The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

    Since their leader Petran died, the Guild of Dream Finders have been timid, and their ancient craft has fallen into disrepute. Petran's son Antyr, young, grief stricken and only part trained, could not begin to fill the vacuum left by his father. Increasingly he has become a bitter spectator, with neither the cynicism to become rich by pandering to the whims of the wealthy, nor the courage to offer them his skills honestly and without fear. His nightly visits to the alehouse have resulted in a dwindling of his customers, and the quarrels with his strange Companion have grown increasingly unpleasant. Then mysteriously one night, Antyr is taken to Duke Ibris of the City of Serenstadt, who has been troubled by mystifying and unsettling dreams. It is the beginning of a journey that leads inexorably to a terrible confrontation with a malevolent blind man possessed of a fearful otherworldly sight, and Ivaroth, a warrior chief determined to conquer the Duke's land and all beyond...

    The poet Donald Davie writes: 'Vikram Seth's poems should have an impact far beyond much noisier pieces; for when did we last see a volume in which the poet's eye is on what is objectively before him, rather than on the intricacies of his own sensibility?'

    B. Parkinson's new translations bring to life for the modern reader the golden age of Egyptian fictional literature, the Middle Kingdom (c. 1940-1640 BC). The book features The Tale of Sinuhe, acclaimed as the masterpiece of Egyptian poetry, which tells of a courtier's adventures after he flees Egypt. Other works include stories of fantastic wonders from the court of the builder of the Great Pyramid, a lyrical dialogue between a man and his soul on the nature of death and the problem of suffering, and teachings about the nature of virtue and wisdom, one of which is bitterly spoken from the grave by the assassinated king Amenemhat I, founder of the Twelfth Dynasty. A general introduction discusses the historical context of the poetry, the nature of poetry, and the role of literature in ancient Egyptian culture., while a full set of notes explicates allusions, details of mythology, place-names, and the like. Parkinson's book provides, for the first time, a literary reading to enable these poems to entertain and instruct the modern reader, as they did their original audiences three-and-a-half thousand years ago.Content:TALES1 The Tale of Sinuhe2 The Tale of the Eloquent Peasant3 The Tale of the Shipwrecked Sailor4. The Tale of King Cheops’ CourtDISCOURSES5. The Words of Neferti6. The Words of Khakheprreseneb7. The Dialogue of a Man and his Soul8. The Dialogue of Ipuur and the Lord of AllTEACHINGS9. The teaching of King Amenenmhat10. The Teaching of King Merikare11. The ‘Loyalist’ Teaching12. The teaching of the Vizier Ptahhotep13. The Teaching of KhetiPHRASES AND FRAGMENTS14. Phrases and Fragments

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Rifaat (1930-1996) did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment.Translated from the Arabic by Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya's despariting anger at her deceitful husband, for example, or the hauntingly melancholy of "At the Time of the Jasmine," are treated with a sensitivity to the discipline and order of Islam.

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Poems, sketches, cartoons, short prose pieces and doctored photos.

    Inspired by true events. Henry has been deaf from an early age—he is intelligent and aware of langauge, but by age six, he has decided it's not safe to speak to strangers. When the time comes for him to start school, he is labeled ""unteachable."" Because his family has very little money, his parents and older sister, Molly, feel powerless to help him. Henry is sent to Riverview, a bleak institution where he is misunderstood, underestimated, and harshly treated.Victor, a conscientious objector to World War II, is part of a Civilian Public Service program offered as an alternative to the draft. In 1942, he arrives at Riverview to serve as an attendant and quickly sees that Henry is far from unteachable—he is brave, clever, and sometimes mischievous. In Victor's care, Henry begins to see how things can change for the better. Heartbreaking and ultimately hopeful, Helen Frost's All He Knew is inspired by true events and provides sharp insight into a little-known element of history."

    In this collection of short stories and prose poems, Vivien manages to touch on all the themes and ideas that obsessed her throughout her short life.This is the first English translation of Vivien's short stories, with an introduction by Karla Jay. Readers of all ages will be enchanted with tales such as "Prince Charming," in which Vivien takes a fresh, incisively feminist approach to old themes and deftly destroys fairly tales. She reworks adventure stories, Biblical tales, Greek and Roman Fables to offer a radically different, explicitly feminist alternative to common lore.

    Or so she thought, until she stumbled across a hidden curio shop and an even stranger shopkeeper. He gives her a gift that resembles an antique snow dome, but this is not an ordinary globe. The world Charlotte has always known disappears as she’s spirited away into a mystical land.This is the beginning of a lifelong friendship that changes Charlotte’s life forever. Discovered by a young elf alone in the forest, she embarks on a journey in search of a group of travelling Entertainers. She encounters heart-stopping dangers and real life monsters, but a far greater threat shadows her every move. Even the strength and skill of her new found companions cannot protect her against a ruthless druid assassin. But in this realm, Charlotte is not the vulnerable little girl she thought she was.

    The novel follows the family of Abu Jaafar, the bookbinder, his wife, widowed daughter-in-law, her two children, and his two apprentices as they witness Christopher Columbus and his entourage in a triumphant parade featuring exotic plants and animals and human captives from the New World. Embedded in the narrative is the preparation for the marriage of Saad, one of the apprentices, and Saleema, Abu Jaafar's granddaughter -- a scenario that is elegantly revealed in a number of parallel scenes. As the new rulers of Granada confiscate books and officials burn the collected volumes, Abu Jaafur quietly moves his rich library out of town. Persecuted Muslims fight to form an independent government, but increasing economic and cultural pressures on the Arabs of Spain and Christian rulers culminate in Christian conversions and Muslim uprisings. A tale that is both vigorous and heartbreaking, this novel will appeal to general readers of Spanish and Arabic literature as well as anyone interested in Christian-Muslim relations.

    Confined to a hospital bed and overcome by a sense of powerlessness, he reflects on the fragility of life and finds extraordinary meaning in the quotidian. In this affecting autobiographical novel, Semezdin Mehmedinovic explores the love he and his family have for one another, strengthened by trauma; their harrowing experience of the Bosnian war, which led them to flee for the United States as refugees; eerie premonitions of Donald Trump's presidency; the life and work of a writer; and the nature of memory and grief.Poetically explosive and pure to the core, My Heart serves as a kind of mirror, reflecting our human strengths and weaknesses along with the most important issues on our minds--love and death, the present and the past, sickness and health, leaving and staying.

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.