The dramatic, brutally honest, and ultimately triumphant sequel to the bestselling American Book Award winner Lakota Woman, this book continues Mary Brave Bird's courageous story of life as a Native American in a white-dominated society.

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    After his prominent minister grandfather dies, Harlan and his parents move to Harlem, where he becomes a musician. Soon, Harlan and his best friend, trumpeter Lizard Robbins, are lured across the Atlantic Ocean to perform at a popular cabaret in the Parisian enclave of Montmartre—affectionately referred to as “The Harlem of Paris” by black American musicians.When the City of Light falls under Nazi occupation, Harlan and Lizard are thrown into Buchenwald, the notorious concentration camp in Weimar, Germany. The experience irreparably changes the course of Harlan’s life. Based on exhaustive research and told in McFadden’s mesmeric prose, The Book of Harlan skillfully blends the stories of McFadden’s familial ancestors with those of real and imagined characters.

    He tells her that his words were stolen from him when he was taken to live at a residential school as a boy. The little girl then sets out to help her grandpa find his language again.

    As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild Bill Hickok and survived the Battle of Little Bighorn. Part-farcical, part-historical, the picaresque adventures of this witty, wily mythomaniac claimed the Wild West as the stuff of serious literature.

    . . He's a very different kind of Wasano, bloodsucker, he always hungers for more".—from Shell ShakerThe action in this debut novel alternates between 1738, as a Choctaw family prepares for war against the English, and the 1990s, as their Oklahoma descendants, the Billys, fight a Mafia takeover of the tribe's casino. In trouble with the law and in the fight of their lives, the Billy women must find a way, as their ancestors did, to join forces against a devious foe. Humor, toughness, and resourcefulness are the Billys' only weapons.Until the Shell Shaker shows up.LeAnne Howe, an enrolled member of the Choctaw Nation of Oklahoma, is a fiction writer, playwright, scholar and poet whose writings on Choctaw women are drawn from both personal experience and scholarly research. Her short fiction has appeared in several anthologies, including Through the Eye of the Deer, Returning the Gift, Spider Woman's Granddaughters, and Earth Song, Sky Spirit, as well as in journals such as Callaloo and Fiction International.Howe has read her fiction and lectured throughout the United States, Japan and the Middle East, and her plays have been produced in Los Angeles and New York City. She has also presented programs on recruitment and retention of American Indians at universities and colleges. Currently, she teaches in the English Department at Wake Forest University in Winston-Salem, North Carolina.In 1991, Howe received a National Endowment for the Humanities grant to conduct research for Shell Shaker.

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    The year is 1927, and Amelia Earhart has not yet made her record-breaking cross-Atlantic flight. Who will follow in Charles Lindbergh’s footsteps and make her own history? Three women’s names are splashed daily across the front page: Elsie Mackay, daughter of an Earl, is the first Englishwoman to get her pilot’s license. Mabel Boll, a glamorous society darling and former cigar girl, is ardent to make the historic flight. Beauty pageant contestant Ruth Elder uses her winnings for flying lessons and becomes the preeminent American girl of the sky. Inspired by true events and real people, Notaro vividly evokes this exciting time as her determined heroines vie for the record. Through striking photos, meticulous research, and atmospheric prose, Notaro brings Elsie, Mabel, and Ruth to life, pulling us back in time as the pilots collide, struggle, and literally crash in the chase for fame and a place in aviation history.

    For months, she lived with them, unbroken, until she escaped, and followed a thousand mile trail to freedom--an extraordinary story of a pioneer woman who risked her life to return to her people.

    Beautifully illustrated, these stories are an emotional and enlightening journey through magic realism, serial killings, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

    effort, sending messages back and forth in an unbreakable code that used their native language. They braved some of the heaviest fighting of the war, and with their code, they saved countless American lives. Yet their story remained classified for more than twenty years.Joseph Bruchac brings their stories to life for young adults through the riveting fictional tale of Ned Begay, a sixteen-year-old Navajo boy who becomes a code talker. His grueling journey is eye-opening and inspiring. This deeply affecting novel honors all of those young men, like Ned, who dared to serve, and it honors the culture and language of the Navajo Indians.

    Adapted by the poet John Neihardt from a series of interviews, it is one of the most widely read and admired works of American Indian literature. Cryptic and deeply personal, it has been read as a spiritual guide, a philosophical manifesto, and a text to be deconstructed--while the historical Black Elk has faded from view.In this sweeping book, Joe Jackson provides the definitive biographical account of a figure whose dramatic life converged with some of the most momentous events in the history of the American West. Born in an era of rising violence, Black Elk killed his first man at Little Big Horn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill’s Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the massacre at Wounded Knee. But Black Elk was not a warrior and instead choose the path of a healer and holy man, motivated by a powerful prophetic vision that haunted and inspired him, even after he converted to Catholicism in his later years.In Black Elk, Jackson has crafted a true American epic, restoring to Black Elk the richness of his times and gorgeously portraying a life of heroism and tragedy, adaptation and endurance, in an era of permanent crisis on the Great Plains.

    Weakened from imprisonment and hunger strikes, she is nevertheless determined to invigorate the stagnant suffrage movement in her homeland. Nine states have already granted women voting rights, but only a constitutional amendment will secure the vote for all.To inspire support for the campaign, Alice organizes a magnificent procession down Pennsylvania Avenue in Washington, DC, the day before the inauguration of President-elect Woodrow Wilson, a firm antisuffragist.Joining the march is thirty-nine-year-old New Yorker Maud Malone, librarian and advocate for women’s and workers’ rights. The daughter of Irish immigrants, Maud has acquired a reputation—and a criminal record—for interrupting politicians’ speeches with pointed questions they’d rather ignore.Civil rights activist and journalist Ida B. Wells-Barnett resolves that women of color must also be included in the march—and the proposed amendment. Born into slavery in Mississippi, Ida worries that white suffragists may exclude Black women if it serves their own interests.On March 3, 1913, the glorious march commences, but negligent police allow vast crowds of belligerent men to block the parade route—jeering, shouting threats, assaulting the marchers—endangering not only the success of the demonstration but the women’s very lives.Inspired by actual events, The Women’s March offers a fascinating account of a crucial but little-remembered moment in American history, a turning point in the struggle for women’s rights.

    On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as 'one of our most interesting and intelligent American writers', wrote what continues to be the most reliable - and compulsively readable - account of the subject. Connell makes good use of his research and novelist's eye for story and detail to re-create the heroism, foolishness and savagery of this crucial chapter in the history of the West.

    C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.