Rajni, a school principal is a stickler for order. Jezmeen, a thirty-year-old struggling actress, fears her big break may never come. Shirina, the peacemaking "good" sister married into wealth and enjoys a picture-perfect life.On her deathbed, their mother voices one last wish: that her daughters will make a pilgrimage together to the Golden Temple in Amritsar to carry out her final rites. After a trip to India with her mother long ago, Rajni vowed never to return. But she’s always been a dutiful daughter, and cannot, even now, refuse her mother’s request. Jezmeen has just been publicly fired from her television job, so the trip to India is a welcome break to help her pick up the pieces of her broken career. Shirina’s in-laws are pushing her to make a pivotal decision about her married life; time away will help her decide whether to meekly obey, or to bravely stand up for herself for the first time.Arriving in India, these sisters will make unexpected discoveries about themselves, their mother, and their lives—and learn the real story behind the trip Rajni took with their Mother long ago—a momentous journey that resulted in Mum never being able to return to India again.The Unlikely Adventures of the Shergill Sisters is a female take on the Indian travel narrative. "I was curious about how different the trip would be if it were undertaken by women, who are vulnerable to different dangers in a male-dominated society," Balli Kaur Jaswal writes. "I also wanted to explore the tensions between tradition and modernity in immigrant communities, and particularly how those tensions play out among women like these sisters, who are the first generation to be raised outside of India."Powerful, emotionally evocative, and wonderfully atmospheric, The Unlikely Adventures of the Shergill Sisters is a charming and thoughtful story that illuminates the bonds of family, sisterhood, and heritage that tether us despite our differences. Funny and heartbreaking, it is a reminder of the truly important things we must treasure in our lives.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    Blessed with a curious mind and an independent spirit, Rachel is determined to learn her way around the hot, noisy, seemingly infinite metropolis she now calls home. But the ex-pat American’s sense of adventure is sorely tested when her mother-in-law, Swati, suddenly arrives from Kolkata—a thousand miles away—alone, with an even more shocking announcement: she’s left her husband of more than forty years and moving in with them. Nothing the newlyweds say can budge the steadfast Swati, and as the days pass, it becomes clear she is here to stay—an uneasy situation that becomes more difficult when Dhruv is called away on business. Suddenly these two strong-willed women from such very different backgrounds, who see life so differently, are alone together in a home that each is determined to run in her own way—a situation that ultimately brings into question the very things in their lives that had seemed perfect and permanent . . . with results neither of them expect.Heartfelt, charming, deeply insightful and wise, Mother Land introduces us to two very different women from very different cultures . . . who maybe aren’t so different after all.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    It had none of the fury, the passion of the monsoons. Instead, it was weak; half-hearted.” Exiled from her family in India for more than a decade, Shirin and her husband lead a comfortable but empty life in London.Memories of her childhood – exotic fragrances, colours, stifling heat and tropical storms – fill Shirin with a familiar and growing ache for the land and the people that she loves.With the recollections though, come dark clouds of scandal and secrets. Secrets that forced her to flee her old life and keep her from ever returning.Thousands of miles away, in Bangalore, the daughter of Shirin’s brother discovers a lost, forgotten photograph. One that has escaped the flames.Determined to solve the mystery of an aunt she never knew, Reena’s efforts will set in place a chain of events that expose the painful trauma of the past and irrevocably change the path of the future. An unforgettable journey through a mesmerizing, passionate land of contrasts – and a family whose story will touch your heart.

    It’s the story of two women adrift in New York, a widow and an almost-orphan, each searching for someone she’s lost. It’s the story of how, even in moments of grief and darkness, there are joys waiting nearby.Lorca spends her life poring over cookbooks, making croissants and chocolat chaud, seeking out rare ingredients, all to earn the love of her distracted chef of a mother, who is now packing her off to boarding school. In one last effort to prove herself indispensable, Lorca resolves to track down the recipe for her mother’s ideal meal, an obscure Middle Eastern dish called masgouf.Victoria, grappling with her husband’s death, has been dreaming of the daughter they gave up forty years ago. An Iraqi Jewish immigrant who used to run a restaurant, she starts teaching cooking lessons; Lorca signs up.Together, they make cardamom pistachio cookies, baklava, kubba with squash. They also begin to suspect they are connected by more than their love of food. Soon, though, they must reckon with the past, the future, and the truth — whatever it might be. Bukra fil mish mish, the Arabic saying goes. Tomorrow, apricots may bloom.

    Ali sees his new business flourish as the indomitable Mrs. Ali and his careful assistant, Aruna, look on with vigilant eyes. There's the man who wants a tall son-in-law because his daughter is short; the divorced woman who ends up back with her ex-husband; a salesman who can't seem to sell himself; and a wealthy, young doctor for whom no match is ever perfect. But although his clients go away happy, little does Mr. Ali know that his esteemed Aruna hides a tragedy in her past-a misfortune that the bureau, as luck would have it, serendipitously undoes. Bursting with the color and allure of India, and with a cast of endearing characters, The Marriage Bureau for Rich People has shades of Jane Austen and Alexander McCall Smith but with a resonance and originality entirely its own. Farahad's effortless style reveals a country still grappling with the politics of caste, religion, and civil unrest, all the while delivering a shamefully delightful read.

    As he sets about reducing her to his idealised version of a kept woman, bullying her out of her life as an academic and writer in the process, she attempts to push back - a resistance he resolves to break with violence and rape. Smart, fierce and courageous When I Hit You is a dissection of what love meant, means and will come to mean when trust is undermined by violence; a brilliant, throat-tightening feminist discourse on battered faces and bruised male egos; and a scathing portrait of traditional wedlock in modern India.

    A paperback original from a superb writer whose first novel was enthusiastically praised by Khaled Hosseini, bestselling author of The Kite Runner and A Thousand Splendid Suns, Haji, an American of Indo-Pakistani descent, writes with grace, heart, and wisdom about the collisions of culture and religion, tradition and modernity played out through individual lives.

    Their illicit affair will forever rupture two households and three families, destroying a stable present built on the repression of a bloody past.In this sweeping novel of modern Pakistan, Uzma Aslam Khan takes us from the stifling demands of tradition and family to the daily oppression of routine political violence, from the gorgeous sensual vistas of the silk farms to the teeming streets of Karachi--stinking, crumbling, and corrupt.

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    At the age of seventy-nine, Nariman Vakeel, already suffering from Parkinson’s disease, breaks an ankle and finds himself wholly dependent on his family. His step-children, Coomy and Jal, have a spacious apartment (in the inaptly named Chateau Felicity), but are too squeamish and resentful to tend to his physical needs.Nariman must now turn to his younger daughter, Roxana, her husband, Yezad, and their two sons, who share a small, crowded home. Their decision will test not only their material resources but, in surprising ways, all their tolerance, compassion, integrity, and faith. Sweeping and intimate, tragic and mirthful, Family Matters is a work of enormous emotional power.

    Anjini, married but an incorrigible flirt; Binodini, very worried about her children's hissa in the family property; Chandrakanta, who eloped with a foreigner on the eve of her wedding; Eshwari, who is just a little too popular at Modern School, Barakhamba Road; and the Judge's favourite (though fathers shouldn't have favourites): the quietly fiery Debjani, champion of all the stray animals on Hailey Road, who reads the English news on DD and clashes constantly with crusading journalist Dylan Singh Shekhawat, he of shining professional credentials but tarnished personal reputation, crushingly dismissive of her state-sponsored propaganda, but always seeking her out with half-sarcastic, half-intrigued dark eyes. Spot-on funny and toe-curlingly sexy, Those Pricey Thakur Girls is rom-com specialist Anuja Chauhan writing at her sparkling best.

    The lives of the Parsi men and women who grew up together in Wadi Baug are revealed in all their complicated humanity: Adi Patel's disintegration into alcoholism; Dosamai's gossiping tongue; and Soli Contractor's betrayal and heartbreak. And observing it all is Rusi Bilimoria, a disillusioned businessman who struggles to make sense of his life and hold together a fraying community.