Coquetdale, Northumberland. 1725. After the final tragedy of an age-old feud, Sam’s mother disappears. His guilt-ridden search brings unexpected adventure and romance. As a fellow of the secret order of ‘The True’, Sam learns to enhance his affinity with nature, and enigmatic links across time are revealed to him in ancient woodlands. 2000. Isolated hill-farmer, Kate, is cautiously attracted to an intriguing stranger brought to her door by endearing runaway, Joe. The man is certainly odd but not disturbing, unlike her stalker. Further down the dale, Kate’s woodsman cousin, Nick, falls in love with a mysterious young woman who arrives with spring and disappears as summer ends. Middle Wood links these seemingly disparate lives separated by centuries, but is that their only connection? Does the answer lie with The True? "A story is never finished until you can read it in the trees"

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Richards spends his days monitoring small development projects and his nights attending embassy cocktail parties and bedding various visiting American women and diplomats’ wives.The time is the early 1980s, when the American Empire has begun to tentatively flex its muscles once again. Kutar is a diplomatic backwater, a former British colony, barely a blip on the State Department’s radar back in Washington. For centuries desultory tribal conflict has flared sporadically in the arid hills hundreds of miles from the coastal capital of Laradan, and as the book opens rumors of a new skirmish there reach the city’s inhabitants. As always, the residents of Laradan ignore the stories, but this time something is different: The Americans decide to do something about it. As any casual student of geopolitics might guess, this is bad news for the people of Kutar. Urged on by a Kurtzian American military advisor named Colonel Munn, the little-used Kutaran army marches into the hills. In quick order they are decimated, and with stunning rapidity the heights above Laradan are occupied by a rebel force possessed of the government’s abandoned artillery. Soon the Americans, and all other foreigners, are ordered from the country and leave the people of Laradan to their fate. For his own deeply personal reasons, David chooses to stay on in the besieged city, and moves into the Moonlight Hotel, a crumbling colonial dinosaur. There he is joined by an eclectic assortment of other foreigners, including a senior British diplomat, an acid-tongued Romanian countess, and Amira, an aristocratic young woman who previously spurned David’s romantic advances. Together, this small community tries to maneuver over the radically-changed landscape of the beleaguered city, while holding out hope that the outside world might yet come to its rescue. Then the shooting begins in earnest.

    He thinks Mount Sinai Hospital is an exclusive golf course and his catheter is a gym bag. His only link to reality is his thirty-five-year-old nephew, who makes his living as a hired gun for thirteen softball teams and still goes by the name College Boy.But College Boy's body has begun to betray him -- almost as much as his lack of ambition. (His only legitimate paycheck comes from a gig as a laugher on a morning radio show.) Not only that, the Dirt King, a small-time gangster who controls all the replacement soil in Central Park, is after College Boy. As their lives collide, College Boy takes refuge in the arms of Sheila -- his uncle's cleaning woman and a part-time call girl.And then it gets weird.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    In the sterile dormitories and on the quiet winter greens of an American university, a young woman named M— deals with the repercussions of a strange encounter with an angel, one that has left a large bruise on her forehead. Was the event real or imagined? The bruise does not disappear, forcing M— to confront her own existential fears and her wavering desire to tell the story of her imagination. As a writer, M— is breathless, desperate, and obsessive, questioning the mutations and directions of her words while writing with fevered immediacy. Using rhythmic language, suffused with allusions to literature and art, Magdalena Zurawski recasts the bildungsroman as a vibrant and moving form.

    In the eyes of everyone, he had it all; a successful ranch, natural good looks and a charming (if not a bit arrogant) personality. Why send away for a mail-order bride when he could have his pick of the eligible women in town? No one was prepared for Winifred "Winnie" McArthur. Outspoken, daring and unconventional, she was everything Lyle wanted and couldn't find in Pine Prairie. There was only one problem. While she gave her all to everything else, she kept a tight rein on her emotions, disallowing a relationship with Lyle beyond work. Are they destined to be nothing more than colleagues or is something greater in store for them? Please enjoy this family friendly, sweet historical romance novelette of 50 pages.

    

    Robin Cook's signature cutting-edge suspense and bold strokes of reality. The consequences of managed health care in an age when even the wariest consumer may be at risk is the catalyst for Contagion, while a sinister cabal involved with unacceptable medical ethics provides the nerve-jangling backdrop for Chromosome 6. Invasion, published in hardcover for the first time, preys on our deepest fears as it explores a sudden outbreak of a disease unlike anything humankind has ever seen.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    When she meets the man of her dreams and he wants to marry her, she tries to pick the right time to tell him she is a transgender.

    Tom is white, Ben is black. This sometimes creates problems in this particular time and place.A black kid growing up in the height of the Great Depression in rural Alabama, being raised by an alcoholic, abusive father. This is not the place, nor the circumstances, you would expect one of the brightest young minds of the time to emerge. But Ben has an insatiable thirst for knowledge and a dogged determination to rise above the stigma that has followed his race and family for generations. These character traits, along with some fortuitous events, are about to propel Ben into history. But first, he must overcome poverty, racism and youth, as well as a murder charge.

    It'll have news (actual news, tied to the day it comes out) and sports and arts coverage, and comics (sixteen pages of glorious, full-color comics, from Chris Ware and Dan Clowes and Art Spiegelman and many others besides) and a magazine and a weekend guide, and will basically be an attempt to demonstrate all the great things print journalism can (still) do, with as much first-rate writing and reportage and design (and posters and games and on-location Antarctic travelogues) as we can get in there. Expect journalism from Andrew Sean Greer, fiction from George Saunders and Roddy Doyle, dispatches from Afghanistan, and much, much more. We're going to try to sell this thing on the street in San Francisco, but it'll also go out to our subscribers and be in bookstores all over.

    

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.