the kids, marriages, jobs and houses – and they’ve laughed off their disappointment when they failed to win anything more than a tenner.But then, one Saturday night, the unthinkable happens. There’s a rift in the group. Someone doesn’t tell the truth. And soon after, six numbers come up which change everything forever.Lexi and Jake have a ticket worth £18 million. And their friends are determined to claim a share of it. Adele Parks returns with a riveting look at the dark side of wealth in this gripping take on friendship, money and betrayal, and good luck gone bad…

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    She’s a nobody. And that’s the way she likes it. Her father, on the other hand — Hank Keeling, the serial killer and occasional cannibal better known as the Pork Chop Killer — has just gone viral. Thanks to a prison guard’s error, a cell phone video of Keeling’s botched execution is quickly becoming an internet sensation. After watching her father die in all his pixelated glory, Caroline is taken off-guard when Keeling himself shows up at her front door, looking very much not dead. And he has a plan. A plan involving Caroline. A plan Caroline is going to take part in whether she wants to or not. Success means wealth beyond her dreams. Failure means death. Soon Caroline is whisked away from her bland life to face down killers, gangsters and a well-meaning cop in a hunt for long-lost fortune. Deceit, avarice and unrelenting violence collide in a coming-of-age story like none you’ve ever read.

    Lucian prison, and reaches out to filmmaker Sidney Ryan in a last, desperate attempt to prove her innocence.As Sidney begins researching, she uncovers startling evidence overlooked during the original investigation. Before the series even finishes filming, public outcry leads officials to reopen the case. Delving into Grace’s past, Sidney peels away layer after layer of deception. But as she edges closer to the real heart of the story, Sidney must decide if finding the truth is worth risking her newfound fame, her career … even her life.

    She couldn’t move. She was going to die and she had no idea why...Early one icy winter morning, Detective Alex King is called to a murder scene at a local park. The river is running high, and in the water lies the body of a woman, her wrists tied, and all her fingernails missing.The victim, beautiful, young Lola Evans, had a troubled past, but Alex’s team can’t find a reason why anyone would want to kill her. The pressure to solve the case keeps mounting, but all their leads run dry. Then, another body is found in the water.A disturbing clue suggests how the girls are connected. But who would target such vulnerable girls, and does this mean another life is at risk? Just when Alex thinks she has cracked the case, she realises one of her own team is in terrible danger.Alex is caught in a race against time to reach the next victim before it’s too late... and some of her team must face terrifying truths from their own lives if they’re to have a chance of catching the killer.

    A killer in their midst. And the disgraced Navy SEAL who must track him down . . . The high-octane debut thriller from New York Times bestselling writing team Webb & Mann—combat-decorated Navy SEAL Brandon Webb and award-winning author John David Mann. The moment Navy SEAL sniper Finn sets foot on the USS Abraham Lincoln to hitch a ride home from the Persian Gulf, it's clear something is deeply wrong. Leadership is weak. Morale is low. And when crew members start disappearing one by one, what at first seems like a random string of suicides soon reveals something far more sinister: There's a serial killer on board.Suspicion falls on Finn, the newcomer to the ship. After all, he's being sent home in disgrace, recalled from the field under the dark cloud of a mission gone horribly wrong. He's also a lone wolf, haunted by gaps in his memory and the elusive sense that something he missed may have contributed to civilian deaths on his last assignment. Finding the killer offers a chance at redemption . . . if he can stay alive long enough to prove it isn't him.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.