Octopus, the Vulture, Sandman and more classic characters - along with some new ones like Batwing and Bluebird - on his way to becoming Marvel's premiere super hero! Collecting AMAZING FANTASY (1995) #16-18; UNTOLD TALES OF SPIDER-MAN #1-25, #-1, ANNUAL 1996-1997 and STRANGE ENCOUNTER; and material from AMAZING SPIDER-MAN ANNUAL #37.

    The complete collection of articles and emails from 27bslash6 such as Overdue Account, Party in Apartment 3 and Strata Agreement plus articles too litigious to be on the website.

    Paracuellos is a work of great courage, created at a time when telling the truth about Spain's political past could get one killed. It is arguably the most important graphic memoir ever created in comics. Carlos Gimenez s autobiographical account of the plight of children in post-World War II Fascist Spain has won virtually every comics award in Europe, including Best Album at the 1981 Angouleme Festival, and the Heritage Award atAngouleme in 2010. In the late 1930s when Spanish fascists led by Franco, and aided by Hitler and Mussolini, overthrew the elected government, almost 200,000 men and women fell in battle, were executed, or died in prison. Their orphaned children and others ripped from the homes of the defeated were shuttled from Church-run home to home and fed a steady diet of torture and disinformation by a totalitarian state bent on making them productive citizens. Carlos Gimenez was one of those children. In 1975, after Franco s death, Carlos began to tell his story. Breaking the code of silence proved to be a milestone, both for the comics medium and for a country coming to terms with its past. An illustrated essay by Carmen Moreno-Nuno, Associate Professor of Hispanic Studies at the University of Kentucky, places the comics in historical perspective. The stories transcend just being about a historical moment in Spain. Their humanity will speak to everyone. The stories are heartbreakers, but Carlos never loses his sense of humor. William Stout"

    Sama's father has had a heart attack, and doctors give him a month to live. With his teddy bear in tow, Sama crawls under his bed and finds a magical portal to a strange realm called Undertown. What is this dark new world? To find out, Sama begins a journey through the depths of Undertown, where he searches for The Sugar Stone, a magical object that might be able to save his dad! This is volume 1 of the Undertown manga series.

    Eric has returned from the dead, driven only by hate and the need to wreak revenge on those who killed him and raped and then killed his beloved Shelly.

    Thompson collaborator Ralph Steadman delivers a heaping helping of anti-American vitriol with trademarked bombast, based on his travels throughout the Land of the Free and Home of the Brave.

    Don’t miss these stories brought to you by series creators Scott Snyder and Rafael Albuquerque, as well as other awesome comics talent like Becky Cloonan (BATMAN), Gabriel Ba and Fabio Moon (DAYTRIPPER), Jeff Lemire (SWEET TOOTH), Greg Rucka (The Punisher, BATWOMAN), Gail Simone (BATGIRL) and many more!

    Skeeve and Aahz return in the hilarious (and visually fantastic) Myth Adventures Two—the conclusion to the graphic novel adaptation of Robert Asprin's Another Fine Myth.

    Gert's presence has unleashed a monstrous amount of macabre magics, crippled poor Larry's burgeoning social life, and changed Fairyland forever from a bright and shinny weird-kidnapping-quest-puzzle to a dangerous, dark, and vengeful....weird-kidnapping-quest-puzzle.In this, the second oversized DELUXE HARDCOVER, our axe-weidling ace, Gert, really buckles down on getting the FLUFF out of Fairyland, but after battling a cosplay cohort and a riddle-prone goblin king, there's just the itsy-bitsy, barely worth mentioning, insignificant matter of an extended stay in a fantasy netherworld to deal with.Collects I HATE FAIRYLAND #11-20, I HATE IMAGE FCBD SPECIAL, and Exclusive Extras!

    Trade paperback collection.

    First published in Cerebus #147 in 1991, It was subsequently published in 1992 as a one-shot minicomic special designed by Larry Marder, for the Chicago-based comic retail chain Moondog's, in conjunction with a special signing event. For this publication Gaiman wrote a 3-page introduction. The comic was included in 24 Hour Comics in 2005. In 2008 the full 1992 version was made available online with permission from the author. In 2015 it was released as part of the Humble Bundle.

    Events take a peculiar turn as Palmer befriends an iconoclastic co-worker, Billy Boy, and plunges head-long into the mysterious and sinister world of sorcery, psychological operations, subterranean organizations and wild-goose chases.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Try, "I was overcome by the urge to alphabetize my pets," or perhaps a simple "Had ninja trouble." Steve has used both these excuses, and here they are hilariously illustrated. He also has claimed to have become temporarily feral, accidentally sold himself on eBay, and gotten stuck in a romantic montage. An illustration of Steve with Darth Vader accompanies the inarguable excuse "I was seduced by the Dark Side." He also gets lost in his duvet, and discovers he has a rather unusual superpower.

    and of the Doom Patrol. Now Flex Mentallo, the Man of Muscle Mystery, returns to investigate the sinister dealings of his former comrade, The Fact, and a mysterious rock star whose connection to Flex may hold the key to saving them both.This fast-paced tale twists super hero tropes, introducing one mind-boggling concept after another in a tour de force of innovative storytelling.This long-asked-for Vertigo title is collected at last, presenting an early collaboration between writer Grant Morrison and artist Frank Quitely, who would win much acclaim on ALL-STAR SUPERMAN and WE3.