A force of nature. To know her is to love her, to love her is to hate her. Shes a woman who changes her name according to the ethnic flavor of the month, dabbles in Mormonism, and steals cleaning supplies from restaurant bathrooms. She is beautiful, excitable, contradiction as art form. Shes the kind of mom who reads her daughters diary, serves ketchup soup for dinner, and drags her girls from Utah to California to Wyoming in pursuit of one loser boyfriend after another. Her love for her daughters is fierce, smothering, neglectful. There is no other way than her. Does that sound extravagant? Or should I say there is no other place than her, observes Lucy, the endearing narrator of Nicole Stansburys very special debut novel, Places to Look for a Mother. In the tradition of Mona Simpsons Anywhere But Here and Larry McMurtrys Terms of Endearment, Places to Look for a Mother tells a tale of mostly maddening mother-daughter bonds. Forgiveness is always there, but its hard to find. And the Taylor family usually loses it. With lithe prose, pitch-perfect dialogue, and gloriously real characters, author Nicole Stansbury conjures a family that proves Tolstoy right once again: All happy families are alike; every unhappy family is unhappy in its own way. The Taylors are no exception, but Places to Look for a Mother is an exceptionally good novel.

    She thinks Johnny and his little sister, Audrey, have been replaced by aliens; she's sure of it, and she's pretty certain that she herself is already dead, or she wouldn't need to cover the stink of her rotting flesh with Jean Nate apres le bain. Dad, truck driver and pathological liar, is down South somewhere living his secret life. And Audrey, when she's not walking her cat Deluxe in a baby stroller, spends her time locked in a closet telling herself stories. Johnny, meanwhile, is hell-bent on saving the family from itself, but he'll need Miss Teaspoon's help, and Regina Caeli's. And, if he must, he'll call on the made-up Sandilands because the nuns at St. Simeon Stylites School are sure not going to help.

    Caustic, comic, and unflinchingly honest, Mammals is a cruel but beautiful tale of love, solitude, alcoholism, family, and unemployment. This fictional memoir of a glorious loser recounts the life of the Uncle, an unhappy Parisian bachelor whose only true loves were a Polish girl and a divorcee. He is a drunk; he is sarcastic; he works and fails desultorily in several fields until he winds up surrounded by neurotic women, a teacher in a secondary school. He tries out therapist after therapist and can't figure out who is the butt of the joke. He has nephews and this makes him nervous. In fact, almost everything about family life makes him nervous — especially now that he's living at home again. He coins proverbs for living with lowered expectations and attempts a bestiary of his pathological parents, the mammals of the title.Riding its handbasket merrily to hell, veering now and then toward overwhelming lyricism, Mammals pieces together the portrait of modern society's Everyman. It establishes Pierre Merot as an extraordinary and delightful voice of international stature.

    ”Samara shook her head. “I never will. I’ll always imagine you just like this . . . Or watching me through the lens of a camera . . . Or turning up on a beach somewhere . . . Or teaching me how to hold the camera. ”The tears flowed as she walked, and a sudden wind whipped them off her face. “Or sitting behind me in church when I least expect it . . . Or telling me things I need to hear when I don’t want to hear them . . . Or watching over me.” Fighting her way through the chaos of her family’s dysfunction, Samara Danes has immersed herself in a promising photography career. She sees no need to love or be loved. Then Adam Russell arrives in Samara’s hometown on Australia’s Gold Coast. Years ago, it was Adam who introduced her to the art of photography and opened her eyes to the wonder of the world. She in turn opened his heart to the truths of the gospel. Now can the older man’s kindness, wisdom, and strength help save a family that teeters on the brink of dissolution? Are Samara’s strong feelings for Adam more than just friendship and gratitude? With tender insight, gifted LDS author Pamela Carrington Reid explores the dynamics that stretch fragile relationships nearly to the breaking point. Shades of Gray is a richly crafted novel, genuinely moving and compelling—a tribute to the healing power of the gospel, where the lines of love are never blurred.

    In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    Inexplicably bereft of the mental faculty that would under normal circumstances keep him from blurting out, uncensored, the first thought that pops into his head, art connoisseur Klein wanders one evening into a pornographic Web site, Angelica's Grotto. An ongoing on-line dialogue, totally without verbal inhibition on Klein's part, eventually brings him face-to-face with the brains behind the grotto, an academic sex researcher named Melissa Bottomley. Harold Klein's erotic odyssey takes him not only through unimagined erogenous zones but also into arcane corners of the art world, as he seeks to meet Melissa's need for funding and she his for sexual gratification. As Klein strives to reconcile new desires with old habits, author Russell Hoban compellingly explores the dark relations between art and pornography, acts virtual and real, culture and politics, revelation and privacy.

    Precocious, passionate, talented, the free-spirited Chrysis rebels against a society and an art world in which men have all the privilege and women none. By day, a serious student at the prestigious l'Ecole des Beaux-Arts, at night Chrysis loses herself to the sensual pleasures of the Montparnasse nightlife, where all seems permissible. There, she and the American cowboy will live the love of a lifetime."

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    The only thing that connects them is Linda’s six-week-old marriage to Robin’s father, who has suddenly died. Widowed at twenty-six, Linda is heading to California to start over, uncertain what the future holds. In the trunk of her car, she carries her husband’s amateur paintings, along with his ashes. Robin, her silent, angry teenage stepdaughter, about to be left with relatives she’s never met, carries a private stash of pot and some closely guarded secrets. But these two women, journeying on a road alongside drifters and dreamers, lovers and liars, will discover something they never expected to find–between them and inside their hearts.

    A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll. Here, struggling to survive cancer, Noah evaluates his chequered past life, and as a picture builds of a brave and foolish man, gradually it becomes clear that he's a modern-day hero.

    She makes herself feel better by obsessively critiquing the behavior of her coworker, Jillian, a rapid cycling, grotesque optimist, whose downfall is precipitated by the purchase of a dog.

    

    "Tyau writes graceful and nuanced prose, and she proves to be a perceptive observer of her character's shifting emotions. This novel does indeed resound sweetly." --Julie Gray, The New York Times Book Review