The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    Drew is desperate to turn everything over to the academic community, and in the process redeem himself in the eyes of his estranged wife, but Kadir and Zafer are only interested in what they can get for the scrolls on the black market. Not everyone wants to see the scrolls go public, however, and some will stop at nothing to protect the Church and believers around the world from the revelations embodied in the priceless manuscripts.An action-packed intellectual thriller unraveling the mystery of a theological cold case more than two thousand years old, The Christos Mosaic is a monumental work of biblical research wrapped in a story of love, faith, human frailty, friendship, and forgiveness. Author Vincent Czyz takes the reader through the backstreets of Istanbul, Antakya (ancient Antioch), and Cairo, to clandestine negotiations with wealthy antiquities smugglers and ruthless soldiers of fortune, to dusty Egyptian monasteries, on a nautical skirmish off the coast of Alexandria, and  finally to the ruins of Constantine's palace buried deep beneath the streets of present-day Istanbul.

    

    Please be warned, some of the illustrations contain mature, medically oriented content which may not be suitable for young children.All proceeds will be donated to the Make-A-Wish Foundation!

    Provides glimpses into the origins of Charles Simic's poetry

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    In the tiny front parlour fourteen-year-old Laura Blake watches her beloved father die. But not before he tells her she will make something of her life. Laura never forgets his words. Yet her path to success proves to be a rocky one. Forced to trundle a cart around the back streets, selling other folk's cast-offs to support her family, Laura learns enough to start work in her uncle's furniture shop. But then fate deals another cruel blow when Laura is brutally raped. Bearing the child of her attacker in secret, she vows to make the world pay for its injustice towards her.As she grows older her protective shell hardens even as her beauty blossoms, and her new toughness helps her forge a successful career in the antiques business. But it is in affairs of the heart that Laura stumbles...

    What happens to a dream divided? Draping colorful scarves around her neck, the thirteen-year-old from Kosova thinks of herself as a typical American schoolgirl, happy to blend into eighth grade with her friends. But for her parents, seeking a new life in Maine was not a choice but a necessity -- a way to escape from a war and find medical care for a daughter burned in a fire that scarred her up to her chin. While her underemployed parents still talk about "home" and continue to feel like foreigners ten years later, their daughter is torn between the guilt about their displacement and pride in her new identity. Then a hateful event changes everything, stirring passions throughout the entire region and forcing residents old and new to re-examine what it means to be an American. Narrated by the young daughter from Kosova, the nuanced and deeply moving immigration tale was inspired by true events: In October 2002, the mayor of Lewiston, Maine wrote a letter to the elders of the local Somali community, asking them to turn future refugees away because the town was "maxed-out physically, financially, and emotionally." Seizing the opportunity, a racist group staged a rally that drew thirty people, only to be met by some six thousand residents in support of the Somalis -- people of all cultures and backgrounds who knew something about America.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    The title character of THE REVISIONIST conducts covert surveillance on a city whose inhabitants are subject to uncanny transformations as a result of catastrophic weather, political corruption, invasive technologies and environmental degradation. Hired to spin, or "revise," the facts, the revisionist's perceptions in turn become detached and distorted--inevitably unreliable yet all the same, revealing. This civil scientist of a narrator sardonically observes a distressed landscape inhabited by mutant children, a seeing-eye dog, a centenarian with iguanas and constellations beneath her dress, brooding frigate birds, insurance love clones, a terrorist curator, a private investigator, and a little girl who's discovered the world's largest conch. "THE REVISIONIST is at once a beautifully simple fable and a wonderfully lyrical apocalyptic tale"--Brian Evenson.

    To get some help, he cops a poetry book from his dad's den - and before Kevin knows it, he's writing in verse about stuff like, Will his jock friends give up on him? What's the deal with girlfriends? Surprisingly enough, after his health improves, he keeps on writing, about the smart-talking Latina girl who thinks poets are cool, and even about his mother, whose death is a still-tender loss. Written in free verse with examples of several poetic forms slipped into the mix, including a sonnet, haiku, pastoral, and even a pantoum, this funny, poignant story by a master of dialogue is an English teacher's dream - sure to hook poetry lovers, baseball fanatics, mono recoverers, and everyone in between.

    Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era—from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.