And he's not about to let millionaire real-estate tycoon and community hero Roberto Morales slip out of a murder charge--not again. Morales is being retried for the rape and murder of his mistress, Mariah Dodge. Estrada knows he needs a miracle to nail a conviction. But his sweat, pain, and emotional investment lead him to a gut wrenching possibility: the man he is trying so hard to convict may, in fact, be innocent. His life and his career hanging in the balance, Estrada struggles toward the truth. What he finds is...inadmissible evidence....

    . .“That takes balls” are words of praise usually reserved for a man who has done something tough, fearless, and maybe a little crazy—someone who pushes the boundaries or breaks a few rules. But when it comes to hotheaded courage, impassioned activism, quirky wisdom, or bold confrontation, women have got what it takes—and then some! That Takes Ovaries! is a lively, fun, and often touching celebration of women and girls doing their thing their way:* Kathleen, who reduced a would-be burglar to tears by lecturing him about black pride (all while standing in her underwear)* Elaine, a sky surfer who plunges from airplanes on a 30-inch surfboard* Rachel, a high school junior who organized 100 high school girls to take on the boys who harassed them* Denise, a teenage cashier who faced down an irate, gun-wielding gangbanger in an inner-city fast-food joint* Joani, a public health educator who opened the country’s first women-oriented sex-toys store* Eva, who made the dangerous, illegal journey from Central America to the United States in order to give her children a better lifeNow that takes ovaries!

    P. Lovecraft and Charles Dickens. A commercial success, the collection earned Ray the appellation of the “Belgian Poe” and announced a new talent, even though this first book had been but the culmination of an already lengthy writing career as a journalist and short-story writer. A year later, however, the author would be arrested on charges of embezzlement and serve two years of a six-year sentence in prison, where he would write some of his best stories.Something of a prequel to such story collections to come as Cruise of Shadows or Circles of Terror (both forthcoming from Wakefield Press), Whiskey Tales finds Ray testing different genres, but already steadfastly opposed to the psychological novel and embracing the modes of adventure and horror adopted by such contemporaries as Pierre Mac Orlan and Maurice Renard. Taking us from ship’s prow to port, from tavern to dead-end lane, these early tales are ruled by the spirits of whiskey and fog, each element blurring the borders between humor and horror, the sentimental and the sinister, and the real and the imagined.A handful of these stories first appeared in English in various issues of Weird Tales back in the 1930s, but the majority of this collection has never before been translated. This first complete English-language edition includes eleven additional contemporary stories not found in the original French edition, and will be the first in many volumes of Jean Ray’s books that Wakefield Press will be bringing out over the coming seasons.

    Brief by his standards, but essentially heroic. Shakespeare might have seen it as a tragedy with splendid bit-parts for buffoons and brigands and lots of graveyard scenes. Those thigh bones you occasionally see rearing out of the yellow earth of Gully ravine, snapped open so that they look like pumice, belong to a generation of young men who on this peninsula first lost their innocence and then their lives, and maybe something else as well...'Gallipoli remains one of the most poignant battlefronts of the First World War and L. A. Carlyon's monumental account of that campaign has been rightfully acclaimed and a massive bestseller in Australia. Brilliantly told, supremely readable and deeply moving, Gallipoli brings this epic tragedy to life and stands as both a landmark chapter in the history of the war and a salutary reminder of all that is fine and all that is foolish in the human condition.

    This breathtakingly advanced island continent boasted splendid cities, golden temples, crowded seaports from which the far-reaching influence of Atlantis spread to the rest of the world, until its destruction in an overwhelming cataclysm.Now, based on careful study of scientific undersea research, Charles Berlitz proves that Atlantis is not legend but fact -- and unravels a mystery even more startling than the Bermuda Triangle!What message lies buried with the mighty stone structures deep beneath the Atlantic?What profound revelations about Atlantis have come to us from beyond the Earth?Was Atlantis destroyed in an ancient nuclear war?What great centers of Atlantean culture yet await discovery?

    Worse yet, she knows that JD has always believed her to be a part of the conspiracy to get rid of him. When JD comes to power during a hostile takeover of Morgan Chemicals, Candy realizes he will want revenge against her family so she prepares herself to be ousted from the company. But much to her surprise, JD doesn't oust her. Instead, he wants his vendetta against the Morgans settled in an entirely different fashion, in a way Candy never could have imagined in her wildest, most wicked dream... Surrender by Lora Leigh Cole has wanted Tess for years. And he's warned her of this several times. He's also warned her HOW he wants her. Tied down in his bed, under his domination, surrendering to his desires...

    At last, unable to bear seeing the two of them together, Tessa had gone away.Now, two years later, she was home again, expecting to hear that they were married -- only to learn that they had never in fact married, that after a terrible accident in which Paul had been blinded, Lucinda had walked out on him and he was now living the life of a recluse in Cyprus. So Tessa took her courage in both hands, went out to Cyprus pretending to be Lucinda, begged Paul's forgiveness -- and married him.Would her love be strong enough to stand the strain of living such a lie? And what if Paul ever found out?

    These cult books were the literary equivalent of blaxploitation movies: stories of black action heroes (usually hardened street warriors like pimps, dealers, or hit men) who were trying to get one over on the Man (represented by racist cops, government stooges, or corrupt politicians). A whole generation of inner-city youths cut teeth on these pulp fiction thrillers, yet the authors and books remain unknown outside the ghetto.With the reissue of these classics by Old School Books (W. W. Norton), Original Gangster literature moves from the ghetto slum to the buppie enclave. In "serious" literary circles, ghetto stars such as Iceberg Slim and Chester Himes are now referred to as "urban realists." Consider yourself warned.This genre exists in an amoral universe, where "good guys" are sometimes hardened criminals, and by the last page the heroes usually meet a violent end. One of the most popular cult writers was Donald Goines, a heroin addict and ex-con whose 16 books chronicled the brutal and desperate lives of addicts, hustlers, and pimps. Goines's books have remained in print, but Daddy Cool is his first novel to be given the trade paperback treatment.Although hugely popular, Goines was far from a master prose stylist. Many of his books have hollow characters and laughable plots. His finest book, by far, was this novel about Larry Jackson, better known as Daddy Cool.Although he's the best hired killer money can buy, even Daddy Cool isn't safe from domestic trouble. He's got two lazy stepsons who've turned stickup men, a wife he's outgrown and barely tolerates, and a beloved daughter who's left home to live with her boyfriend, a young pimp on the make. It's taken a toll on Daddy Cool and thrown off his game. A routine assignment, for example, results in the deaths of his mark and an unexpected witness. Things get even worse when he discovers his daughter has started working the streets for her boyfriend.In Daddy Cool, Goines's plot makes up for his bare-bones writing style. He manages to do the unthinkable: take a standard blaxploitation stereotype and make him into a believable character. Here's the scene where Daddy Cool spots his daughter plying her trade: "Hey, kitten," he said gently, "I didn't come down here to find you just to see you lookin' blue. I remembered that today was your birthday and hoped maybe we could have dinner or something together.""Oh, Daddy," she cried; then the floodgates opened and all the pent-up emotions she had been holding back came spilling out. Daddy Cool leaned over and took his daughter in his arms. She cried as though her heart was broken.As he held her tenderly, he had to fight down a lump that came into his throat. He stroked the back of her head and spoke gently to her. "Now, girl, it ain't nothin' that bad, is there? I know I raised a girl who could just about handle everything that came up."Goines manages to walk the line between heartfelt sentiment and melodrama. Best of all, he fully explores the complex interrelationships of his characters. And don't worry, there's still plenty of tough gangsta stylin' and explosive violence to make hard-core gangsta rappers look like stone-cold punks.And in a broader sense, Daddy Cool and the other Old School Books titles are important historical and cultural markers for African Americans. Norton deserves acknowledgement for rescuing these otherwise abandoned treasures.Originally published over a 21-year period (1957-1978), these books and authors fell just outside the limelight created by the Black Arts Movement—that 1960s literary/political movement that advanced social engagement as its banner toward liberation. Eschewing the accommodationist literature of civil rights, the Black Arts Movement aspired only to black power. Among its early progenitors were writers Tom Dent, Ishmael Reed, Larry Neal, and Rosa Guy and poets Dudley Randall and Amiri Baraka, the movement's acknowledged founder. The literary movement coalesced in 1965, holding tightly together until 1975-1976.But Old School Books authors found themselves in a double bind. As a genre, they were dependent on acceptance by the established politic for finance and publication. The New Negro Movement and glow of the Harlem Renaissance had long passed, and the perceived value of African-American fiction was minimal.The Black Arts Movement, ignited by performance poetry spoken in popular rhetoric and vernacular, sparked mass appeal. While poetry flourished (the Last Poets, Haki Madhubuti, Sonia Sanchez, Nikki Giovanni, Gwendolyn Brooks), black fiction took a back seat. Simultaneously, as the Black Arts Movement spoke of community and liberation, the themes addressed by Old School authors made them politically incorrect pariahs: "Player and hustlers...mack daddies and racketeers...cops on the take and girls on the make" reads one introduction.Apparently, time has rehabilitated (and exonerated) these authors, now warmly embraced in the hip-hop era. "They take the brutality and ruin of the urban black landscape and transform them into art," says The Source. In Old School Books, one can find a dramatic recounting of black life on the hard track. Welcome back.

    It is well-written, with snatches of dry humour. It should be mandatory reading for anybody who keeps a dog or has intentions of so doing." -R. W. F. Poole, Daily TelegraphHow do dogs perceive the world about them? How do they see, hear, learn, relate to their owners? How large are their brains, what is their emotional makeup? Why do they suffer from stress and how can it be coped with? Over the last few years a substantial body of knowledge has been built up about the psychology of dog behavior. Combining more than twenty years of practical experience as a veterinary clinician with a personal knowledge and understanding of the latest international research, Dr. Bruce Fogle has written the most inclusive and relevant book on how the canine mind works.

    The love of his fragile mother, the support and protection of his Uncle Louis, and an unexpected friendship with a librarian help Sonny gain the confidence to confront hidden family secrets and discover the truth about his Native American roots, and the people in his family's past who tried to destroy their heritage.Set in upstate New York in the 1950s, Hidden Roots is a novel that illuminates a startling truth about our history as only Joe Bruchac can tell it.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.