Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    That is, until ex-jock Len DiMartile decides on a whim to run against her. Suddenly her vast qualifications mean squat because inexperienced Len—who is tall, handsome, and male—just seems more like a leader.When Eliza’s frustration spills out in a viral essay, she finds herself inspiring a feminist movement she never meant to start, caught between those who believe she’s a gender equality champion and others who think she’s simply crying misogyny.Amid this growing tension, the school asks Eliza and Len to work side by side to demonstrate civility. But as they get to know one another, Eliza feels increasingly trapped by a horrifying realization—she just might be falling for the face of the patriarchy himself.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    This debut collection from author Holly Lyn Walrath explores life, love, marriage, abuse, self-harm, the body, death, and alcoholism through the lens of a woman’s heart. It takes readers through a speculative and fantastical world of fairy tales and unicorns where femininity is as powerful and delicate as a glass-winged butterfly.

    Smith, the Poet Laureate of the United StatesIn Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.

    People are going missing and no one knows how or why. Your will meet some fantastic and hilarious characters on your way to solving the mystery. Includes the bonus story - Going on a Bat Hunt. The Hungry Toilet is a Top 10 Best Selling book with the author being described as the "New Roald Dahl of Rhyming." If your children enjoy Dr Seuss, Roald Dahl and David Walliams they will love this book too! Free to Amazon Prime Members Updated for all devices (Kindle, Paperwhite, Fire, HD, iPad & iPhone)

    Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a "magician and a master" (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.

    When Farts Had Colors is the story of 4th grader Lance Chance who hates Mondays. This particular Monday Lance's mom coaxes Lance to school with his favorite sandwiches and a 'wish-kiss'. On his way to school Lance is tormented by "the biggest, meanest 4th grader ever to stalk the halls of Alfonso Orr Elementary School. Merry Maddox. Bully Extraordinaire…”A legend" and her posse of mayhem, the Crazy M&Ms. If having to hand over his sandwiches and perform a certain humiliating act wasn't enough, Lance gets blamed by Merry Maddox for letting out a fart so horrible it forces the entire school to evacuate. Lance runs away from school and wishes that farts had colors. "Then everyone would have known it was Merry Maddox who sent out those heat seeking missiles of doom and destruction," thinks Lance. And just like that, Lance's wish comes true. Will Lance come up with a plan to expose Merry Maddox and reveal her true colors?

    It’s the way I embody my love for the world.” The Human Line, Bass’ seventh book of poems, startles with its precise detail, intimate images, and wild metaphors. Bass brings attention to life’s endearing absurdities, and many of the poems flash with a keen sense of humor. She also faces many of the crucial moral dilemmas of our time—genetic engineering, environmental issues, continuous war, heterosexism—and grounds her vision in the small, private workings of the heart.  . . . When I get home,my son has a headache, and though he’salmost grown, asks me to sing him a song.We lie together on the lumpy couchand I warble out the old show tunes, Night and Day . . . They Can’t Take That Away from Me . . . A cheapsilver chain shimmers across his throatrising and falling with his pulse. There never wasanything else. Only these excruciatinglyinsignificant creatures we love. Ellen Bass is co-author of the million-selling book Courage to Heal. She lives and teaches in Santa Cruz, California.

    Twice divorced, with a bit of a drinking problem, he’s now dating Rory Roughton, a fiery sixth-generation Texan who’s as rich as she is beautiful—and hell-bent on keeping Steel on the straight and narrow. But then his best friend, Wes Stoddard, is nearly shot down flying in a load of pot, Rory is kidnapped by a Russian mercenary working for the most dangerous cartel in Mexico, and the Cuban Mafia decides they’d like the former DEA agent—dead. Steel is forced to take unsanctioned, unconventional—and mostly illegal—action in order to save himself and those closest to him . . .

    Meet the shy high school student with a crush on a girl dying of leukemia, the mother whale who beaches to save her offspring, the search for the VA hospital's lunatic who goes missing and never returns, and more. We are in the hands of a patient, master artist who watches the world unfolding around him, sees its protagonists' inadvertent mistakes, and observes them endeavoring to reclaim their dignity. These stories lift us far above the realm of entertainment, and instead enrich and enliven the psyche's oceanic heights and depths."--Marilyn Krysl

    Zayn has been shuttled from city to city when he was growing up. She is comfortable watching her life from the sidelines. He wants to feel rooted to a place he can call ‘home’. They meet each other quite by chance. And both seize the chance to be someone they both need in their lives: For Zayn, it’s a 'Partner-In-Crime'. For Akriti, someone who just knows how to be there for her… When their worlds collide, It is not what either of them expected it to be. Zayn has a steady girlfriend. And Akriti has a crush on him. What happens when these two become friends? The biggest adventure of their lives? Or the road to heartbreak? What happens when two completely different people collide? Do they become friends? Or, is their friendship doomed from the start? 'When Our Worlds Collide' is the story of two twenty-three-year olds, Who are finally growing up and finding their feet in the world. A tale of friendship and love, crushes and betrayals, messes and second chances, Marriage and divorce… and the elusive happily ever after!

    Its language negotiates a past -- "How was it to be the first arrivals in rows and columns" -- as well as a present -- "A perceiver without a state", and has already gained Kim recognition as among the most moving and important "translators" in contemporary poetry.

    Her father has passed away and her hands are abandoning her like rats from a sinking ship. Worse, neighboring cattle baron Jess Fairbanks is making a play for the Diamond D and Audra, whichever he can get his hands on first. Audra grudgingly accepts that the mere presence of a husband will keep her men working, and Fairbanks under control. It seems a perfectly reasonable idea, then, to ask her uncle, who is the town attorney and a matchmaker of sorts, to find her a groom—a “proxy” who will take her orders and dish them out to the men. Dillon Pine is in jail for a conspiracy charge, but because of certain mitigating factors he’s deemed a good risk for an unusual form of probation: serving as Audra’s husband. After a year, he can abandon her and she won’t tell. By then, she will have proven to the cowboys she’s a competent rancher, and the cattle man next door will be looking elsewhere for a wife. But when word gets out that Dillon came to Audra via Evergreen’s matchmaker, he’s dubbed a “male order bride.” The resulting jokes at his expense are constant and brutal. Just how much abuse can Dillon’s pride stand? When Audra discovers her father’s death was no accident, she realizes her new husband is in danger, too. And she cares . . . quite a lot, it turns out. To save Dillon, she may have to let go of the one thing she’s fought her whole life to keep.

    In the hot summer of 1949, a group of family and friends gather at Harry Denholm's country house in Kent. Meg and Dan Ranscombe, emerging from a scandal of their own making; Dan's godmother, Sonia; and her two young girls, Laura and Avril, only one of whom is Sonia's biological daughter. Amongst the heat, memories, and infatuations, a secret is revealed to Meg's son, Max, and soon a terrible tragedy unfolds that will have consequences for them all.Afterward, Avril, Laura, and Max must come of age in a society still reeling from the war, haunted by the choices of that fateful summer. Cold, entitled Avril will go to any lengths to take what is hers. Beautiful, naive Laura finds refuge and love in the London jazz clubs, but Max, with wealth and unrequited love, has the capacity to undo it all.