We have unprecedented access to information; cognitive dissonance is a banner headline in our morning papers and radiates silently from our computer screens. Slipstream, poised between literature and popular culture, embraces the dissonance. These ambitious stories of visionary strangeness defy the conventions of science fiction. Tales by Michael Chabon, Karen Joy Fowler, Jonathan Lethem, Carol Emshwiller, George Saunders, and others pull the reader into a vivid dreamspace and embrace the knowledge that life today is increasingly surreal. ContentsIntroduction by John Kessel and Jim Patrick Kelly"Al" by Carol Emshwiller "The Little Magic Shop" by Bruce Sterling "The Healer" by Aimee Bender "The Specialist's Hat" by Kelly Link "Light and the Sufferer" by Jonathan Lethem "Sea Oak" by George Saunders "Exhibit H: Torn Pages Discovered in the Vest Pocket of an Unidentified Tourist" by Jeff VanderMeer "Hell is the Absence of God" by Ted Chiang "Lieserl" by Karen Joy Fowler "Bright Morning" by Jeffrey Ford Biographical Notes to "A Discourse on the Nature of Causality, with Air-planes" by Benjamin Rosenbaum "The God of Dark Laughter" by Michael Chabon "The Rose in Twelve Petals" by Theodora Goss "The Lions Are Asleep This Night" by Howard Waldrop "You Have Never Been Here" by M. Rickert "I Want My 20th-Century Schizoid Art" I-IV (various contributors)

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    Unabashedly classic in the great tradition of Asimov and Clarke, Liu Cixin's science-fiction is firmly rooted in the cosmic. “[most] literature has always left me with the impression of indulging an intense anthropocentric narcissism. […] In the world of literature, the Sun exists for no other reason than to illuminate the pure, unadulterated countryside, the Moon has no other reason to shine than to cast the shadows of the seaside lovers, [but] if the universe is the Sahara, then all that makes the Earth a grain of gold within it, is that a particular bacteria called humanity clinging to its surface.” Liu Cixin uses the unique perspective of science-fiction to take us on a journey into this majestic, desolate cosmos. He gives us the chance to reacquaint ourselves with the fundamental truth that in the face of a vast universe we are no more than a speck of dust; That the Earth is just another celestial body – And an extremely vulnerable one at that. The flash of a gamma-ray burst or the blast of a nearby supernova could, at any moment, reduce our cherished home to nothing but ashes.It can be terrifying to contemplate the end of our world and stories that describe such destruction can be disturbing. At the same time however, they can leave us feeling not only entertained, but exhilarated and inspired. Maybe, they can even give us a chance to renew our love of life. Most stories found in the “The Wandering Earth” collection take us to a sci-fi vision of Earth's end. But here, there are no Hollywood aliens, descending from the depths of space to blow up our cities. In these futures, the dangers humanity faces are much stranger and whimsical than that. The unexpected calamities that befall his richly detailed worlds are only eclipsed by humanity's epic, but always plausible, attempts to escape destruction.In all this peril and doom, Liu Cixin always feels for humanity. His stories are full of a deep love for all of Earth's peoples. But even this love does not escape reflection and even ridicule when viewed through his unrelenting cosmic lens. No matter how dearly one loves the Earth, humanity and all its cultures, there is no avoiding the cold, hard truth that they mean absolutely nothing when viewed against the vastness of the universe. But even an infinite universe could not change the simple fact that we are worthy of love, that we need love. It is this twist that lies at the very heart of the stories in this collection.Table of Contents 1 The Wandering Earth 2 Mountain 3 Of Ants and Dinosaurs 4 Sun of China 5 The Wages of Humanity 6 Curse 5.0 7 The Micro-Age 8 Devourer 9 Taking Care of Gods 10 With Her Eyes 11 The Longest Fall

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    Yes, it will be dangerous, frequently brutal, and often devastating. But it’s also savagely funny, deliriously strange, and absolutely brimming with adventure.In these edgy, unexpected tales, a body-hopping mercenary avenges his pet elephant, and an orphan falls in love with a sentient starship. Fighters ally to power a reality-bending engine, and a swamp-dwelling introvert tries to save the world—from her plague-casting former wife.So come meet Kameron Hurley in the future. The version she's created here is weirder—and far more hopeful—than you could ever imagine.

    Five space travelers trapped in a wrecked liner -- a debutante, a female oil wildcatter, a famous mathematician and two hard-biscuit spacemen -- are attacked by a deadly energy field, and make a discovery that saves the Universe!

    . . a sophisticated traveler between many worlds. But he had certainly never thought of himself as a hero.Skua September, on the other hand, never thought of himself as anything else.A matched pair, if ever there was one!When the two of them were suddenly stranded on a deadly frozen world, Ethan Fortune incredibly found himself cast in the role of Leader.And he didn't find that at all amusing . . .

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    Here are 25 stories of science fiction that push the boundaries, by the biggest names in an emerging crop of high-tech futuristic writers including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher.

    Sometimes sardonic, sometimes sad, often amusing, always brilliant, Harry Harrison's collection of mind-spinning tales re-emphasizes his status as a giant in the science fiction galaxy.

    He is now one of the most celebrated science fiction writers in the field , having won the field's top award, the Hugo, for each of his last two novels.Now, for the first time, this illustrious author gathers all his short fiction into a single volume. This collection is truly the definitive Vinge, capturing his visionary ideas at their very best. It also contains a never-before-published novella, one that represents precisely what this collection encapsulates--bold, unique, challenging science fictional ideas brought to vivid life with compelling storytelling.Including such major pieces as "The Ungoverned" and "The Blabber," this sumptuous volume will satisfy any reader who loves the sense of wonder, and the excitement of great SF.The volume collects Vinge's short fiction through 2001 (except "True Names", including Vinge's comments from the earlier two volumes.)Contents:"Bookworm, Run!""The Accomplice""The Peddler's Apprentice" (with Joan D. Vinge)"The Ungoverned""Long Shot""Apartness""Conquest by Default""The Whirligig of Time""Bomb Scare""The Science Fair""Gemstone""Just Peace" (with William Rupp)"Original Sin""The Blabber""Win A Nobel Prize!" (originally published in Nature, Vol 407 No 6805 "Futures")"The Barbarian Princess" (this is also the first section of "Tatja Grimm's World")"Fast Times at Fairmont High" (occurs in the same milieu as Rainbows End) (winner 2002 Hugo Award for Best Novella)

    Trapped in 1877, a historian writes an account of an alternative history of America in which the South won the Civil War. Living in this alternative timeline, he was determined to change events at Gettysburg.When he's offered the chance to return to that fateful turning point his actions change history as he knows it, leaving him in an all too familiar past.

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    Thus, he and thousands of other scientists and their families are sentenced to permanent exile from Earth on a space station. But Lou and several others decide to escape--by converting the space station into a starship.

    Master of the short story form, Edgar Allan Poe composed tales of terror, horror, death, ruin, murder, and revenge. Many of the sixty-eight tales included in this collection—"The Pit and the Pendulum," "The Black Cat," "The Fall of the House of Usher," "The Masque of the Red Death," and "The Tell-Tale Heart," for example—have become landmarks of our literature. Poe also wrote the world's first detective story, "The Murders in the Rue Morgue," which introduced C. Auguste Dupin, the paragon of that now ubiquitous modern character: the thinking man's sleuth. This volume also includes Poe's novella The Narrative of Arthur Gordon Pym, an unearthly sea adventure replete with shipwrecks, ghastly specters and the eternal lure of the unknown.